Adam Beyer's music is synonymous with all that is exciting about techno. Ha… Read Full Bio ↴Adam Beyer's music is synonymous with all that is exciting about techno. Having emerged as the figurehead of the hugely prolific Swedish techno scene, Beyer's focused and considered approach to his craft has worked to confirm his position as a globally recognized DJ and producer who headlines the worlds cutting edge clubs and festivals week-in-week-out. However life in music began for Beyer down in the grassroots; making the most of Stockholm's blossoming techno scene and working in the city's renowned Planet Rhythm record store. It was here that Adam hooked up with the triumvirate of Cari Lekebusch, Joel Mull and Jesper Dahlback; sharing a passion for dynamic and diverse techno which inevitably led to the beginnings of production experimentation and musical exploration which has maintained to the present day.
Beginning with the debut Drumcode 1 released on Planet Rhythm's record label, Beyer's production highlights including releases for Plus 8, NovaMute, Cocoon and Soma; remixes of Underworld 'PushUpstairs', Morgan 'Flowerchild' and Matthew Jonson 'Marionette' and a wealth of material on his own Drumcode, Truesoul and MadEye imprints. Something of an obsessive when it comes to creating his own productions the key to understanding the Swede's studio method can be traced back his formative years.
The beating percussive pulse of his music has been at the heart of his musical taste since adopting the role of drummer in a band while at school. By the time he was a young adult he was fully immersed in electronic music. DJing at friends parties, working in the record shop, playing around with samplers and an Atari computer, investing what money he could in better and more equipment; everything was focused on music. This self-drive and dedication has been central to the development of his sound. Self-taught and instinctively creative; the result is an individual style founded on a patient and natural technique that neatly balances impact and innovation.
The development of his own sound can be seen in the maturity of the three record labels Beyer positions at the heart of his operation. A passionate A&R, Beyer has bucked recent trends as Drumcode, Truesoul and Mad Eye go from strength to strength. Established in 1996, Drumcode was and still is about a very clear musical vision. Honest, forward thinking and functional; the label has stayed on its one true course from the outset; providing a consistent home to core artists such as Cari Lekebusch, Par Grindvik, Jesper Dahlback and Joel Mull while creating a platform for the leaders of the techno new-wave; Paul Ritch, Joseph Capriati and Alan Fitzpatrick.
Truesoul pushes the boundaries of the accepted norm with forward-thinking music from artists such as; Heiko Laux, Steve Rachmad, Dustin Zahn and Nihad Tule while Mad Eye is where Beyer showcases his more personal and inventive productions. Beyer's progressive approach to his craft transcends into the live arena. A natural and accomplished DJ capable of playing across the range of his genre, his sets are characterized by a mesmerizing fluidity that enhances the power and impact of the music he plays; as witnessed on compilations for Fabric, Music Man and Timewarp. Greeted with the knowing expectation reserved for headline acts wherever he plays, Beyer prefers to share the limelight with the acts he supports on his labels. Nowhere is this attitude more evident than at the expanding network of Drumcode parties that are now a regular event across North America, Europe, Asia, Australia and South America.
Beginning with the debut Drumcode 1 released on Planet Rhythm's record label, Beyer's production highlights including releases for Plus 8, NovaMute, Cocoon and Soma; remixes of Underworld 'PushUpstairs', Morgan 'Flowerchild' and Matthew Jonson 'Marionette' and a wealth of material on his own Drumcode, Truesoul and MadEye imprints. Something of an obsessive when it comes to creating his own productions the key to understanding the Swede's studio method can be traced back his formative years.
The beating percussive pulse of his music has been at the heart of his musical taste since adopting the role of drummer in a band while at school. By the time he was a young adult he was fully immersed in electronic music. DJing at friends parties, working in the record shop, playing around with samplers and an Atari computer, investing what money he could in better and more equipment; everything was focused on music. This self-drive and dedication has been central to the development of his sound. Self-taught and instinctively creative; the result is an individual style founded on a patient and natural technique that neatly balances impact and innovation.
The development of his own sound can be seen in the maturity of the three record labels Beyer positions at the heart of his operation. A passionate A&R, Beyer has bucked recent trends as Drumcode, Truesoul and Mad Eye go from strength to strength. Established in 1996, Drumcode was and still is about a very clear musical vision. Honest, forward thinking and functional; the label has stayed on its one true course from the outset; providing a consistent home to core artists such as Cari Lekebusch, Par Grindvik, Jesper Dahlback and Joel Mull while creating a platform for the leaders of the techno new-wave; Paul Ritch, Joseph Capriati and Alan Fitzpatrick.
Truesoul pushes the boundaries of the accepted norm with forward-thinking music from artists such as; Heiko Laux, Steve Rachmad, Dustin Zahn and Nihad Tule while Mad Eye is where Beyer showcases his more personal and inventive productions. Beyer's progressive approach to his craft transcends into the live arena. A natural and accomplished DJ capable of playing across the range of his genre, his sets are characterized by a mesmerizing fluidity that enhances the power and impact of the music he plays; as witnessed on compilations for Fabric, Music Man and Timewarp. Greeted with the knowing expectation reserved for headline acts wherever he plays, Beyer prefers to share the limelight with the acts he supports on his labels. Nowhere is this attitude more evident than at the expanding network of Drumcode parties that are now a regular event across North America, Europe, Asia, Australia and South America.
Triangle
Adam Beyer Lyrics
We have lyrics for 'Triangle' by these artists:
AI いつの間にか You were in my world もう止まらないこのHeartbeat いつまでもThis s…
Ali Nadia Jack loves Jane but Jane loves Joe But how could she…
AR I'm tangled in a La la la la la la la Love…
Beau Brummels The love of passion Is to rill the rising sun…
Brown Eyed Girls Yeah... Uh-huh... Yo, uh, hey, baby-G, r u ready? Yeah,…
Carl Smith Triangle untangle don't mingle don't mangle I can't handle y…
Code Black A secret society The kings of the earth Implanting ideologie…
DBSK feat. BoA & The Trax [믹키] 매일 보는 사…
Deceased Columbus wrote of awful things, as he fortook the seas And…
G.R.R.L. We met two men from other sides, on a walk…
Ghost9 전부 기울어진 듯 모두 삐뚤어진 시선에 갇혀 위태로운 balance 내게 뻗치고 또 그…
Gordon Lightfoot Oh the gist of it all is the first day…
Guesch Patti Triangle A s'arracher les glandes Triangle Avoir les main…
Hudson Scott Under the eiderdown, I caught you, red handed, two timing, Y…
illumination STARS 明日のお天気も晴れだね 白い小鳥が歌っているみたい みんなに会える ふわふわ ドキドキ 楽しみ 待ち合わせは何時だった?…
J&G Yeah Ou te di'm Ou te di'm nou pap janm kite Separeeee Yeah …
Jacno Whoo whoo whoo woo oh oh Whoo whoo whoo woo oh…
JAMIE GRANT Our love, our love is like a triangle Which one will…
Jean-François Alexandre Every triangle has three sides it's true There's the wife's …
Judson Leach Every time I think of you I feel shot right through…
Karim Ouellet Je vous ferez danser Dans les matins la veille Et les fonds…
Kawada Mami 喧嘩とか分かち合うとか それって特別の境界線超えた二人だけのものだから そんな顔するんだね 見てるだけなんてもう…
Kawada Mami (川田まみ) 喧嘩とか分かち合うとか それって特別の境界線超えた 二人だけのものだから そんな顔するんだね 見てるだけなんてもう嫌よ …
Kin Instrumental…
laura stevenson I wouldn't mind if you left me here Standing on the…
Lovelyz 솔직히 말하고 싶었었어 내가 먼저 그 앨 좋아했다고 단지 말할 수 없던…
Mami Kawada 喧嘩とか分かち合うとか それって特別の境界線超えた二人だけのものだから そんな顔するんだね 見てるだけなんてもう…
Mami Kawada (川田まみ) 喧嘩とか分かち合うとか それって特別の境界線超えた 二人だけのものだから そんな顔するんだね 見てるだけなんてもう嫌よ …
Miguel Bosé She loves me oh, she needs me Said she never let…
Miss-art A seat for two in candle light Would make the…
Mrs.M Yeah Ou te di'm Ou te di'm nou pap janm kite Separeeee Yeah …
My Mine One funny situation, leads to another Total infatuation help…
Nadia Ali Jack loves Jane but Jane loves Joe But how could she…
Pallett چشمات مثل مُثلث، دسات مثل گندم زار تو مینِ قلبت همش…
Shakugan no Shana - Kawada Mami 喧嘩とか分かち合うとか それって特別の境界線超えた 二人だけのものだから そんな顔するんだね 見てるだけなんてもう嫌よ …
Smap 都心を少し外れた 小さなこの部屋から どんなに目を凝らせど 見えないものばかりだ 例えば遠い空に誰かが祈っていたり 例え…
T Power A hungry feeling, came o'er me stealing And the mice they…
T.S.O.L. We met two men from other sides On a walk down…
T.S.O.L. (w/ Jack Grisham) We met two men from other sides, on a walk…
The Beau Brummels The love of passion Is to rill the rising sun…
The Choir I love you like a brother Should I treat you like…
The Crest Welcome to my castle under water Counting you the triads is…
The Hu Kite, crow, and goose Do all three have a common shore? Mast…
The Rays An apple and a berry plant Comes with a house On the…
Thin White Rope I am feeling just a little down Nothing I can wrap…
Tripping Daisy Meanwhile kicking back on the couch with The drug addicted…
venera Now into the center of this void It's promise that all…
w-inds. 何度だって起き上がるよ 倒れても 痛くても No More Tears 最後 流す涙は 悔しい時じゃない..…
Zheniya Novikov vs. We Flying so high Waiting on the best part of these nights Wait…
元ちとせ TORAIANGURU TORAIANGURU Yozora ni moeteru. TORAIANGURU TORAI…
川田まみ 喧嘩とか分かち合うとか それって特別の境界線超えた 二人だけのものだから そんな顔するんだね 見てるだけなんてもう嫌よ …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found