Their first record deal was on Eric "Eazy-E" Wright's Ruthless Records, the independent label owned by Wright that featured major acts like N.W.A., The D.O.C., and Eazy-E himself.
In 1990 they released their debut album Livin' Like Hustlers. Critically acclaimed on release, the album was produced by the group alongside casual member Laylaw and Dr. Dre, and featured a guest appearance by N.W.A.. Despite the strong material, the album was a commercial flop. However, in their 1998 "100th issue," The Source magazine listed Above the Law's debut as one of the 100 Greatest Hip Hop Albums of All Time.
A 1991 EP was released to promote the groups sophomore album. However, by the time Vocally Pimpin was released, it had received mixed reviews. With only a scant few new songs and mostly remixes, the EP did not perform well.
It was during this time Dr, Dre was involved in a messy break up with Eazy E and Ruthless Records, and was (according to Ronin Ro's Have Gun Will Travel) contractually obliged to produce two more songs for the group. Although these songs were recorded, they were never released. It is possible the changing times at the reocrd label were responsible for the average quality of the EP.
In 1993, the group released the critically acclaimed Black Mafia Life. Go Mack was now gone, as was Laylaw, and Cold 187um took on the bulk of production. The group reinvented themselves with a fresh new sound which they referred to as G-funk. Dr. Dre's The Chronic released at the end of 1992, may or may not have adopted this sound, although it was released several months before Black Mafia Life, and sparked a long-standing debate between Dre and ATL over the originator of the sound.
Here is a snip from an interview explaining how the G-Funk sound came about.
Big Hutch (Cold 187um): Well here is the real. Weather people wanna believe it or not, I don’t know, it doesn’t really matter to me. G-Funk was actually created as a type of sound. It wasn’t like “this is gonna be our sound”. When we came to Ruthless, we were more like Funky melodic and NWA was more like matally sound. Like metal… like hard head break beatish. We brought the funky, vibey, groovey shit to the table. We were cutting “Black mafia life”… actually we was cutting “For the funk of it”, the EP which was between “Livin’ like hustlers” and “Black mafia life”. I started mixing up a lot of Clinton shit and real funky shit and do it melodic. Melody style… You know you’ve got to remember the melody of “London bridge” before you remember the words… That’s how a melody is so intriguing and so step-on. So I was doing a lot of melodic stuff… but we was talkin’ about ghetto shit. You know straight gutter… And we was cutting “Call it what you want” and at the time people was like “Your shit is kinda different. What do you call your shit?” and we was like “You know this is some G shit mixed with some funk”. We would call it G-Funk or some shit like that.
Ok…
At the time, Warren G was sleeping on my floor in my apartment and he was like “Wow that’s kinda cool”… and so we cut “Call it what you want” and even Pac, this was before The Chronic, if you listen to “Call it what you want” you can hear Pac saying “I’m pumpin’ G-Funk but you can call it what you want”. This was before The Chronic or anything… So the first time you hear the term “G-Funk” on record it’s from 2pac’s mouth. So go do your research and that’ll tell you the truth about that. It’s on record. It has nothing to do with Warren G. It has nothing to do with Dr Dre because none of those records were cut with none of those guys. They weren’t even in the building.
The album featured cameos by Tupac, Money-B, MC Ren, and Eazy E, as well as a quirky fresh new talent named Kokane (Cold 187um/ Big Hutchs cousin). The single VSOP proved to be popular, but once again the album failed to achieve success.
In 1994 the group were back with the hit single Black Superman, later cited as one of the 100 Greatest Hip Hop Singles of All Time in The Source magazine, 1999. The single preceded their third album Uncle Sams Curse, introducing a harder, more heavy and ominous twist on the G-funk they previously presented. Again Cold 187 took on the production and Kokane featured heavily throughout.
In 1995 label boss Eazy E died quickly of AIDs related illness, and the majority of the remaining roster at Ruthless Records began to jump ship from the waning label.
Above the Law would find themselves signed to Tommy Boy in 1996, where they released their fourth album Time Will Reveal.
In 2004 Murder Rap appeared on popular videogame Grand Theft Auto: San Andreas, playing on West Coast hip hop radio station Radio Los Santos.
Freedom of Speech
Above the Law Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo, they tryin to come down on the ATL when whe speak
They say we on a negative tip
What's up?
Now I'ma kick a way-out style that's smoother than usual
It's from Above The Law, so see, it's crucial
Hype beats are kickin and rippin, yo, with a funky touch
D-o-p-e, please don't misdefine it
That's the way that I live and, that's the style of my rhyme
That's on time, just like your watch keeps tickin
(KM.G) on my side, so that my knowledge keeps stickin
Now what's really known as a radio cut?
When you can's say (shit) and you can't say (fuck)
I really think you want to hear it
But the radio stations, you see, they still gonna fear it
Yo, I thought this country was based upon freedom of speech
Freedom of press, freedom of your own religion
To make your own decision, now that's baloney
Cause if I gotta play by your rules, I'm bein phoney
Yo, I got to cater to this person or that person
I got to rhyme for the white or the black person?
Why can't it all be equal?
Music is a universal language for all people
I better get off the rebellious tip
Before somebody out there say I'm startin to slip
I ain't trippin, I'm steadily flowin and throwin
Givin you a dope style
Keepin me on top of the pile
Cause ATL'll soon take over the nation
And if you don't want to hear us, well, change the station
Boo! I sneak in your mind your mind
Sink in your mind, creep from behind
So fast that you won't have time
To deny a brother that's from the streets
Tryin to teach, hopin to reach
Yo, 187's not one that's known to preach
But I wish for each to have freedom of speech
(Congress shall make no law
Respecting an establishment of religion
Or prehibiting the free exercise thereof
Or abridging the freedom of speech or of the press)
They'll milk you to make it understood
They make it good, so that it taste real good
To you, so see, you fall right in it
Your minds are small, they feed you like infants
Like children they'll bring you along
They say we're wrong for makin a rap song
But ATL'll hit you straight up jam after jam
Long as we say what we want, make our stamps, we don't give a damn
Those that want to sell out need to get the fuck out the business
Cause they ain't doin nothin but bluffin
Me, I get wild every rhyme I release
Whether I talk about violence or talk about peace
Cause violence is somethin that happens in society
When people are livin low and don't kow where they can go
But peace, I think we all want peace
But it's too much to face, and it's too far to reach
Whether I say my rhymes fast, slow, sloppy or neat
See, I wish when I'm doin, to have freedom of speech
(Congress shall make no law
Respecting an establishment of religion
Or prehibiting the free exercise thereof
Or abridging the freedom of speech or of the press)
Now if they ban me, I don't give a fuck
Chalk it up as experience (yeah, bad luck)
Because I'm ballin with Laylaw's clout
And if he say that it stays, the shit comes out
Cause in the early days when rap first began
Some fool jumped up and said it soon would end
But nowadays I hear song after song
And it proved to me that the fool was wrong
So yo, cut the bullshit, all set aside
It's time for the people to realize
About the things that happen in the ghetto which those try to hide
When they know we just strive to survive
(The homie said he'd have a job, if you'd give him a break)
But when he gets it (he goes by the other man's ways)
Now see, there's just one more thing I have to talk about
'bout how they say rap music is turnin kids out
You got to give your child credit for what he can do
Plus the way that they're raised is really up to you
Rap music, a form of literature
Words and verbs and adjectives
Painted up like a picture
Yo, it's gonna hitcha, yo, it's gonna getcha
And when I'm all finished up, it's gonna fitcha
(Hittin the nation) station to station (heavy rotation)
So strong that it's keepin the pace, and
We will speak out on any situation
But while we're doin
Yo, we gotta have freedom of speech
Yeah - see, that's how we had to do that
Yo, I gotta give it up to all my homeboys
That got freedom of speech
Yo, Cold 187
Ice Cube
MC Ren
The deadly Dr. Dre
Eazy-E
The G-o M-a-see-k
Total Koss housin thangs
Ruthless in the muthafuckin house
Yo, to my homie D.O.C.
And Laylaw with the clout
And we out
The song "Freedom of Speech" by Above The Law is a powerful track that speaks on censorship and the importance of freedom of speech. The first verse begins with the group acknowledging that their style can be seen as negative and controversial, but they still assert the value and importance of their message. They address the limitations and censorship of radio stations, the hypocrisy of rules that limit expression, and the need for equal representation in music. The second verse is a strong critique of the way society infantilizes its population, particularly in the way corporations "feed" the public with timid and safe messages that have nothing to do with creative expression or social criticism. The song ends with a shout-out to other rappers who share the same values and unwavering commitment to free speech.
Line by Line Meaning
Yo, what's happenin, man?
Introduction to the song.
Yo, they tryin to come down on the ATL when whe speak
The government is trying to censor the rap group Above the Law (ATL).
They say we on a negative tip
The government says their music is too violent and negative.
Now I'ma kick a way-out style that's smoother than usual
The rapper will use a unique and smooth style of rapping for this song.
It's from Above The Law, so see, it's crucial
The song is important and unique because it is by Above the Law.
Hype beats are kickin and rippin, yo, with a funky touch
The music is upbeat and funky.
It's done the Ruthless way, some say it's too much
The song is produced in the trademark style of the record label Ruthless Records, some people think it is too extreme.
D-o-p-e, please don't misdefine it
Dope (good) is a slang word and shouldn't be misunderstood.
That's the way that I live and, that's the style of my rhyme
The rapper's lifestyle and rhyming style both embody the word 'dope'.
That's on time, just like your watch keeps tickin
The rapper's style is always on time, like a clock.
(KM.G) on my side, so that my knowledge keeps stickin
KM.G is with the rapper, so his message will spread further.
Now what's really known as a radio cut?
What qualifies as a song that can be played on the radio?
When you can't say (shit) and you can't say (fuck)
Swear words can't be used in radio cuts.
I really think you want to hear it
The listeners actually want to hear the explicit lyrics.
But the radio stations, you see, they still gonna fear it
Radio stations are afraid to play explicit songs.
Yo, I thought this country was based upon freedom of speech
The rapper questions the country's supposed protection of free speech.
Freedom of press, freedom of your own religion
The freedom of speech includes freedom of press and religion too.
To make your own decision, now that's baloney
The rapper believes that the idea of making your own decisions is a lie.
Cause if I gotta play by your rules, I'm bein phoney
If he has to censor himself, he feels fake.
Yo, I got to cater to this person or that person
The rapper feels like he has to please different groups of people.
I got to rhyme for the white or the black person?
He feels like he has to cater to two different races.
Why can't it all be equal?
He wishes everyone could be treated equally.
Music is a universal language for all people
Music can bring people together regardless of race or culture.
I better get off the rebellious tip
He will stop being rebellious.
Before somebody out there say I'm startin to slip
He will stop before someone thinks he's losing it.
I ain't trippin, I'm steadily flowin and throwin
He's doing his thing and staying true to his roots.
Givin you a dope style
He's giving you his unique and cool style of rap.
Keepin me on top of the pile
His style keeps him popular.
Cause ATL'll soon take over the nation
He believes his group Above the Law will become nationally popular.
And if you don't want to hear us, well, change the station
If someone doesn't like their music, they can switch to another station.
Boo! I sneak in your mind your mind
He's getting into the minds of his listeners.
Sink in your mind, creep from behind
His message is sinking in and spreading.
So fast that you won't have time
His message is spreading quickly.
To deny a brother that's from the streets
He doesn't want society to ignore the struggles and experiences of someone from the streets.
Tryin to teach, hopin to reach
He's trying to educate and connect with his listeners.
Yo, 187's not one that's known to preach
He's not known for being preachy.
But I wish for each to have freedom of speech
He wishes for everyone to be able to speak their mind.
(Congress shall make no law
He quotes the First Amendment of the US Constitution.
Respecting an establishment of religion
The government cannot endorse a religion.
Or prehibiting the free exercise thereof
The government cannot prohibit people from practicing their religion.
Or abridging the freedom of speech or of the press)
The government cannot censor or limit free speech or press.
They'll milk you to make it understood
The government will manipulate and control the public's opinion.
They make it good, so that it taste real good
They make their message appealing.
To you, so see, you fall right in it
The public blindly follows the government's message.
Your minds are small, they feed you like infants
The government treats the public like they're unintelligent.
Like children they'll bring you along
The government manipulates and controls the public like children.
They say we're wrong for makin a rap song
Critics say that rap music is inappropriate and wrong.
But ATL'll hit you straight up jam after jam
Above the Law will keep producing popular, catchy music.
Long as we say what we want, make our stamps, we don't give a damn
The group will express themselves freely even if critics don't like it.
Those that want to sell out need to get the fuck out the business
Artists who compromise their values should leave the music industry.
Cause they ain't doin nothin but bluffin
Sell out artists are fake and not true artists.
Me, I get wild every rhyme I release
The rapper is passionate about his music and lyrics.
Whether I talk about violence or talk about peace
He expresses himself on different topics.
Cause violence is somethin that happens in society
Violence is a result of social problems.
When people are livin low and don't kow where they can go
People turn to violence when they feel hopeless.
But peace, I think we all want peace
Everyone desires peace.
But it's too much to face, and it's too far to reach
Attaining peace is a difficult task.
Whether I say my rhymes fast, slow, sloppy or neat
He raps in different styles.
See, I wish when I'm doin, to have freedom of speech
He wishes to express himself freely.
Now if they ban me, I don't give a fuck
He's willing to be banned for speaking his mind.
Chalk it up as experience (yeah, bad luck)
Being banned is just another life experience.
Because I'm ballin with Laylaw's clout
He has Laylaw's support and power behind him.
And if he say that it stays, the shit comes out
If Laylaw approves, the music will be released.
Cause in the early days when rap first began
He reflects on the early days of rap music.
Some fool jumped up and said it soon would end
Someone foolishly predicted that rap music wouldn't last.
But nowadays I hear song after song
Rap music continues to thrive.
And it proved to me that the fool was wrong
The critic was proven wrong.
So yo, cut the bullshit, all set aside
He's done with the nonsense and ready to speak his mind.
It's time for the people to realize
The public needs to wake up and understand.
About the things that happen in the ghetto which those try to hide
He wants to bring attention to problems in poor neighborhoods that are ignored.
When they know we just strive to survive
People who live in poverty are just trying to make it through life.
(The homie said he'd have a job, if you'd give him a break)
The rapper speaks for someone who can't find work.
But when he gets it (he goes by the other man's ways)
When he finally finds a job, he has to follow someone else's rules.
Now see, there's just one more thing I have to talk about
He has one more issue to address.
'bout how they say rap music is turnin kids out
Critics say that rap music negatively influences children.
You got to give your child credit for what he can do
Parents should trust their children's abilities.
Plus the way that they're raised is really up to you
Parents are responsible for raising their children.
Rap music, a form of literature
He believes that rap is a form of literature.
Words and verbs and adjectives
Rap lyrics consist of words and parts of speech.
Painted up like a picture
The lyrics create an image in the listener's mind.
Yo, it's gonna hitcha, yo, it's gonna getcha
The music will affect and impact the listener.
And when I'm all finished up, it's gonna fitcha
When he's done, the listener will be hooked.
(Hittin the nation) station to station (heavy rotation)
His music is gaining popularity and being played on many stations.
So strong that it's keepin the pace, and
His music is so popular that it's setting the trend.
We will speak out on any situation
He will speak out on any issue.
But while we're doin
While he's rapping,
Yo, we gotta have freedom of speech
He insists on his right to free speech.
Lyrics © Sony/ATV Music Publishing LLC, BROADWAY MUSIC CORPORATION, Warner Chappell Music, Inc.
Written by: SHANE CONNERY BROWN, PAUL HERBERT KASTICK, LESHORN WHITEHEAD
Lyrics Licensed & Provided by LyricFind
@KennedyApproach
This song never gets old. 30 years later and I still listen to it.
@gold7633
Facts and Knowledge Dropped with a Street Vibe💯 When you could listen to Gangsta Rap and actually learn something that would benefit your personal Development, didn't need to go to school, Hip Hop was intelligent. - #HipHopIzDead💯 #AboveTheLaw👑🏆
@davidwoods32
They don't make good music like dis anymore
@efremjones8918
For Sure homies
@VIRTU_Anchor
This one of them tapes that rubbed the print off of, from flippin' it over, and over, and over, and over, and over again!!!
@cix2nine
Auto reverse main man.. 🤣
@makaveli4205
That's cause Dr. Dre produced it.
@whitehandfilms
#Truth, today more than ever...this song needs a revival
@leetuned
30 years later and this is still a badass jam and how about that message!!!
@vernaofford228
Bump this joint rest in peace Kmg