Kohei Tanaka (田中公平, Tanaka Kohei) is a Japanese classical composer who has … Read Full Bio ↴Kohei Tanaka (田中公平, Tanaka Kohei) is a Japanese classical composer who has created numerous musical scores for famous anime series. Tanaka was born in Osaka, Osaka Prefecture in February 14, 1954. He is world-renowned for his hit soundtrack to the One Piece anime.
He has created sweeping orchestral works for a range of formats, from anime audio CDs to Japanese game soundtracks to classical concert music. He is recognized for his very particular style mixing elements of impressionist music with jazz, rock and 20th century harmonic techniques. Notable elements of his style are the use of Messiaen's limited transposition modes (in particular mode 2), polytonality, and the doubling of orchestral basses by an amplified guitar or electric bass, recorded at the same time as the other orchestral instruments.
He entered into Tokyo National University of Fine Arts and Music (Music faculty-Composition department) and studied under Tomojirô Ikenouchi and other professors. Tanaka worked for three years at Victor Music Industries after he had graduated. He went to study to Berklee College of Music for two years after he had left Victor. After had returned to Japan, Tanaka started the activity as composer.
Though he had playing at the hotel at first, he was requested to compose an inserted song of "Arcadia of My Youth: Endless Orbit SSX", a 1982 TV anime , and it became his first work as a composer. Afterwards, he handled some compositions of the inserted songs for the Super Sentai series and did the compositions of the background music for the first time for a TV anime Konpora Kid (コンポラキッド, Konpora Kiddo?) in 1985.
Notably, the Gunbuster's BGM made his name and talent very famous among anime fans and is recognized one of the his most important works. He also handled the composition of Diebuster, a sequel series of Gunbuster, and showed a peculiar symphonic arrangement to his own work 17 years ago.
His composition is especially known by the Hot strings of that. Another his most important work is often enumerated The King of Braves GaoGaiGar, a 1997 TV anime, and GaoGaiGar Final, 2000 OVA.
In 2002, he won the first Tokyo Anime Award for Best Music by the music of Overman King Gainer.
He has created sweeping orchestral works for a range of formats, from anime audio CDs to Japanese game soundtracks to classical concert music. He is recognized for his very particular style mixing elements of impressionist music with jazz, rock and 20th century harmonic techniques. Notable elements of his style are the use of Messiaen's limited transposition modes (in particular mode 2), polytonality, and the doubling of orchestral basses by an amplified guitar or electric bass, recorded at the same time as the other orchestral instruments.
He entered into Tokyo National University of Fine Arts and Music (Music faculty-Composition department) and studied under Tomojirô Ikenouchi and other professors. Tanaka worked for three years at Victor Music Industries after he had graduated. He went to study to Berklee College of Music for two years after he had left Victor. After had returned to Japan, Tanaka started the activity as composer.
Though he had playing at the hotel at first, he was requested to compose an inserted song of "Arcadia of My Youth: Endless Orbit SSX", a 1982 TV anime , and it became his first work as a composer. Afterwards, he handled some compositions of the inserted songs for the Super Sentai series and did the compositions of the background music for the first time for a TV anime Konpora Kid (コンポラキッド, Konpora Kiddo?) in 1985.
Notably, the Gunbuster's BGM made his name and talent very famous among anime fans and is recognized one of the his most important works. He also handled the composition of Diebuster, a sequel series of Gunbuster, and showed a peculiar symphonic arrangement to his own work 17 years ago.
His composition is especially known by the Hot strings of that. Another his most important work is often enumerated The King of Braves GaoGaiGar, a 1997 TV anime, and GaoGaiGar Final, 2000 OVA.
In 2002, he won the first Tokyo Anime Award for Best Music by the music of Overman King Gainer.
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炎の山・トーラ
田中公平 Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@user-uw8np5js7s
11:47 14:44 曹 戦
24:59 26:09 27:05 祭汪会幹部 エド 戦 BGM：絆(エド 戦闘BGM)
26:46 エド ヒートモード演出
12:10 12:29 15:12 壁面打撃の極み・表
15:01 武器の極み・片手武器
18:08 18:29 投げ落としの極み
19:18 壁面打撃の極み・裏
26:39 武器の極み・両手武器
28:20 アルティメットヒートの極み
🐮「中国マフィアは3階じゃ死なない」
龍が如く0の米田も桐生さんに高所から蹴り落とされて死ななかったからなぁ…
桐生さんは誓って殺しはやってないからねw
@user-rj1vs9lm7q
中国に住んでたので、黒孫子(ヘイハイツ)についてよく知っています。
何故こんな子供が出来るかというと。
2016年まで一人っ子政策により二人目以降の子供には重い罰金を課される。
しかし、マンパワーに頼った労働形態なので、農村部では二人目以降を内緒で生んでいた。
中国は男尊女卑が根強いので、戸籍を与えるなら男の子に与えるため、男の子が生まれるまでに生まれた女の子は黒孫子になる。
なので、戸籍の男女比率がおかしい。
黒孫子は公共機関、病院、婚姻、就職、教育、保険の権利がないので読み書きが出来ない文盲が沢山いる。
小学校にいくと沢山の黒孫子が居るが人間としてカウントされていないので、名簿と実際の人数が全然合わない。
戸籍のある人間は生徒、黒孫子は聴講生として扱われる、当然給食も出ない。
黒孫子の犯罪率、黒孫子に対する犯罪率が高いため、入ることすら出来ない場所や地域もある。
事件事故で犠牲者数が可笑しいのも黒孫子は人間としてカウントされてない為。
2016年に一人っ子政策は緩和されたがそれは、人権に配慮した訳じゃなく、単純に戸籍のある人間が減ってきて労働力が減った為である。
@wooyoo9515
10:22 めっちゃ隠れてんのに、「桐生さん！」ってはっきり声張って言う秋山好き
@Reegun_
5万の酒飲みまくった2人に対してあの桐生さんが「マジかお前ら…」みたいな感じで引いてるの好き
@acbush7651
「中国マフィアは3階じゃ死なない」
中国マフィアへのうっしーの謎の信頼感
@makotoiida833
迷言やな
@user-zz4wo3eh3j
常識でしょ？
@user-cz3uz3cw4w
15:23
@robe_kazu
舛添が序盤に南雲に対して「その格好は中国ではジェット式と呼ばれててな」とかいうそんなん覚えてないわ、っていう伏線
@bate-to-to
戦い方もちょっと拳法っぽいという伏線もありますぜ
@disney_haruki
今回のタイトル｢珍客の多い中華料理店｣
極の# 36劉家龍(ラウカーロン)との戦いの時のタイトルは｢流血の多い中華料理店｣
うしざぁは渋いですね…
@user-lj7ut9rc2z
エドみたいな【感情が昂ると母国語出る悪役】はマジで好き