Encore
50 Cent Lyrics

Sh-sh-sh-shady
This is a reference to the artist Eminem, who is known for his alter ego Slim Shady.

Aftermath, ha ha (G-G-G-G-G-Unit ha ha)
This line represents the collaboration between the record labels Aftermath Entertainment and G-Unit, as well as the energetic and triumphant atmosphere of the song.

I've become so numb
The singer feels emotionally desensitized and detached from their surroundings.

Can I get an encore
The artist is asking for another performance or round of applause.

Do you want more (more)
The artist is asking the audience if they desire additional entertainment or music.

Get your ass up for the doctor
The singer is encouraging the crowd to stand up and show their support for Dr. Dre, who is revered as a prestigious figure in the music industry.

One more time, get your ass up for the doctor
The singer repeats the previous line, emphasizing the importance of the audience's participation and respect for Dr. Dre.

Come on now, here we go
The artist is urging the crowd to get ready for an exciting and unforgettable experience.

Cliff hanger, it's another club banger
This line suggests that the upcoming song is suspenseful and highly enjoyable, particularly in a club setting.

Got you hangin' on the edge of your seat
The song captivates and engages the listener, keeping them eagerly anticipating what will happen next.

Get on down
The singer is encouraging the audience to dance and enjoy themselves.

Times up, games over, you lose, I win
The artist declares their victory and dominance over their opponents, indicating the end of a competition or conflict.

'Bout to show these knuckleheads how to do this here
The singer is confident in their ability to demonstrate their expertise and teach their less knowledgeable or inexperienced peers.

Ooh yeah, new year, next phase, begin
The singer is excited about embracing a new period or chapter in their life or career.

Look who's got you goin' crazy again
The singer acknowledges that their presence and influence provoke strong emotions and excitement in the audience.

I'm a trend, I set one every time I'm in
The artist, referring to themselves, is constantly creating new trends and styles with each appearance or release.

I go out and just come back full circle again
The artist frequently leaves the public eye but always makes a triumphant return, completing a cycle or loop in their career.

You a fad, that means your something that we already had
The singer dismisses their competitors as temporary trends that have already been experienced or encountered.

But once you're gone, you don't come back, too bad
The singer suggests that once their rivals disappear or lose relevance, they won't be able to make a successful comeback or regain their previous status.

You're off the map now, radar can't even find you
The artist implies that their opponents have become irrelevant and unheard of, to the point where they can't be tracked or detected.

We stay on the grind, you slip, we out-grind you
The artist and their team work tirelessly and are dedicated to their craft, always surpassing and outperforming their competitors.

You walk around mad, you let your anger blind you
The artist criticizes their rivals for allowing their anger and frustration to cloud their judgment and hinder their progress.

We walk around just playin' the violin behind you
The singer and their team use their talent to subtly undermine their competitors and amplify their success while remaining in the background.

Enough with all the pissin' and moanin', whinin' and bitchin'
The artist is fed up with their rivals constantly complaining and expressing dissatisfaction, asserting that it's time to put an end to it.

Sit and observe, listen, you'll learn if you pay attention
The singer advises their rivals to be quiet and attentive, as there are valuable lessons to be learned by watching and listening.

Why ten multi-platinum albums later, three diamond
The singer highlights their astounding success, having achieved ten albums certified as multi-platinum (selling millions of copies) and three albums certified as diamond (selling ten million or more copies).

World-wide, we're on the charts with a bullet and still climbin'
The singer emphasizes their global popularity and ongoing rise on the music charts, despite already achieving significant success.

Now can I get an encore, do you want more
The artist reiterates their desire for another round of applause and asks the audience if they want additional entertainment.

Cookin' raw with the Brooklyn boy
The artist, referring to themselves, is creating something impressive and authentic in collaboration with an artist from Brooklyn.

So for one last time I need y'all to roar
The singer requests the crowd to make a loud and enthusiastic noise as a sign of their support and appreciation, emphasizing that it's the final opportunity.

Now what the hell are you waitin' for
The singer impatiently asks the audience why they are hesitating or delaying their response.

After me, there shall be no more
The artist declares that their performance or presence is unparalleled, implying that nothing will compare to it in the future.

So for one last time, nigga make some noise
The artist, using slang, instructs the crowd to create a lively atmosphere by making loud and energetic sounds.

So all my people on the left, all my people on the right
The artist acknowledges and includes all the individuals in the audience, regardless of their location within the venue.

Scream one last time
The singer encourages everyone to shout or scream in unison, adding to the vibrant and lively atmosphere.

When Dr. Dre say crunk, you will get it crunk, get it crunk
The artist asserts that when Dr. Dre mentions the term 'crunk' (a style of energetic music), the crowd will immediately understand and enthusiastically respond to it.

Crunk, crunk, crunk
This line reinforces the previous line's message, emphasizing the repetition and excitement associated with the term 'crunk.'

And when 50 cent says jump, you get on one foot and jump
The singer suggests that when 50 Cent commands the audience to jump, they should follow by jumping on only one foot, adding a playful and lively element to their response.

Jump, jump, jump, jump
This line reiterates the previous line's instruction, emphasizing the repetition and excitement of jumping.

The buzz is tremendous, we drop you all to sense it
The artist describes the immense excitement and anticipation surrounding their music, indicating that it will leave a lasting impact on the listeners.

I don't gotta promote it for you to know that Doc is off the benches
The artist doesn't need to advertise or promote their music because it's already well-known that Dr. Dre (referred to as 'Doc') is highly talented and respected.

We keep the party rockin' off the hinges
The singer and their team ensure that the party and atmosphere remain lively and energetic, using the phrase 'off the hinges' to convey the level of excitement and enjoyment.

We ain't showin' off, we just goin' off popular consensus
The singer clarifies that they aren't flaunting or bragging about their success, but rather are simply responding to the widespread agreement and support from the public.

But critics say that Doc is soft, Doc is talk
The artist acknowledges that there are critics who claim that Dr. Dre is weak or ineffective, but dismisses their opinions as mere talk without substance.

Doc is all washed up, knock it off
The artist addresses the criticism that Dr. Dre's career is declining or past its prime, suggesting that such claims should be disregarded and ignored.

Who the fuck is Doc impressin'?
The artist questions who Dr. Dre needs to impress, implying that his talent and success speak for themselves and don't require validation from others.

Doc is this, Doc is that, you got the wrong impression
The singer refutes the various opinions and assumptions about Dr. Dre, suggesting that people have formed incorrect or misguided impressions of him.

You must be on the cock of Doc, 'cause Doc left you all guessin'
The artist implies that some individuals are overly fixated on Dr. Dre's actions or motives, as evidenced by their speculation and uncertainty.

So DJ take the needle and just drop it on the record (what)
The singer instructs the DJ to place the needle on a vinyl record, symbolizing the beginning of an exciting and engaging musical experience.

We gon' have this motherfucker hoppin' in a second (bump bump)
The singer confidently asserts that their music will energize and excite the crowd, causing them to enthusiastically participate and enjoy themselves.

That's why we always save the best cut last
The singer reveals their tactic of strategically saving their most impressive or enjoyable song for the end, ensuring that the audience is left with a memorable experience.

To make you scratch and itch for it like fresh cut grass
The artist wants the audience to crave and desire their music, using the analogy of freshly cut grass causing an itching sensation.

'Cause we done swam with the sharks, wrestled with alligators
The artist metaphorically expresses that they have encountered and overcome numerous challenges and obstacles in their career, comparing them to dangerous creatures like sharks and alligators.

Spoke to a generation of angry teenagers
The singer acknowledges that their music has resonated with and provided a voice for a generation of young individuals who are filled with anger or discontent.

Whom if it wasn't for rap to bridge the gap
The singer suggests that without the genre of rap music, there would be a significant disconnect or divide between different groups of people.

Maybe raised to be racist
The artist implies that rap music has the power to prevent individuals from growing up with racist beliefs or attitudes.

Who may have never got to see our faces
The artist acknowledges that their impact and influence have allowed people who may have never had the opportunity otherwise to become aware of their existence and message.

Grace the cover of Rolling Stone pages
The artist celebrates their achievement of being featured on the cover of Rolling Stone magazine, recognizing it as a significant milestone in their career.

Broke down barriers of language and races
The singer highlights how their music has played a role in breaking down barriers and fostering inclusivity between different languages and races, encouraging unity.

Just call on the cape crusaders
The artist refers to themselves and Dr. Dre as superheroes who are capable of making a positive impact and influencing change.

And leave it to me and Dre to pass the mic
The singer and Dr. Dre are trusted to handle the responsibilities and leadership associated with passing the microphone (symbolizing the influence and power) to other artists or generations.

And we can play the back and forth all day
The singer suggests that they and Dr. Dre can engage in a continuous and entertaining exchange (musically or verbally) for an indefinite period of time.

Like the hot potato game, that's why we came to
The singer uses the analogy of the game hot potato, emphasizing that they and Dr. Dre are here to maintain an exciting and fast-paced environment, just like the game.

First we came here to set this party off right
The artist states that they initially arrived to ensure the party starts with a bang, creating a dynamic and enjoyable atmosphere.

Let's bounce tonight
The artist encourages everyone to have a good time and leave the venue on a high note, suggesting that they end the night with enthusiasm and energy.

Every step that I take is another mistake to you
The singer acknowledges that every action they take is perceived as a mistake or failure by their critics or rivals.

(Caught in the undertow just caught in the undertow)
This line describes being caught in a difficult or overwhelming situation that pulls them in a negative direction, representing the singer's struggle against external pressures.

And every second I waste is more than I can take
The artist feels immense frustration and pressure, as every moment they consider wasted is an unbearable burden.

I've become so numb I can't feel you there
The artist has become emotionally desensitized and disconnected to the point where they are unable to sense or appreciate the presence of others.

I've become so tired so much more aware
The artist has become exhausted from the constant demands and challenges they face, but has also become more conscious and perceptive of their surroundings.

I'm becoming this all I want to do
The singer is transforming and evolving into someone who is fully committed and dedicated to their craft or purpose.

Is be more like me and be less like you
The artist aspires for others to emulate their success and individuality, urging them to distance themselves from conformity and embrace their own unique traits.

Bounce now, hands up, you know how we do
The singer instructs the audience to bounce or dance energetically while raising their hands, emphasizing that they are familiar with the singer's signature style and performance.

We make the club jump everywhere we go
The singer boasts about their ability to create a lively and energetic atmosphere in any club or venue they visit, ensuring the audience's enjoyment and engagement.

It's no secret, everybody know
The singer asserts that their reputation and impact are widely recognized and acknowledged, indicating that their success is undeniable.

When Dre's involved, there's plenty money involved
The artist suggests that Dr. Dre's participation in a project or event guarantees significant financial success or profitability.

And plenty honey's involved, the sunny Sunday's and palm trees
The artist highlights the presence of attractive individuals (referred to as 'honey's') and the enjoyable atmosphere associated with sunny Sundays and palm trees, commonly found in California.

Cali, everyday it's just another party from the valley's
The singer describes the vibrant and lively atmosphere in California (referred to as 'Cali'), particularly in the valleys, where parties and celebrations occur regularly.

All the way to them 8 Mile alleys, let's rally
The singer extends the reach of their influence to include areas like the alleys in 8 Mile (a reference to Eminem's film 8 Mile), encouraging everyone to come together and support their cause.

Hands up for the grand finale
The artist urges the audience to raise their hands in excitement and anticipation for the final and most spectacular part of the performance.

Now raise up out your seat, Dre is about to speak
The artist commands the crowd to stand up and prepare for an impactful moment, as Dr. Dre is about to deliver a significant message or performance.

Blaze a pound of weed six days up out the week
The artist suggests that Dr. Dre consistently smokes a large amount of marijuana, emphasizing their dedication and frequency of indulgence.

You could catch me in the studio bangin' out the beats to
The singer can often be found working diligently in the recording studio, creating and producing beats for their music.

Provide you with the heat that keeps blazin' out your speaker
The artist ensures that their music delivers an intense and exciting experience, providing powerful and captivating sound that emanates from the artists.

So never say never 'cause Shady Aftermath together
The singer advises against underestimating their collective impact, as the collaboration between Eminem (referred to as 'Shady') and Aftermath Entertainment (Dr. Dre's record label) is undeniably powerful.

Along with G-Unit Records presents the return of the-the Doc (and Shady)
The singer announces the comeback or resurgence of Dr. Dre ('the Doc'), in collaboration with G-Unit Records (50 Cent's record label) and Eminem ('Shady').

No one could do it better
The singer asserts that their collective talent and skills are unmatched, suggesting that they are the best at what they do.

We tear the club up and leave without a strand of evidence and uh
The artist describes their ability to create chaos and excitement in the club, but also seamlessly and discreetly exit without leaving any trace behind.

Now can I get an encore, do you want more
The artist once again requests an enthusiastic response from the audience, asking if they desire additional entertainment or an encore performance.

Cookin' raw with the Brooklyn boy
The singer teams up with an artist from Brooklyn to create an authentic and impressive musical experience.

So for one last time I need y'all to roar
The singer emphasizes that this is the final opportunity for the crowd to make a loud and enthusiastic noise, indicating their full support and appreciation.

I've become so numb
The artist reiterates their emotional detachment or apathy.

So for one last time I need y'all to roar
The artist again requests the audience to make a thunderous, enthusiastic sound, as it will be their final chance to do so.

One last time I need y'all to roar
The artist emphasizes that this is the ultimate and definitive moment for the crowd to unleash their excitement and support.