Aaron Johnson (born 13 June 1990) is an English actor whose professional wo… Read Full Bio ↴Aaron Johnson (born 13 June 1990) is an English actor whose professional work includes performances on stage, television, and in feature films. He began performing at age six, and appeared in films such as Angus, Thongs and Perfect Snogging and The Illusionist before graduating to starring roles in films such as Nowhere Boy, in which he played John Lennon, and the superhero movie Kick-Ass.
Johnson was born 13 June 1990 in Holmer Green, Buckinghamshire, England, the son of a homemaker mother and a civil engineer father. It was announced on 31 October 2009, that Johnson was engaged to filmmaker Sam Taylor-Wood, his director on Nowhere Boy. As of January 2010, Taylor-Wood is pregnant with the couple's first child.
Johnson began acting at the age of 6, performing as the son of Macduff alongside Rufus Sewell’s Macbeth in 1999, and in Arthur Miller’s All My Sons in 2000. His TV roles have included his turn as Niker in the BBC's 2004 adaptation of the novel Feather Boy and Owen in the E4 series, Nearly Famous. In 2003, Johnson appeared as a young Charlie Chaplin in Shanghai Knights. In 2006, Johnson appeared in The Illusionist, appearing in the flashback scenes in the beginning of the film as Edward Norton's character as a teenager, Eduard Abramovicz. The scenes show the young Eduard as he first learns magic, and to do this, Johnson himself learned how to perform the ball trick displayed by his character. He also learned how to perform the balancing of the egg on the stick, although that was effected mechanically. Johnson subsequently appeared as the heartthrob in the 2008 teen comedy Angus, Thongs and Perfect Snogging, Lorimer Black in Armadillo, and Prosper in The Thief Lord.
Johnson appeared as John Lennon in the 2009 biopic Nowhere Boy, directed by Sam Taylor-Wood. In 2010, Johnson appeared as Dave Lizewski, the lead character in Matthew Vaughn and Jane Goldman's film Kick-Ass, based on the superhero comic book of the same name by Mark Millar, and will appear as the central character in Chatroom, directed by Hideo Nakata.
Johnson was born 13 June 1990 in Holmer Green, Buckinghamshire, England, the son of a homemaker mother and a civil engineer father. It was announced on 31 October 2009, that Johnson was engaged to filmmaker Sam Taylor-Wood, his director on Nowhere Boy. As of January 2010, Taylor-Wood is pregnant with the couple's first child.
Johnson began acting at the age of 6, performing as the son of Macduff alongside Rufus Sewell’s Macbeth in 1999, and in Arthur Miller’s All My Sons in 2000. His TV roles have included his turn as Niker in the BBC's 2004 adaptation of the novel Feather Boy and Owen in the E4 series, Nearly Famous. In 2003, Johnson appeared as a young Charlie Chaplin in Shanghai Knights. In 2006, Johnson appeared in The Illusionist, appearing in the flashback scenes in the beginning of the film as Edward Norton's character as a teenager, Eduard Abramovicz. The scenes show the young Eduard as he first learns magic, and to do this, Johnson himself learned how to perform the ball trick displayed by his character. He also learned how to perform the balancing of the egg on the stick, although that was effected mechanically. Johnson subsequently appeared as the heartthrob in the 2008 teen comedy Angus, Thongs and Perfect Snogging, Lorimer Black in Armadillo, and Prosper in The Thief Lord.
Johnson appeared as John Lennon in the 2009 biopic Nowhere Boy, directed by Sam Taylor-Wood. In 2010, Johnson appeared as Dave Lizewski, the lead character in Matthew Vaughn and Jane Goldman's film Kick-Ass, based on the superhero comic book of the same name by Mark Millar, and will appear as the central character in Chatroom, directed by Hideo Nakata.
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Aaron Johnson Lyrics
We have lyrics for these tracks by Aaron Johnson:
Hello Little Girl Hello, little girl Hello, little girl Hello, little girl …
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@e2rqey
You are a worm through time.
The thunder song distorts you.
Happiness comes.
White pearls, but yellow and red in the eye.
Through a mirror, inverted is made right.
Leave your insides by the door.
Push the fingers through the surface into the wet.
You've always been the new you.
You don't want this to be true.
We stand around you while you dream.
You can almost hear our words but you forget.
This happens more and more now.
You gave us the permission in your regulations.
We wait in the stains.
The word that describes this is redacted.
Repeat the word.
The name of the sound.
It resonates in your house.
After the song, time for applause.
We build you till nothing remains.
The egg cracks and the truth will emerge out of you.
You are home.
You remind us of home.
You've taken your boss with your boss with you.
All hair must be eaten.
Under the conceptual reality behind this reality you must want these waves to drag you away.
After the song, time for applause.
The cliche is death out of time, breaking the first the second the third the fourth wall, the fifth wall, floor; no floor: you fall!
How do you say "insane"?
Hurts to be happy.
An ear worm is a tune you can't stop humming in a dream: "baby baby baby yeah".
Just plastic.
So, safe and nothing to worry about.
Ha ha, funny.
The last egg breaks now.
The hole in your room is a hole in you.
You came and we let you in through the hole in you.
You have always been here, the only child.
A copy of a copy of a copy.
Orange peel.
The picture is you holding the picture.
When you hear this you will know you're the new you.
You want to listen.
You want to dream.
You want to smile.
You want to hurt.
You don't want to be.
@e7san241
Inland Empire: Political turmoil, pandemics, three videos in one week. This is the end of the world, Harry.
Encyclopedia: Pandemic. He's talking about Covid-19.
Logic: Or, Noah's been working feverishly for the past months. Relax.
Authority: As he fucking should.
Empathy: Noah's not beholden to you. You're not even a patron.
Drama: I sure am.
Composure: Poker Face
Shivers: Somewhere in an old VW someone is editing a 3-hour video about Disco Elysium. A dog barks in the background.
Physical Instrument: If this turns out to be true I'm going to lick every door knob I see. I don't give a fuck.
Electrochemistry: Yeeee haaaw!
Volition: Please don't.
Suggestion: Noah's gonna read this and do it. He's a cool dude. He loves us.
@mrblopsfiner
I am deeply concerned and confused and also grateful for this upload schedule
@AliIKarimi
I had the same reaction
@theengine
He does this sometimes.
@KaigaiKitsune
Noah, I know this is a bit of a departure from your usual single long video as you said on your Twitter. Just leaving a comment here to say that with you, it's more about quality over quantity. That's why I keep watching these videos -- not because of their length, but because of your inspired, poignant, and humorous writing / narrative tone. Needless to say, you could have a video that's 10 minutes long, or one that's 4 hours long, but as long as you put the time into them and colour your analysis or travelogue with your wonderful Noah-ness, we'll keep watching. Or at least I will. Heck, I've never even played most of the games you review; I just enjoy listening to your, at once, exuberant and humble opinions and random musings. Keep being you.
By the way, as a fellow classic VW owner, totally feel the vibe of travelling around in one and it's fantastic, don't ever let anyone tell you different, even when you have a blown intake vacuum hose and are literally building a new one in front of a church like I did today.
@LayneLovesThings
This is the way.
@weq3ei8u42
id much rather this kind of length than making it longer with no genuine meaning behind that.
@CSM100MK2
how can you say it's about quality when he still refuses to get a decent recording microphone? And record sections in 1 take, keeping in vocal mistakes instead of doing a new take? He's great at script writing and editing but for years neglects these other issues.
@ABlindPoet
Gus Block yeah I like that charm too.
@KadoTheNorm
@Gus Block agreed. His one takes dont harm the presentation for me. Were he less congruent it sound like a cop out, but being that hes of fairly antiquated taste and nuance it add to an authenticity that i like. AlthoughI certainly wouldnt be cross over a microphone upgrade.
@commissarcactus1513
When I was watching a playthrough of Control I really appreciated that they didn't go with an everyman protagonist. It would have been so easy to add drama by making Jesse suspicious of the Bureau and try to work against it or making the Bureau a shadowy villainous government organization, but keeping the Bureau sinister yet generally benevolent while Jesse takes to the Bureau and its mission is just way more interesting.