「生誕のレクイエム -original-」 from FINAL FANTASY XIII
Masashi Hamauzu (濱渦正志), born September 20, 1971 in Munich, Germany, is a Ja… Read Full Bio ↴Masashi Hamauzu (濱渦正志), born September 20, 1971 in Munich, Germany, is a Japanese composer for concert and medias who has worked for Square Enix for nearly a decade. Hamauzu's style is a unique blend of impressionnism, jazz and 20th century classical music, often incorporating complex chord extensions, exotic modes and electronic elements. Hamauzu composes music in a wide variety of styles, often employing multiple styles throughout a soundtrack. His compositions break barriers between musical genres, mixing classical marches, tango music, electronic ambience, instrumental solos, and jazz.

Hamauzu's start with Square Enix came by creating a small handful of tracks (along with other composers) for Front Mission: Gun Hazard (1996) and Tobal No. 1 (1996). Later collaborations include Final Fantasy X (2001) (with Nobuo Uematsu [[artist]植松伸夫] and Junya Nakano [[artist]仲野順也]) and Musashi: Samurai Legend (2005) (with Junya Nakano, and Takayuki Iwai & Yuki Iwai [[artist]岩井由紀 ] of Wavelink Zeal).

His solo works include Chocobo's Mysterious Dungeon (1997), SaGa Frontier 2 (1999), UNLIMITED: SaGa (2002), and Dirge of Cerberus: Final Fantasy VII (2006). Hamauzu provided the entire score of Final Fantasy XIII in 2009, and returned for its sequel, XIII-2 in 2011. Hamauzu has also produced arranged albums for a few of his works, including Chocobo's Mysterious Dungeon ~Coi Vanni Gialli~ and Piano Pieces "SF2" Rhapsody on a Theme of SaGa Frontier 2. He also prepared the piano arrangements for Final Fantasy X Piano Collections and Yasunori Mitsuda (光田康典)'s Sailing to the World Piano Score. From SaGa Frontier 2 onward, Hamauzu has primarily worked closely with synthesizer operator Ryo Yamazaki (山崎良).

In addition to his solo and video game compositions, he is also co-leader of the band IMERUAT with vocalist Mina Sakai.

「生誕のレクイエム -original-」 from FINAL FANTASY XIII
浜渦正志 Lyrics


We have lyrics for these tracks by 浜渦正志:


Serah's Theme Make my wish come true, let darkness slip aside Hiding all…
The Sunleth Waterscape Step into the rainbow, find another view Chase the tender li…
サンレス水郷 Step into the rainbow, find another view Chase the tender li…


The lyrics are frequently found in the comments by searching or by filtering for lyric videos

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Comments from YouTube:

@Dahxelb

@AMTRAX91 NOOoooo! This is perfect for the final boss fight! you beat its "shell" and now you have fought all your way to your "goal" and just have to take your last leep to victory, its not a "we are all about to DIEE!!" theme, its a "this is OUR victory" theme, but with a oh so lovely twist ^^ if you take to long time, you loose!! so its a: This is our leep to victory, but dont be lazy, focust this LAST fight, THATS what the music is saying to us!

@AMTRAX

this is almost too happy to be a final boss music piece. the first final boss should have had this music.

@oblivion174

@AMTRAX91 look on the other side: It's just a hopeful enough music to be the final boss music. It's this sort of "this is it, this is the end, this'll be our happy end, not yours!" ... 'Cause on that way, the music fits perfectly again

@Skikdimtchallagh

The piano part is AWESOMEEEEEEEEEEEEEEEEEE

@atomicpaw101

@AMTRAX91 it's supposed to give you energy, and feel as though you're almost finished.

@770megaman

@JackHoundENT its supposed to represent a orphan

@AMTRAX

@SeraphimSwordmaster Eh... It's just my opinion. I prefer heavy evil dark choir sounding music. Like owa or destati

@770megaman

@AMTRAX91 not all are happy parts what about the piano part

@770megaman

@atomicpaw101 yes excatly what im saying

@JackHoundENT

Well the second form of the final boss, doesn't really look menacing, it looks very childish. I guess the childish form must have a happy upbeat piece.

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