菅野よう子 (Yōko Kanno), born March 19, 1964 in Miyagi Prefecture, Japan, is a J… Read Full Bio ↴菅野よう子 (Yōko Kanno), born March 19, 1964 in Miyagi Prefecture, Japan, is a Japanese composer, arranger and musician best known for her work on the soundtracks for many games, anime films, TV series, live-action movies, and advertisements. She has written scores for famous animated works, including "Macross Plus", "Turn A Gundam", "Cowboy Bebop", "The Vision of Escaflowne", "Ghost in the Shell: Stand Alone Complex", "Wolf's Rain", and is the most trusted composer by veteran and new-wave directors such as Yoshiyuki Tomino, Shinichiro Watanabe and Shoji Kawamori. Kanno has also composed music for pop artists, the most notable being 坂本真綾 (Maaya Sakamoto) and 小泉今日子 (Kyōko Koizumi). She is also a skilled keyboardist, and is the frontwoman for シートベルツ (Seatbelts), who perform many of Kanno's compositions on the various original soundtracks for which she is responsible.
Some of her most famous soundtrack themes include "Voices" (Macross Plus), "The Real Folk Blues" (Cowboy Bebop), "Yakusoku wa Iranai" (Escaflowne), "Gravity" (Wolf's Rain), and "Inner Universe" (Ghost in the Shell: Stand Alone Complex). She was the lead member of the project band called The Seatbelts, which regrouped in the year of 2004 to compose the soundtrack of the PlayStation 2 Cowboy Bebop video game, released in Japan in 2005.
Her early career includes her part in the jazz band てつ100%. She has composed for many Koei games released during the late 1980s to early 1990s and for Napple Tale, a Dreamcast game. Due to her close involvement in the Cowboy Bebop anime, the game released by Bandai also features her work.
Apart from anime and games, Kanno also composes for live-action films and television commercials. Some popular brands she has composed for are Canon, DoCoMo, Fuji Xerox, Seven-Eleven, Microsoft, Nissan, Toyota, Shiseido, Avon, and Master Card to name a few. Grand Funk Inc. is her recording studio of choice in producing for these two media. Contributions to films started in the 90s but only since 2002 has there been a trend towards the medium. Most of the latter were shown in international film festivals.
She has attended Otakon and Anime Expo in 1999, as well as Anime Expo New York in 2002. In 2010, she made a surprise appearance at Anime Expo.
Apart from anime and games, Kanno also composes for live-action films and CMs (television advertisements or commercials) for all sorts of brands. Grand Funk Inc. is her recording studio of choice in producing for these two media. Contributions to films started in the 90s but only since 2002 has there been a trend towards the medium. Most of the latter were shown in international film festivals.
In addition to Japanese, she speaks very little English and some French, but claims that her English is "poor" and she needs translation help to converse in French.
She was married to fellow composer Hajime Mizoguchi, with whom she collaborated on the soundtracks for Please Save My Earth and The Vision of Escaflowne. They divorced in 2007.
Gabriela Robin is a pseudonym that Kanno occasionally uses when she performs vocals. For a long time, the fact that Robin and Kanno were the same person was an unproven rumor. But, on July 7, 2009, Yoko Kanno performed as Gabriela Robin on her stage, proving the rumor to be true.
Besides music, Kanno also enjoys photography and writing. She has written a number of journals for Newtype magazine of which photos for illustrations are done by Kanno herself as well, and a selection of photos taken by Kanno of her protogé and former production partner Maaya Sakamoto were featured in the special event program for Sakamoto's 2010 thirtieth birthday concert at Nippon Budokan.
In 2011, Kanno expressed her support and wishes to the victims of the 2011 Tōhoku earthquake and tsunami, composing a song titled "Kimi de Ite, Buji de Ite".
Official website: www.kannoyoko.net
Some of her most famous soundtrack themes include "Voices" (Macross Plus), "The Real Folk Blues" (Cowboy Bebop), "Yakusoku wa Iranai" (Escaflowne), "Gravity" (Wolf's Rain), and "Inner Universe" (Ghost in the Shell: Stand Alone Complex). She was the lead member of the project band called The Seatbelts, which regrouped in the year of 2004 to compose the soundtrack of the PlayStation 2 Cowboy Bebop video game, released in Japan in 2005.
Her early career includes her part in the jazz band てつ100%. She has composed for many Koei games released during the late 1980s to early 1990s and for Napple Tale, a Dreamcast game. Due to her close involvement in the Cowboy Bebop anime, the game released by Bandai also features her work.
Apart from anime and games, Kanno also composes for live-action films and television commercials. Some popular brands she has composed for are Canon, DoCoMo, Fuji Xerox, Seven-Eleven, Microsoft, Nissan, Toyota, Shiseido, Avon, and Master Card to name a few. Grand Funk Inc. is her recording studio of choice in producing for these two media. Contributions to films started in the 90s but only since 2002 has there been a trend towards the medium. Most of the latter were shown in international film festivals.
She has attended Otakon and Anime Expo in 1999, as well as Anime Expo New York in 2002. In 2010, she made a surprise appearance at Anime Expo.
Apart from anime and games, Kanno also composes for live-action films and CMs (television advertisements or commercials) for all sorts of brands. Grand Funk Inc. is her recording studio of choice in producing for these two media. Contributions to films started in the 90s but only since 2002 has there been a trend towards the medium. Most of the latter were shown in international film festivals.
In addition to Japanese, she speaks very little English and some French, but claims that her English is "poor" and she needs translation help to converse in French.
She was married to fellow composer Hajime Mizoguchi, with whom she collaborated on the soundtracks for Please Save My Earth and The Vision of Escaflowne. They divorced in 2007.
Gabriela Robin is a pseudonym that Kanno occasionally uses when she performs vocals. For a long time, the fact that Robin and Kanno were the same person was an unproven rumor. But, on July 7, 2009, Yoko Kanno performed as Gabriela Robin on her stage, proving the rumor to be true.
Besides music, Kanno also enjoys photography and writing. She has written a number of journals for Newtype magazine of which photos for illustrations are done by Kanno herself as well, and a selection of photos taken by Kanno of her protogé and former production partner Maaya Sakamoto were featured in the special event program for Sakamoto's 2010 thirtieth birthday concert at Nippon Budokan.
In 2011, Kanno expressed her support and wishes to the victims of the 2011 Tōhoku earthquake and tsunami, composing a song titled "Kimi de Ite, Buji de Ite".
Official website: www.kannoyoko.net
Call Me Call Me
菅野よう子 Lyrics
We have lyrics for 'Call Me Call Me' by these artists:
(Cowboy Bebop) I close my eyes and I keep seeing things Rainbow waterfalls …
Cowboy Bebop I close my eyes and I keep seeing things Rainbow waterfalls…
Cowboy Bebop - OST 3: Blue I close my eyes and I keep seeing things Rainbow…
COWBOY BEBOP featuring YOKO KANNO / SEATBELTS I close my eyes and I keep seeing things Rainbow waterfalls…
Cowboy Bebop OST 3 - Yoko Kanno & Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls …
Cowboy Beebop O.S.T. III I love it when you call me It's real I know…
Kanno Yoko & Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls …
Matisse I tried to make up verses And came up with a…
Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls …
Seatbelts Yoko Kanno I close my eyes and I keep seeing things Rainbow waterfalls …
Seatbelts; Yoko Kanno I close my eyes and I keep seeing things Rainbow waterfalls…
Steve Conte I close my eyes and I keep seeing things: Rainbow waterfall…
Steve Conte; Yoko Kanno I close my eyes and I keep seeing things Rainbow waterfalls …
The Seatbelts and Steve Conte I close my eyes and I keep seeing things Rainbow waterfalls…
The Seatbelts ft. Steve Conte I close my eyes and I keep seeing things Rainbow waterfalls …
The Seatbelts! I close my eyes and I keep seeing things Rainbow waterfalls…
Tim Jensen/Yoko Kanno I close my eyes and I keep seeing things Rainbow waterfalls …
Ýñò°¤È¤¦×Ó/Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls…
Yōko Kanno & The Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls …
Yoko Kanno & The Seatbelts ft. Steve Conte I close my eyes and I keep seeing things Rainbow waterfalls…
Yoko Kanno (and Seatbelts) I close my eyes and I keep seeing things Rainbow waterfalls …
Yoko Kanno (Cowboy Bebop OST) I close my eyes and I keep seeing things Rainbow waterfalls…
Yoko Kanno Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls …
Yoko Kanno/Seatbelts I close my eyes and I keep seeing things Rainbow waterfalls…
ìæ¤q&SEATBELTS I close my eyes and I keep seeing things Rainbow waterfalls …
シートベルツ produced by Y.K It's lonely in the streets But you can always come to…
菅野よう子&SEATBELTS I close my eyes and I keep seeing things Rainbow waterfalls …
We have lyrics for these tracks by 菅野よう子:
Butterfly You′re a love song Only half-way sung You're the knot that c…
High School Life 旅のはじまりはもう思い出せない 気づいたら ここにいた 季節が破けて 未発見赤外線 感じる眼が迷子になる たぶん失うの…
Sora Win dain a lotica En val tu ri Si lo ta Fin dein…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Gizmo
I close my eyes and I keep seeing things
Rainbow waterfalls
Sunny liquid dreams
Confusion creeps inside me raining doubt
Gotta get to you
But I don't know how
Call me call me
Let me know it's alright
Call me call me
Don't you think it's 'bout time
Please won't you call and
Ease my mind
Reasons for me to find you
Peace of mind
What can I do
To get me to you
I had your number quite some time ago
Back when we were young
But I had to grow
Ten thousand years I've searched it seems and now
Gotta get to you
Won't you tell me how
Call me call me
Let me know you are there
Call me call me
I wanna know you still care
Come on now won't you
Ease my mind
Reasons for me to find you
Peace of mind
What can I do
To get me to you
Come on now won't you
Ease my mind
Reasons for me to find you
Peace of mind
Reasons for livin my life
Ease my mind
Reasons for me to know you
Peace of mind
What can I do
To get me to you
tiger-striped cat
In Session 1, Laughing Bull foretells of Spike's death being brought on by a woman.
Laughing Bull: Swimming bird will meet a woman. The bird will be hunted by this woman. And then death.
Spike: One more time.
Laughing Bull: What's that?
Spike: I was killed once before by a woman.
Spike is speaking of Julia. Losing her love was so painful as to be considered a form of death. He was left in a detached dream-like purgatory from that day on.
In Session 26, Julia is shot in front of Spike. White doves fly by in slow motion. Horror, shock, and agony are expressed in Spike's left eye. He screams her name, drops his weapon, and runs to her. He takes her in his arms. Hears her last words, which are inaudible to the audience.
Spike looks down at his lost love and then up to the sky. The camera is now focused on Spike's right eye, which is shaking in a disturbing manner. The camera zooms into Spike's pupil and everything fades to black.
The next scene is of Laughing Bull predicting Spike's imminent death.
Holding Julia's coat, Vicious speaks of Spike.
Vicious: A beast that has lost his place. He has nowhere to return to now. He will come.
Vicious is both right and wrong. Spike will come, but he does have somewhere to return to one last time.
Two rose petals are shown blowing away in the wind.
Spike returns to the Bebop and tells Jet a story. An allegory about his life which he uses to explain why he will never return.
Spike: There once was a tiger striped cat. This cat died a million deaths, revived and lived a million lives, and he was owned by various people who he didn't really care for. The cat wasn't afraid to die. Then one day the cat became a stray cat, which meant he was free. He met a white female cat, and the two of them spent their days together happily. Well, years passed, and the white cat grew weak and died of old age. The tiger striped cat cried a million times, and then he died too. Except this time, he didn't come back to life.
Jet is keenly aware that Spike's death looms in the horizon. He is wary of the tale's implications.
When Spike gets up to leave, Jet asks him one last question.
Jet: Is it for the girl?
Spike: [beat] She's dead. There's nothing I can do for her now.
This is true. Julia is dead. There is nothing Spike can do for her. This does not lessen the impact she has on the events that are about to unfold. Jet understands this. Upon hearing of Julia's death, he has a resigned if devastated reaction. He knows exactly what this means for Spike.
Faye confronts Spike while holding him at gunpoint. She knows that he is marching towards his death.
Faye: Where are you going? Why, are you going? You told me once, to forget the past, ‘cause it doesn’t matter, but you’re the one still tied to the past, Spike!
Spike does not deny this. Instead, he explains the truth about his eyes. The camera spans from his left eye to his right eye.
Spike: Look at my eyes, Faye. One of them is a fake because I lost it in an accident. Since then, I've been seeing the past in one eye and the present in the other. So, I thought I could only see patches of reality, never the whole picture.
Faye: Don’t tell me things like that; you’ve never told me anything about yourself, so don’t tell me now!
Spike: I felt like I was watching a dream I could never wake up from. Before I knew it, the dream was all over.
This is not the first time Spike has expressed this sentiment. One of his most revelatory quotes was said in the teaser for Ballad of Fallen Angels.
Spike: The music box is broken, or is it? It starts to play, and a haunting tune fills the air. I wake suddenly from my dream. There is no music box! And yet there it is. A tiny one nestled in my hand. And I awaken from my dream again. As if I were peeling an onion. It’s a dream no matter how far I go. I can never reach reality. Trapped in an endless nightmare.
Spike is so affected by the loss of the woman he loves that even an item she once possessed haunts him. It is her death that has finally woken him from his detached dream-like state.
Faye shares with Spike that her memory has returned. She explains that there was nowhere for her to go back to. She pleads with him to stay.
Spike ignores her please and instead leaves her with these parting words.
Spike: I’m not going there to die; I’m going to find out if I’m really alive. I have to do it, Faye.
Faye is not comforted by this statement. The audience should not be comforted either. Spike's words eerily echo what Jet said to him in session 25.
Jet: Men only think about the past right before their death, as if they were searching frantically for proof that they were alive.
Faye cries and shoots off her gun. An act reminiscent of the 21-gun salute that is used in the military to honor the fallen.
Spike walks away from Faye without looking back. He is never shown thinking about anyone from the Bebop again.
The song "See You Space Cowboy" plays as Spike leaves the Bebop.
"Everything is already over",
You say with closed ears
The words only flow
Towards a tomorrow without peace
"There's nothing that won't change"
Even if my life ends
This love will not disappear
It's something that will live forever
Even if dreams are hidden in darkness
I got a rainbow
Rainbow in your hands...
The camera zooms in on Spike's left eye. The eye that sees Spike's past. The lyrics begin as Spike is recalling romantic memories of Julia. He thinks of the first time he saw Julia and was captivated by her beauty. He thinks of a time when he made love to Julia and she cradled him in her arms.
Given that Spike confided to Jet just the previous session that Julia was a part of him, the image shows a moment in Spike's life when he felt whole.
Spike: She was a piece of me I had lost. She is my other half that I had longed for.
The song continues to play as Spike attacks the syndicate. It is a ballad of undying love alluding to lovers being reunited in the afterlife.
When Spike faces off against his hated rival, Vicious makes a proclamation.
Vicious: So, you're finally awake. I told you before, Spike. I'm the only one who can kill you and set you free.
Spike does not deny this. But makes a proclamation of his own.
Spike: Those words apply to you as well, Vicious.
During their fight, there comes a moment where the two disarm each other by swapping weapons. Vicious getting Spike's gun and Spike getting Vicious's katana. It is at this moment that Spike makes a statement of great significance to both men.
Spike: Julia passed away. Let's end it all.
Vicious: If that's your wish.
The rivals return their weapons. Spike shoots Vicious but gets sliced across the abdomen.
Vicious's death comes quickly, while Spike lingers as was foreshadowed.
Vicious: Don't forget, a snake's venom poisons slowly after the bite.
Spike watches Vicious's body fall to the ground, spends but a few of seconds looking at him, then looks up to the night's sky. The camera is focused on Spike's right eye. Now calm.
Spike sees Julia. This is the first time in the entire series that Spike is shown seeing Julia with his right eye.
In session 13, during an auditory flashback, Spike and Julia discuss his eyes.
Spike: My left eye sees the past.
Julia: What about your right eye?
We do not hear his response.
In the penultimate scene of the series, we are specifically shown what Spike sees with his eye that sees his present. He sees her.
In Spike's vision, Julia is cast in a white light. She says her last words to Spike, this time they are audible to the audience. Spike is shown reflected back in Julia's eye. He glumly concurs with her. Spike is then completely engulfed by a blinding white light. The scene fades to white. This light is reminiscent of the divine light that is cast upon a soul that is ready to ascend to heaven.
Julia: It's all a dream.
Spike: Yeah. Just a bad dream.
From white we transition to the final scene of the series. It is now day. A white light is now cast over the entire syndicate.
Spike smiles, points a finger gun at the remaining syndicate goons and says "bang".
This is a callback to Wen from session 6. As Wen was dying he asked Spike if he understood the relief that came with one's own death. In response, Spike threw Wen's harmonica up in the air, pretended to shoot it while saying "bang", but then said "as if". When Spike says "bang" this time he is acknowledging that he now understands that relief.
Spike falls to the ground. He is never shown moving again. White doves are shown flying over Spike's body. White doves also flew by Julia when she died.
The camera follows an ascension into the heavens, while the song "Blue" plays. The song's lyrics allude to a soul ascending to heaven.
Free
Wanna be free
Gonna be free
And move among the stars
You know, they really aren't so far
Feels so free
Gotta know free
Please
Don't wake me from the dream
It's really everything it seems
I'm so free
No black and white in the blue
Everything is clearer now
Life is just a dream, you know
That's never-ending
I'm ascending
At the end of the credits a star goes out but never falls.
In session 13, Laughing Bull informs the audience to what a falling star truly is.
Laughing Bull: The tear of a warrior. A lost soul who has finished his battle. A pitiful soul who could not find his way to the lofty realm. Where the great spirit awaits us all.
Given that the star we are shown does not fall, it is reasonable to infer that the soul the star belonged to did make its way to the great spirit that awaits us all.
That soul has broken away from the cycle of death and rebirth and is never coming back. As was foreshadowed to happen to Spike in the fable of the tiger striped cat, who followed his love into death and never returned.
ます
I close my eyes and I keep seeing things
目を閉じて見続ける
Rainbow waterfalls sunny liquid dream
虹とか滝とか液状化してく光の夢
Confusion creeps inside me raining doubt
迷いが心にはいりこんでくる 疑いが雨みたいに降ってくる
Gotta get to you
あなたに逢いたい
But I don’t know how
でもどうすればいい?
Call me, Call me
電話して
Let me know it’s alright
大丈夫だって言ってくれ
Call me, Call me
電話して
Don’t you think it’s ‘bout time
その時がきたんだ
Please won’t you call and
電話して・・・
*Ease my mind
安心させて欲しいんだ
Reasons for me to find you
あなたを見つけることには意味がある
Peace of mind
神よ 安らぎのために
What can I do
僕に何ができる
to get me to you
あなたに近づくために
I had your number quite some time ago
前はいつだって連絡とれたのに
Back when we were one
あなたの元をはなれるまでは
But I had to grow
僕らはひとつだった
Ten thousand years I’ve searched it seems and now
1万年の間探してたような気分だ
Gotta get to you Won’t you tell me how
今どうしたらあなたに逢える?
Call me, Call me
電話して
Let me know you are there
そこにいるって言ってくれ
Call me, Call me
電話して
I wannna know you still care
まだあなたが 僕を気にかけてるかが知りたい
Come on now won’t you
お願いだ・・・
*Repeat
安心させて欲しいんだ
Reasons for me to find you
あなたを見つけることには意味がある
Peace of mind
僕の心の安息のために
Reasons for living my life
生きる意味を知るために
Ease my mind Reasons for me to know you
あなたを知りたいんだ
Peace of mind
僕の心の安息のために
What can I do to get me to you
あなたに近づくために何ができる?
Skipping Step 1
I once heard a reviewer state why this anime sticks with so many people:
"Most anime plots revolve around young people finding themselves or coming of age. Cowboy Bebop is specifically about what comes after that."
Michael Lorah
I'd say it's a bit more complicated than that. It's a story about a man who desperately wants to prove to himself that he's still alive inside, and finds his answer all too late.
BearKenster
@Michael Lorah I'd say it's a bit more complicated than that. It's about cleaning out your fridge.
oWo Rudie
True. It's about being an adult. Trying to deal with your past, and trying to feel alive.
Skipping Step 1
@BearKenster And of course, don't eat the mushrooms.
Igo Dreamer
Yes
Pete
Here is to Keiko Nobumoto (the writer of Cowboy Bebop and many others) who passed away today... another great person lost during these crazy times
Kisama No
God I had no clue they passed away 😢 Cowboy bebop is a work of art that transcends traditional storywriting
Codename
Damn... Rest in peace, mam.
Runner
May he be in peace