日光
苏打绿 Lyrics


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醒在梦境上梦在清晨上
晨在川流上流在船岛下

残留的夜蹄在稀薄中消失尽
游戏的念头在泡影中蔓延起
美好是因为挑战无私的天真
罪恶是因为克服背叛的恐惧
岛在轻浮下浮在狂热下
狂在初雷下雷在白昼上

泉水的音乐在玫瑰缝中打击
牧神的笛声在快乐岛中苏醒
美丽是因为滞留昏迷的倦意
丑恶是因为无视梦境的逝去
啦啦啦啦

水濂遮蔽海妖歌吟
夜燕窜袭金手抚息

无私的天真在烟云中消失尽
梦境的逝去在芦笛中蔓延起




美好是因为克服美好的恐惧
美好是因为无视美好的逝去

Overall Meaning

In the first verse, the lyrics paint a picture of waking up in a dream and dreaming in the morning, symbolizing a blending of reality and imagination. The mention of the flow of a river and a ship island creates a sense of movement and transition. The fading of the night's hoofprints in the thin air represents the disappearance of the remnants of darkness. Furthermore, the idea of thoughts of games spreading like bubbles implies a sense of fleetingness and fragility.


The second verse continues with contrasting images, as the island floats in a frivolous manner and madness arises amidst the initial thunder. This juxtaposition suggests a sense of instability and excitement. The music of the spring striking the seams of roses and the awakening of the shepherd's flute in the island of joy depict a sensory and joyful awakening. It highlights the beauty that lingers within the realm of dreams and the ugliness that arises when dreams are ignored or neglected.


The repetition of "lala" in between the verses serves as a musical interlude, allowing the listener to immerse in the ambience and contemplate the meaning behind the lyrics. It adds a touch of whimsy and playfulness to the song.


The last verse portrays a clash between water and a sea monster's song, while the night swallow attacks with golden hands to calm the chaos. This imagery suggests a battle between opposing forces and the need to find balance and harmony.


The lyrics conclude with the reflection that selflessness and innocence disappear amidst the haze, and the passing of dreams spreads through the sound of the reed flute. The notion of beauty arises from overcoming the fear of beauty itself and from disregarding the transience of beautiful moments. It implies that beauty can be found in embracing the present and seizing the opportunities it presents.




Lyrics © O/B/O APRA AMCOS

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Comments from YouTube:

@qing3998

春 日光裡有"狂熱" ,夏 狂熱裡有"故事",秋 故事裡有"未了",冬 未了裡有"日光"青峰真的太有才了!

@onelamb100

一首歌經過很多年後來聽,常常就會覺得會有時間的痕跡,但是打綠的歌都不會,每次聽都是這麼的好聽,打綠的作品真得是經典。

@user-be2ri4ij4x

2019年首次聽這首歌~完全没時間痕跡。青峰活潑可愛個性在MV裡表露無遺,10餘年來始終如一!保有赤子之心的青峰擁有源源不絕的創作力!很遺憾我錯過了蘇打綠年代~感謝他們留下這麼棒的作品,給典值得珍藏一生,聽到老永遠聽不膩!

@jackmike6

記得當年非常驚訝這首歌沒入圍最佳作詞,但得了一個最佳音樂錄影帶也很開心。 美好是因為克服美好的恐懼 美好是因為無視美好的逝去

@reedysong5427

青峰的词着实令人玩味,词的搭配更是出乎意料之外,又在想象之中。“日光”中算是最为突出的一首,如梦境与现实拼凑在一起,似泼墨与油彩相遇在山水中。
最喜欢 醒在梦境上、梦在清晨上、晨在川流上、流在船岛下 这一段,虽然不解何谓船岛,只想问:川流上的晨梦醒了没?
还有 残留的夜蹄在稀薄中消失尽,清晨中气息刚刚苏醒,有种清冷的稀薄,氲氤着残留的夜色,是Somnus的匆匆而去的背影,应是向着西方而去。
“日光”的MV也拍得很是特别,去意象着歌词中情境想必对于导演来说不是易事,最终结出一个有点神神叨叨的影像,与青峰的感觉倒也相宜。台湾MV一贯的暖色与曲调颇为合拍,集体舞应该是鼓励人晨起锻炼。
有时听歌基本上不听歌词的,音乐是第一位的,今天细细读来青峰的词,却也别有一番风味。虽然有点落到言必称康德的俗套,但最近读到康德的一句话却是不吐不快
If we wish to discern whether anything is beautiful or not, we do not refer the representation of it to the object by means of the understanding with a view to cognition, but by means of the imagination....
康德认为美感是无关心的满足(disinterested satisfaction),读到青峰的词,所感受到的美,第一眼应该是种有趣的美,像是孩童一时涂鸦之作,能让人有很多的imagination. 细细读来,这种美是能透过文字的理解挖掘得更深,还有些继承古代词人用典的传统。所以当有人问 牧神是谁 的时候,青峰答说要多读书。

@janejen7041

他是中文系畢業的 超喜歡他!

@janejen7041

你是看 他上完快樂大本營來的吧😊

@reedysong5427

+jane jen 嘻嘻,确实呢。被看出来啦:)

@celiang8499

我覺得青峰跟李白是一類的,天才浪漫型,對文字非常敏感,而且他本來就調皮,於是在詞作的配搭運用上能夠出新而不突兀。常常覺得青峰的歌是要歌曲整合一體才更能發揮它的韻味。

@user-ce1oh8zw9m

四個季節的詞真的都好美

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