Jackson was born and raised in South Jamaica, a neighborhood in the New York City borough of Queens. His mother Sabrina, a drug dealer, died in a fire when he was 8. Since his father had already abandoned the family, young Curtis was sent to live with his grandparents. Growing up during the crack epidemic of the 80s and 90s, Jackson dealt drugs when he wasn't "killing time" at school or boxing at a local gym. His grandparents assumed he was at after-school programs when he was out selling crack. In tenth grade, Jackson was caught with guns and drug money passing through the metal detectors at Andrew Jackson High School in Queens. In 1994, Jackson was arrested again for selling vials of cocaine to an undercover officer, and three weeks later he was arrested yet-again after police found heroin, crack cocaine, and a starter pistol in his home. Jackson was sentenced to 3 to 9 years in prison, but opted to join a 6 month boot camp program and get his GED. Around this time, Jackson began going by "50 Cent," inspired by deceased Brooklyn stick-up man Kelvin "50 Cent" Martin.
After leaving drug dealing to pursue a rap career, he released his debut album Guess Who's Back Again in 2002. He was discovered by Eminem and Dr. Dre and then signed to Interscope Records. He has since released Get Rich or Die Tryin' (2003), The Massacre (2006), Curtis (2007) and Before I Self Destruct (2009).
50 Cent has engaged in feuds with other rappers including Jay-Z, Ja Rule, The Game, Cam'ron, Fat Joe, and Rick Ross. He has also pursued an acting career, appearing in the semi-autobiographical film Get Rich or Die Tryin' in 2005, the Iraq War film Home of the Brave in 2006, and Righteous Kill in 2008. 50 Cent is one of the richest hip-hop performers, having a net worth estimated at US $440 million in 2008.
Before 50 Cent ever inked a major deal, he built up a substantial fan base in New York through underground mixtapes. 50 Cent met up with Jam Master Jay of Run-DMC and was signed to his label to write all of Jay’s music. After he’d left JMJ, he signed to Columbia Records in 1996. On this label, he released Power of the Dollar, and the singles How to Rob and Ghetto Qua Ran. Columbia Records released him from the label after being shot on May 24th, 2000.
Around this time, Eminem had heard one of 50 Cent’s demo tapes and expressed a huge interest in him on MTV, as did Dr. Dre. Shortly after this, 50 Cent officially signed to Interscope Records. He was the first rapper to sign to the joint label owned by Dr. Dre and Eminem. The first song he released on this record was entitled Wanksta and was featured on the 8 Mile soundtrack.
In its first week of release, his debut ”Get Rich Or Die Tryin’” sold 872,000 units - easily reaching Gold status. Within the second week it went Platinum (1 mil) and on April 12th, 2004 the RIAA certified it six times Platinum.
In 2005 he followed the success of his album Get Rich or Die Tryin’ with a new release - The Massacre (originally called St. Valentines Day Massacre until the release date was pushed back). The first single released off this, Disco Inferno, was a huge hit - he followed this hit up by the release of Candy Shop and then again with Just a Lil Bit.
In 2003 Interscope Records allowed 50 Cent to have his own label - G-Unit Records. He first signed Lloyd Banks, Tony Yayo and Young Buck as the established members of G-Unit Records. In 2004, Dr. Dre and 50 Cent had signed The Game under a joint venture.
Ayo Technology
50 Cent Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Unforgettable
50 Cent (Cent)
Justin (-tin)
Timbaland (-land)
Goddamn (damn)
She, she, she want it, I wanna give it to her
I wanna see you break it down (yeah)
I'm ballin', throwin' money around
She a working girl, she work the pole
She break it down, she take it low
She fine as hell, she about the dough
She doing her thing out on the floor
Her money money, she makin' makin'
Look at the way she shakin' shakin'
Make you want to touch it, make you want to taste it
Have you lustin' for her, goin' crazy face it
Now don't stop, get it, get it
The way she shakin' make you want to hit it
Think she double jointed from the way she splitted
Got your head fucked up from the way she did it
She's so much more than you're used to
She knows just how to move to seduce you
She gone do the right thing and touch the right spot
Dance in your lap till you're ready to pop
She always ready, when you want it she want it
Like a nympho, the info, I show you where to meet her
On the late night, till daylight the club jumpin'
If you want a good time, she gone give you what you want
Lemme talk to you
Baby you're so new age, you're like my new craze
Let's get together, maybe we can start a new phase
The smoke's got the club all hazy, spotlights don't do you justice baby
Why don't you come over here, you got me saying
Ayo, I'm tired of using technology
Why don't you sit down on top of me
Ayo, I'm tired of using technology
I need you right in front of me
Ooh, she wants it, uh uh, she wants it
Ooh, she wants it, uh uh (so), I got to give it to her
Ooh, she wants it, uh uh, she wants it
Ooh, she wants it, uh uh (so), I got to give it to her
Your hips, your thighs, you got me hypnotized, let me tell you
Your hips, your thighs, you got me hypnotized, let me tell you
Your hips, your thighs, you got me hypnotized, let me tell you
Your hips, your thighs, you got me hypnotized, let me tell you girl
Got a thing for that thing she got
The way she make it tick, the way she make it pop
Make it rain for us so she don't stop
I ain't got to move, I can sit and watch
In her fantasy, there's plain to see
Just how it be, her and me, backstrokin', sweat soaking
All into my set sheets
When she ready to ride, I'm ready to roll
I'll be in this bitch till the club close
Watching her doing her thing on all fours
Now that, that shit should be against the law
From side to side, let the ride, break it down (down, down)
You know I like, when you hike and you throw it all around
Different style, different move, damn I like the way you move
Girl you got me thinking about, all the things I do to you
Let's get it poppin' shorty we can switch positions
From the couch to the counters in my kitchen
Lemme talk to you
Baby you're so new age, you're like my new craze
Let's get together, maybe we can start a new phase
The smoke's got the club all hazy, spotlights don't do you justice baby
Why don't you come over here, you got me saying
Ayo, I'm tired of using technology
Why don't you sit down on top of me
Ayo, I'm tired of using technology
I need you right in front of me
Ooh, she wants it, uh uh, she wants it
Ooh, she wants it, uh uh (so), I got to give it to her
Ooh, she wants it, uh uh, she wants it
Ooh, she wants it, uh uh (so), I got to give it to her
Your hips, your thighs, you got me hypnotized, let me tell you
Your hips, your thighs, you got me hypnotized, let me tell you
Your hips, your thighs, you got me hypnotized, let me tell you
Your hips, your thighs, you got me hypnotized, let me tell you girls
The song “Ayo Technology” by 50 Cent featuring Justin Timberlake and Timbaland is a sexual, club banger that is centered on a man's fascination with a working girl at the club. The girl is portrayed as fine as hell and able to move seductively in order to catch the man's attention, as well as the attention of other men in the club. The chorus expresses the man's frustration with not being able to connect with the girl on a personal level because of technology, instead preferring to connect on a physical level.
The verses describe the girl's beauty and movements, as well as the man's thoughts about her. He describes her as a working girl who works the pole, makes money, and knows how to move her body seductively. He also expresses his admiration for her by saying she is different and better than what he's used to. The chorus then repeats, expressing the man's desire to be with her physically, rather than just through technology.
Overall, the lyrics highlight the objectification of women in a club environment and the desire for immediate physical gratification, rather than establishing a deeper, meaningful connection.
Line by Line Meaning
She, she, she want it, I wanna give it to her
The woman desires something and the singer is willing to provide it
She know that, it's right here for her
The woman is aware that what she desires is within reach
I wanna see you break it down (yeah)
The singer wants to watch the woman dance or perform in a certain way
I'm ballin', throwin' money around
The artist has a lot of money and is spending it freely
She a working girl, she work the pole
The woman is a stripper and works with a pole
She break it down, she take it low
The woman is skilled at dancing and performs moves that involve low positions
She fine as hell, she about the dough
The woman is attractive and focuses on making money
She doing her thing out on the floor
The woman is performing her job as a stripper on the dance floor
Her money money, she makin' makin'
The woman is earning a lot of money
Look at the way she shakin' shakin'
The artist is impressed with the woman's dancing skills
Make you want to touch it, make you want to taste it
The woman's movements are arousing and tempting
Have you lustin' for her, goin' crazy face it
The woman's actions have a powerful effect on the artist and make him feel strong desire
Now don't stop, get it, get it
The singer encourages the woman to continue with her dancing
The way she shakin' make you want to hit it
The woman's movements are so enticing that it makes the singer want to have sex with her
Think she double jointed from the way she splitted
The singer thinks that the woman is very flexible and may have double-jointed limbs
Got your head fucked up from the way she did it
The woman's performance has left the artist feeling confused and overwhelmed with desire
She's so much more than you're used to
The woman has qualities or skills that exceed the artist's expectations or experience
She knows just how to move to seduce you
The woman is aware of her abilities to entice or arouse others through her movements
She gone do the right thing and touch the right spot
The woman knows how to touch the right places on the singer's body to stimulate him
Dance in your lap till you're ready to pop
The artist wants the woman to perform a lap dance until he reaches climax
She always ready, when you want it she want it
The woman is always sexually available and interested when the artist is
Like a nympho, the info, I show you where to meet her
The woman is sexually insatiable and the artist knows where she can be found, possibly in a specific club or location
On the late night, till daylight the club jumpin'
The club or location where the woman is can be visited from late at night until daylight, and is busy or exciting
If you want a good time, she gone give you what you want
The woman will satisfy the artist sexually and fulfill his desires for a good time
Baby you're so new age, you're like my new craze
The woman is unique or different and the singer is attracted and obsessed with her
Let's get together, maybe we can start a new phase
The singer wants to start a new type of relationship or connection with the woman
The smoke's got the club all hazy, spotlights don't do you justice baby
The club is filled with smoke and the lighting doesn't fully show off the woman's beauty
Why don't you come over here, you got me saying
The artist wants the woman to approach him, and he's expressing his attraction and interest
Ayo, I'm tired of using technology
The artist is tired of using electronic devices to satisfy his sexual desires
Why don't you sit down on top of me
The singer wants the woman to engage in sexual activity with him, particularly sitting on top of him
I need you right in front of me
The singer wants the woman to be physically close to him, likely during sex
Ooh, she wants it, uh uh, she wants it
The woman desires sex or sexual activity with the artist
Ooh, she wants it, uh uh (so), I got to give it to her
The artist is willing and eager to fulfill the woman's sexual desires
Your hips, your thighs, you got me hypnotized, let me tell you
The woman's physical features are attractive and captivating to the artist
Got a thing for that thing she got
The singer is attracted to a specific part of the woman's body
The way she make it tick, the way she make it pop
The woman has a way of moving or using her body that excites the artist
Make it rain for us so she don't stop
The singer is throwing money at the woman to encourage her to continue dancing or performing sexually
I ain't got to move, I can sit and watch
The singer is comfortable just watching the woman perform without participating
In her fantasy, there's plain to see
The woman has sexual fantasies that the singer is aware of or can tell from her performance
Just how it be, her and me, backstrokin', sweat soaking
The artist and the woman are engaged in sexual activity that involves both sweating and a back and forth motion
All into my set sheets
The artist's sheets are getting dirty or sweaty from the sexual activity with the woman
When she ready to ride, I'm ready to roll
The singer is ready to engage in sexual activity with the woman anytime she wants to
I'll be in this bitch till the club close
The singer plans to stay in the club or location until it closes, continuing to watch the woman perform sexually
Watching her doing her thing on all fours
The artist enjoys watching the woman perform sexually on her hands and knees
Now that, that shit should be against the law
The artist finds the woman's sexual performance so enticing and arousing that he thinks it should be illegal
From side to side, let the ride, break it down (down, down)
The artist wants the woman to continue moving or dancing in a certain way, likely involving a back and forth or bouncing motion
You know I like, when you hike and you throw it all around
The singer finds it attractive when the woman moves her body in a certain way, likely involving legs or hips
Different style, different move, damn I like the way you move
The artist is impressed and attracted to the variety and skill in the woman's movements and dancing
Girl you got me thinking about, all the things I do to you
The woman's performance has made the singer imagine engaging in various sexual activities with her
Let's get it poppin' shorty we can switch positions
The singer wants to try different sexual positions with the woman
From the couch to the counters in my kitchen
The singer wants to have sex with the woman in various locations in his home
Your hips, your thighs, you got me hypnotized, let me tell you
The woman's physical features are extremely attractive and captivating to the artist
Ooh, she wants it, uh uh, she wants it
The woman desires sexual activity with the artist
Ooh, she wants it, uh uh (so), I got to give it to her
The singer is eager and willing to fulfill the woman's sexual desires
Your hips, your thighs, you got me hypnotized, let me tell you
The woman's physical features continue to be extremely attractive and captivating to the singer
Your hips, your thighs, you got me hypnotized, let me tell you
The woman's physical features continue to be extremely attractive and captivating to the artist
Your hips, your thighs, you got me hypnotized, let me tell you
The woman's physical features continue to be extremely attractive and captivating to the artist
Your hips, your thighs, you got me hypnotized, let me tell you girls
The women in general, with their physical features, are attractive and captivating to the artist
Lyrics © Universal Music Publishing Group, Anthem Entertainment, Reservoir Media Management, Inc., Kobalt Music Publishing Ltd.
Written by: Justin R Timberlake, Curtis James Jackson, Timothy Z Mosley, Floyd Nathaniel Hills
Lyrics Licensed & Provided by LyricFind
@asmrblackandwhiteblood
If you want everything in your life to be in order, your health,your relationships with family, friends and all your loved ones as well as kids
Trust in the name and the power of Our Lord Jesus Christ, The Father and The Holy Spirit.
Say this Prayer to ask God for Freedom in Christ Jesus.
●Say: Jesus Christ i ask you to please come into my heart and be my Lord and Saviour, please Bless my soul and make me a true child of God.
Thank you for saving me and setting me free. In Jesus name. Amen
.
GOD LOVES YOU❤️❤
@theharshtruthoutthere
@@Rusalo4ka-ue1mt The singer, whom you listen and whom concert you attend to is in the masonry.
The actor, who`s films you love to watch is in the masonry. Involvement in the masonry club is the only reason for their success. You`ll know them by their fruits, therefore 1.) look their hands when they performing live for they are showing off freemasonry hand signs. 2.) pay close attention for through their concerts they performing also their rituals.
No warning is strong enough against the lake of fire, which is the 2nd death. (Revelation 20:14 KJV )
Time is ticking, man`s heart growing colder and keep being wicked (Jeremiah 17:9 KJV)
Laughing and mocking, when the gospel is heard.
Loving the lies and the sins so bad, these keeping one`s soul far from salvation. (Proverbs 15:29 KJV )
freemasonry is real club and big club, and the master of the club is lucifer.
in the clubs are:
singers
actors
politics
police
judges
business mens and womens
scientists
medicine personal (mostly doctors)
@souchozen
2024 someone?
@VIPCAPITAL
А то
@_R.O_N_B_W_
Hell yeah
@oussamakrc856
😊
@dan__one
Пфф
@MINSmoke-bm1cw
Yeah
@DrJangoR9
When Bluetooth was more important than Wi-Fi 😉
@MarkanVaran7
DrJangoR9 Kazama lmao accurate
@masaldeniz4557
Hahahahahha that s true
@monikabanyai2388
DrJangoR9 Kazama good