The band came into being when vocalist Kiyoharu (清春) from the band GARNET and guitarist Shin (臣) from GERACEE decided to collaborate. Kiyoharu then invited Hitoki (人時), the bassist from Garnet, to join. The band's concept was based upon the idea of "yume wa nai" (dreams don't exist).
Kuroyume started their career as one of the pioneers of the visual rock scene. Next to artists such as LUNA SEA or the early works of L'Arc~en~Ciel, Kuroyume was one of the most influential, and to this day many artists have tried to replicate the sound of their early era. Albums during this era included "生きていた中絶児" (Ikiteita Chuzetsuji, 1992), "亡骸を…" (Nakigara o... , 1993), and "迷える百合達" (Mayoeru Yuritachi, 1994).
After Shin left the group, Kiyoharu and Hitoki continued as a duo. The first Kuroyume album without Shin was "feminism" (1995). The album took the band into more pop territory than they had ever been before. The album featured hit songs such as "優しい悲劇" (Yasashii Higeki) and "Miss MOONLIGHT." The follow-up to "feminism" was "FAKE STAR" (1996). "FAKE STAR" still featured slick production to appeal to the pop crowd and also featured more songs with a punk edge. Also, it is important to say that Hitoki played guitar on most of the band songs after Shin left.
The influence of punk rock on Kuroyume would continue with their next release, "DRUG TREATMENT" (1997). While having hit songs such as "NITE & DAY" and "Spray," the album also contained what would be their most punk-influenced works to date. The album is also home to one of the most famous songs Kuroyume has ever done, "Like A Angel." Later that year a live album at Shinjuku LOFT was released, and to this day remains to be one of the best examples of Kuroyume's amazing power while playing live. In 1998, Kuroyume would release one last proper album, "CORKSCREW." It was the most abrasive, loud, and fast album they had ever done. While the album was still fun, the simplicity of the writing began to show. The band would break up the following year.
Immediately following the break up, Kiyoharu formed the band SADS. That band's original run lasted until 2003, and from 2004 onward Kiyoharu was active as a solo artist.
Unlike Kiyoharu, HITOKI returned to the indie scene. Along with keeping busy with projects such as HITOKI-PIRANHAHEADS, SSS, SUPER DROP BABIES, and Dummy's Corporation, Hitoki also served as a session/support musician for many bands and artists, including AKI, IZAM, ROBOTS, Creature Creature, 大塚愛, and Hysteric Blue.
On January 29th, 2009, Kiyoharu and Hitoki reunited for Kuroyume's "the end" ~CORKSCREW A GO GO! FINAL~ on the 10 year anniversary of their last live. The one-night event was supposed to serve as the official end of Kuroyume. However, the following year, Kiyoharu announced the band's reformation.
夢
黒夢 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
つかんで 放す 淡い時よ
why こんなに 弱く過ぎて行く
何故だろう 君と 容易い程に
まれに見る 夢で 逢えてしまう
why 限度も 知らず 臆病な
Ah 想いを 僕が 覚えよう
君を ただ君を 抱きしめて眠りたい
why bright やがて 解るのか
そう 失えば
『孤独そのものと...』
君を ただ君を
不安にさせたくないから
せめて 強がって
両腕を広げるだろう
雨の下ならば
涙しても見えないから
空が曇るのを
僕だけは待ってみようか
君を ただ君を 抱きしめて眠りたい
僕の 夢の中 入り込む
その自然さを
夢に見た 夢描いた
夢を見た 夢はある
The lyrics of the song 夢 by the Japanese rock band 黒夢 (Kuroyume) express a sense of longing and vulnerability towards an unnamed lover. The lyrics describe the feeling of being unable to hold onto these moments and the fear of being alone. The chorus reveals the singer's desire to simply hold on to their lover and not cause them any worry, even if they have to pretend to be strong for their sake.
The opening lines set the dreamlike tone of the song, with the singer expressing how their lover is gently drifting away, and they can only watch as they slip through their grasp. The lyrics suggest that the singer is grappling with the idea of why things can't simply stay the same and why they must continually lose these precious moments. Despite their own fears and anxieties, they wish to remember their feelings for their lover, understanding that there may come a time when their memories will be all they have left.
Overall, the lyrics of 夢 convey a sense of fragility and wistfulness. The singer seems to be grappling with the idea that they may not always be able to hold onto the things they cherish, but they are determined to keep these memories alive even as they drift away.
Line by Line Meaning
ほのかに君が 漂ってる
You're drifting faintly
つかんで 放す 淡い時よ
These fleeting moments where I hold you then let you go
why こんなに 弱く過ぎて行く
Why does time pass so weakly, 力なく?
何故だろう 君と 容易い程に
Why is it effortless to dream of you and I together?
まれに見る 夢で 逢えてしまう
We end up meeting in dreams only seen rarely
why 限度も 知らず 臆病な
Why am I so timid and relentless,
Ah 想いを 僕が 覚えよう
Let me hold these emotions
君を ただ君を 抱きしめて眠りたい
I want to hold you and sleep, just be with you
僕の 胸の中 入り込む その面影を
These memories and glimpses of you that fill my heart
why bright やがて 解るのか
Why will it become clear eventually (why it didn't work out)
そう 失えば
Because once we lose it
『孤独そのものと...』
it becomes unbearable loneliness
君を ただ君を 不安にさせたくないから
I don't want to make you feel uneasy, just want you
せめて 強がって
So let me pretend to be strong, at least.
両腕を広げるだろう
I would spread my arms wide open
雨の下ならば 涙しても見えないから
If we're under the rain, you won't see my tears anyway.
空が曇るのを 僕だけは待ってみようか
Shall I wait alone as the sky gets cloudy?
君を ただ君を 抱きしめて眠りたい
I want to hold you and sleep, just be with you
僕の 夢の中 入り込む その自然さを
As you enter my dream, you bring such natural ease
夢に見た 夢描いた
I dreamt of, and then created this dream
夢を見た 夢はある
The dream I had became a reality, I'm living it now.
Lyrics © TV Asahi Music Co., Ltd.
Written by: 清春
Lyrics Licensed & Provided by LyricFind
100 yen
雨の下ならば 涙しても見えないから
空が曇るのを 僕だけは待ってみようか(アルバムバージョン)
至高の歌詞センス
ものすごい好き!
💕高野豆腐の山💛
今度難しいけど歌ってみたで歌おうかなぁ😅