T.A.B.O.O
櫻井翔 Lyrics

Can you feel like this? Wanna feel the same
Asking if the listener can feel the way the singer is feeling and if they want to feel the same.

Can you feel this beats? It's like dat y'all
Asking if the listener can feel the rhythm of the music and if it is hitting them like it is hitting the singer.

Get down!
Encouraging the listener to get into the groove and dance.

Close to me 間近に感じるフレグランス 君と科す ruleless
Describing the sensation of being close to someone and feeling their fragrance, and how the singer and the listener are breaking the rules together.

Please don't turn me off 今鎖解き施す罠 君と犯す perfect crime
Begging the listener not to push the singer away, and suggesting that they commit a 'perfect' crime together by giving in to their desires.

It's too late, go back 唇で溶かす媚薬 heavenly Maybe 果てまで
Suggesting that it is too late to turn back now that they have started something, and hinting that their actions will lead them to ecstasy ('heavenly') and perhaps the end ('hate made').

Call my nameless name now この罪を share で tell me What you wanna do, wanna do now, but そこで taboo (what you say girl)
Asking the listener to call the singer's name and share in this 'sin', and then asking them to express their desires but acknowledging that those desires might be considered 'taboo'.

Get it, get it, get it, get it, get now この数秒 carry out What you wanna do, wanna do now, so それが taboo (what you say girl)
Encouraging the listener to act now and seize the moment ('carry out'), and acknowledging that what they might want to do could be considered taboo.

Ah, come on sweetie
Showing the singer's eagerness for the listener to give in to their desires.

気になんならもうこっち来いよ いまを忘れる刹那の恋と想いを Ya like my 踊り子 uh, uh, ha, ha, sh, sh, ha
Asking the listener to come closer and forget about everything else, and comparing themselves to a dancer ('yoru like my dancer').

また夜が襲う (yeah) 貴女の香り指に残る (uh) 無邪気な顔でまた汚す (it's) T-A-B-O-O
Describing how 'night' is the time for their illicit behavior ('attacks'), and how the listener's scent lingers on the singer's fingers. Suggesting that they will engage in forbidden activities again ('Taboo'), without shame ('innocent face').

二回の wink 額とリンク 左を見る "しないの? キス" 光閉じる 未開の地図 蜂の巣の奥の蜜 "Baby come"
Describing a scene where the singer and listener are communicating through winks and the listener suggests a kiss. The singer then describes how their eyes will close during the kiss and they will explore uncharted territory like the honey in a bee's nest. The listener invites the singer to come closer.

Close to me デキレースな game で堕ちる 君が犯す perfect crime
Referring to the illicit activities between the singer and listener as a 'dangerous game' that they are falling into. Suggesting that the listener is committing a 'perfect crime' by engaging in these forbidden acts.

It's too late, go back 辿り着く先はもう heavenly Let it be 果てまで
Repeating that it is too late to turn back, and implying that the singer and listener will experience something heavenly ('heavenly') as they keep going until the end ('let it be the end').

Call my nameless name now その scenario でいい tell me What you wanna do, wanna do now, but そこで taboo (what you say girl)
Asking the listener to speak freely and tell the singer what they want, even if it is taboo. The singer doesn't care about the specifics of what they will do together, as long as they do it ('whatever scenario is fine').

Get it, get it, get it, get it, get now この数秒carry out What you wanna do, wanna do now, so それも taboo (what you say girl)
Encouraging the listener to act now and seize the moment ('carry out'), and acknowledging that what they might want to do could also be considered taboo.

Let's go, get down, ah
Encouraging the listener once again to dance and enjoy the music.