Kuroi Ledge
A Lot Like Birds Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

The cool air
Takes me back,
Just for a moment,
And I spent it all without realization.
I have to go back.
I have to go back.

It's not fair.
I wish that time would stop for me,
Just this once,
But it never will, so run it off.
I'm still here.
I know you're waiting for me past the doorway
And if it's you that's haunting me, say something.
And if it's you that's haunting me, say something.
If it's you that's haunting me, just speak.

I've come this far with a different map in each of my hands.
They're drawn completely from memory.
One takes me home, one takes me nowhere in particular.
I always seem to pick the path with all the shortcuts open
And the lines and the circles more steadily drawn.

(I guess there's only one more way to go.)
I always seem to say the things that I had promised I would leave unspoken
And act surprised when they come tumbling out into the air and sounding wrong.
(We've all been way too far away, from home.)
I never thought of what would happen if I ever found the gate closed,
Tethered in rusted thread and iced over blue and grey from the cold.
(It's time to break off all those chains of old.)
But the gate holds, allowing entrance to the wind and smaller leaves and I am stuck now, homebound.
(I guess there's only one more way to go.)

Can I turn back?
Is it too late?
Is there some place I belong?
Is there any place to call a home?
I guess there's only one real way to know.

Is this the only way?
As shallow as the water is, it swallows me.
And I can't stop looking at the world around me solemnly.
As we stand here in the fallen leaves,
Will you promise me, just promise me
That no matter what the weather's like, you'll follow me, follow me?
And no matter what I say, you'll take it honestly, honestly to heart?
I've got a long way to go and if I do it alone I won't make it.

The call of the void is coming from the balcony.
"L'appel du vide."
So now I let my fate take over
And as I sink into the consequence below,
This is how far we go.
This is how far we go.

So now I let my fate take over
And as I sink into the consequence below,
This is how far we go.
This is how far we go.

Face forward falling straight for the pavement,
Mouth open catching death just to taste it.
Twist my body to align with the stars,
This is my favorite part.
This is my favorite part:
Suspended close to earth but very far.
This is my favorite part.
Once we touch the ground we forget who we are.

I guess I finally had the courage to go away.
The promises we made were made hollowly.




Sometimes you'd reassure me we'd be okay.
But you'd always leave.

Overall Meaning

The lyrics of A Lot Like Birds' song Kuroi Ledge tell a story of a person who feels trapped between wanting to stay in a familiar place and the urge to explore new horizons. The cool air takes the singer back home, but they realize they have to move forward and they won't be able to stop time. The singer thinks about their past decisions and regrets not taking the time to express themselves honestly. They feel lost and uncertain about where they belong, and they question if it's too late to turn back. Despite their fears, they decide to continue on their journey, even if it means taking a risk and facing the unknown.


The chorus of the song repeats the phrase "This is how far we go," suggesting that the singer has reached a turning point and has to let go of their fears and embrace the consequences of their choices. The call of the void, or "L'appel du vide," symbolizes the desire to jump off the ledge into the unknown, surrendering to fate and accepting the unknown. The singer struggles with this decision but ultimately decides to let go, even if it means losing themselves in the process.


The song's melancholic tone and introspective lyrics touch on themes of regret, uncertainty, and the need for self-discovery. The chorus's repetition of "This is how far we go" creates a sense of finality and acceptance, suggesting that the singer has made a definitive decision and has to live with the consequences. The metaphors in the song, such as the different maps or the closed gate, add layers of symbolism to the lyrics, reflecting the complexities of the singer's emotions and struggles.


Line by Line Meaning

The cool air
The singer is currently feeling cool air which has reminded them of something.


Takes me back,
The cool air has taken the singer back in time to a memory.


Just for a moment,
The singer was only able to experience this memory for a brief moment.


And I spent it all without realization.
The artist was lost in their memories and did not realize the time passed.


I have to go back.
The artist wants to go back to the time they were reminded of.


It's not fair.
The singer feels that something is unfair.


I wish that time would stop for me,
The singer wants time to stop so they can stay in the present moment.


Just this once,
The artist only wants time to stop this one time.


But it never will, so run it off.
The artist knows time will not stop, so they have to keep moving forward.


I'm still here.
The artist acknowledges that they are still in this present moment.


I know you're waiting for me past the doorway
The singer is aware that someone is waiting for them on the other side of a door.


And if it's you that's haunting me, say something.
The artist wonders if the person waiting for them is the one who has been haunting them.


If it's you that's haunting me, just speak.
The singer wants the haunted feeling to stop and for the person standing on the other side of the door to speak up.


I've come this far with a different map in each of my hands.
The singer has come far in their journey with different goals in mind.


They're drawn completely from memory.
The singer has relied on memory to create their path in life.


One takes me home, one takes me nowhere in particular.
The paths that the artist has chosen sometimes lead them home, and sometimes to nowhere in particular.


I always seem to pick the path with all the shortcuts open
The artist always chooses the path with the quickest and easiest route.


And the lines and the circles more steadily drawn.
The singer chooses the paths that seem the most clear and direct.


(I guess there's only one more way to go.)
The singer suggests that they only have one path left to choose.


I always seem to say the things that I had promised I would leave unspoken
The artist often speaks up about things they had vowed to keep quiet about.


And act surprised when they come tumbling out into the air and sounding wrong.
The artist often reacts with surprise when the things they say do not come out the way they intended.


(We've all been way too far away, from home.)
The artist suggests that everyone has at some point been away from where they consider to be home.


I never thought of what would happen if I ever found the gate closed,
The singer never considered the possibility of a path being blocked off and inaccessible.


Tethered in rusted thread and iced over blue and grey from the cold.
The gate is described as being old and cold and rusted shut.


(It's time to break off all those chains of old.)
The singer suggests that it is time to let go of old behaviors and habits.


But the gate holds, allowing entrance to the wind and smaller leaves and I am stuck now, homebound.
The gate is still closed, but allows for smaller things to pass through. The singer feels trapped and unable to proceed.


(I guess there's only one more way to go.)
Again, the singer suggests that they are down to their last available path.


Can I turn back?
The artist wonders if they can go back and change their path.


Is it too late?
The artist questions whether or not it is too late to change their path.


Is there some place I belong?
The singer questions where they truly belong.


Is there any place to call a home?
The singer questions whether or not they have a place to call home.


I guess there's only one real way to know.
The artist believes that the only way to know is to continue moving forward.


Is this the only way?
The artist questions if they have any other options.


As shallow as the water is, it swallows me.
The artist feels consumed by their current situation, even if it seems shallow and insignificant.


And I can't stop looking at the world around me solemnly.
The singer is unable to look away from what is happening around them, and does so with a sense of sadness or seriousness.


As we stand here in the fallen leaves,
We is used to indicate that another person is present with the artist.


Will you promise me, just promise me
The singer is requesting a promise from the person they are with.


That no matter what the weather's like, you'll follow me, follow me?
The singer wants assurance from the other person that they will follow them, even if things get rough.


And no matter what I say, you'll take it honestly, honestly to heart?
The singer wants the other person to take their words to heart and to believe them, no matter what.


I've got a long way to go and if I do it alone I won't make it.
The artist acknowledges that their journey ahead is long and difficult, and that they cannot make it alone.


The call of the void is coming from the balcony.
The artist is tempted by a dangerous or destructive force or impulse.


"L'appel du vide."
This is a French phrase meaning the call of the void, or a sudden urge to jump from a high place.


So now I let my fate take over
The singer is relinquishing control of their situation to fate.


And as I sink into the consequence below,
The artist is acknowledging that their actions may have negative consequences.


This is how far we go.
The artist acknowledges that they have reached a point where they can go no further.


Face forward falling straight for the pavement,
The artist is falling headfirst towards the ground.


Mouth open catching death just to taste it.
The singer is taking a risk or doing something dangerous in order to feel alive.


Twist my body to align with the stars,
The artist is twisting their body as they fall, perhaps to feel more in control.


This is my favorite part.
The singer enjoys the feeling of falling and the excitement that comes with it.


Suspended close to earth but very far.
The singer is close to the earth as they fall, but their mind feels far away from reality.


This is my favorite part.
The singer reiterates their enjoyment of the falling sensation.


Once we touch the ground we forget who we are.
The artist suggests that once they reach the end of their journey, they will no longer recognize themselves or their life.


I guess I finally had the courage to go away.
The artist finally had the courage to leave their former life behind.


The promises we made were made hollowly.
The promises made in the past were not made with true intent.


Sometimes you'd reassure me we'd be okay.
Sometimes the person being addressed would reassure the singer that things would be alright.


But you'd always leave.
The person being addressed would always leave, contradicting their earlier reassurances.




Lyrics © O/B/O APRA AMCOS
Written by: Joseph Wesley Arrington, Michael Robert Franzino, Michael Austin Littlefield, Cory Brandon Lockwood, Kurt Travis, Benjamin Jacob Martinez Wiacek

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@CristianMcmillian

Wow.
I have listened to this song (and album) countless times. I regularly cycle through pretty much everything Kurt Travis done vocals for.
Dance Gavin Dance, Royal Coda, A Lot Like Birds, Stolas, etc.
Point being- his work is a staple in my library.
But just now I caught Kuroi Ledge on shuffle and something struck me like a punch to the ear:
0:30 to 1:05
I never really dove into how much range and manipulation Kurt puts out vocally.
I think it's fairly underrated.
Especially with A Lot Like Birds. Not just range- but sometimes it's like a different person belting it out and makes you question if it's actually him.
And of all the groups he's been with, I'm settled that this group brought out the best of his talent. Pretty sure it was Cory Lockwood that brought it out of him too.



All comments from YouTube:

@srahbby

the instrumental version of this song was in the outro of a drew gooden video. i was instantly entranced. i'm so thankful i was able to discover this band. instantly their music makes me feel a type of way. it's amazing.

@olivia2531

hello fellow stinker!!

@kigaeres

@olivia s hello guy

@Purplepentapus_

That's how I found them too and I've been obsessed ever since. Conversation Piece is unrelentingly intense, raucous, and musically heavy, No Place sacrifices some intensity for being immensely thought provoking and dynamic, and DIVISI is simultaneously gut wrenching and uplifting with its soaring swells of music and poetry

@TheKozzee

Wow that's cool I watch a bit of drew Gooden but didn't know he listened to this band

@johnalveraz9344

McSpiderMan I guess he’s into the progressive post-hardcore scene in general ‘cause I saw him comment on a song off HTS’s last album.

15 More Replies...

@LeissamC

Kurt is so much better in this band, its like he was meant to be there all along. The lyrics, the soul, it sounds so genuine. This band is the perfect combination.

@htebazileeilsel2293

Hes amazing with Royal Coda, specifically the newest album "To only a few a first"

@ferb6039

🤓

@SixtiesRemake1

Kurt Travis was the best thing that ever happened to Dance Gavin Dance, with A lot like bird and his solo carrier, he proves that everything he touch turn to gold, he's a brilliant musician

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