Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.
After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.
Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.
Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.
In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.
Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."
All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.
In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.
On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.
In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013.
In 2018, Aesop Rock teamed up with TOBACCO to form Malibu Ken
Night Light
Aesop Rock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
[Aesop Rock]
Night Light suckas..
Put one up shackle me, not clean logic procreation
I did invent the wheel, in a previous generation
While the triple sixers lassos keep angels roped in the basement
I locate my old halos and pass em out to the pavement
Dirty cooperative Neptune bloom head-trip split
Fantastic! Fathom the splicing of major league low lifes
With anti hero earthworm mentality (Godzilla!)
I paste my game to zero all completion
See a cretin's still a cretin even speakin' altered moniker
American nightmare lost in the monitor
I'll hold the door open so you can stagger through
Then ten berserk and bread cookies in after you
It's the gutter and I spell it with the 'G' I stole from "Get the fuck up"
Noise crutch stolen wretched refuse of my teaming dumb luck
Still I promise temperance storm breed still bleeding Amish
See the freaks sucked out the bottom dropped 3 bears and a baby in a cottage
And I can't sleep now
Yeah, the police'll laugh
You won't be laughing when your covered wagons crash
You won't be laughing when you're hosted by the ghost of Christmas past
You won't be laughing when your blow up doll's
got a headache and won't give up the ass
And I lay my kicks to rest when I'm impressed
So I staple-gun them to my feet
This origami dream is beautiful: pull the tail watch the wings flap
But you really can't do a thing with that
All I ever wanted was to pick apart the day
Swallow up the pieces
Spit 'em at your species
Reachin' the city of lost barnacles and leeches
Night-light got me when the daylight went to evening
Night (Light) Day (Light) x8
I'm pretty sure I got a pulse.. plus
We Shimmy cross the centerfold, and our night light engulfed
Just let me keep the crumbs (Please)
With seven deadly stains
To hear the plane to crystal conscious
The results a dead-beat trying to make a dollar off a bomb threat (OK)
Lift me to activism chain activate wild-style Pluto orbit
Set a course then push the button
I swallow spores born by the laws of a morbid glutton
I can spot a drunk battalion by the Charlie Chaplin waddle
Zig zag and zig 'em again before they can pull a badge out
But I lash out
Another thick installment of one night in Gotham like
"Houston we have a problem"
They're buffing the trains the same days the graffiti writers bomb 'em
Who split how many freaks on box cuts of a high road bellow?
Heads ripped! Watch red bricks turn yellow
I'll try to meet the wizard
But a tailgating tit-man holding an oil can
won't let a hermit crab break in his new shell-toes
Life's not a bitch, life is a beotch
who keeps the villagers circling the marketplace
out searching for the G-spot
Maybe she didn't feel y'all shared any similar interests
Or maybe you're just an asshole; maybe I'm just an asshole
Kiss the speaker wire, seaming swashbuckler or pagan thresh hold
Stomach full of diner food
Wings span cast black upon views
Here to help release the rabbit hounds or pick apart your mood
I got this friend of polar nature and it's all peace
When I seek similar stars but can't sit at the same feast
Metal Captain!
This cat is asking if I've seen his bit of lost passion
I told him: "Yeah" I gave him one last look and smashed him
All I ever wanted was to pick apart the day
Swallow up the pieces
Spit 'em at your species
Reachin' the city of lost barnacles and leeches
Night-light got me when the daylight went to evening
Night (Light) Day (Light)..
The song begins with the repetition of the line "Day turns Night" which sets the tone for the rest of Aesop Rock's lyrics. In the first verse, Aesop Rock talks about how he invented the wheel in a previous generation, which contrasts with the triple sixers' lassos that keep angels roped up in the basement. He then talks about how he finds his old halos and passes them out on the pavement, perhaps referencing a desire to spread positivity to balance out the negative forces in the world.
Aesop then goes on to talk about his game and how he aims to zero out completion, while referencing antihero earthworm mentality and Godzilla. He then talks about holding the door open for people, even though cretins are still cretins regardless of their altered moniker. He ends the first verse with a reference to the American nightmare lost in the monitor.
In the second verse, Aesop Rock talks about being engulfed by the night-light and how he wanted to pick apart the day, swallow up the pieces, and spit them at the species. He references the city of lost barnacles and leeches, suggesting a feeling of being lost or stuck. He then talks about lift and activism chain activating wild style Pluto orbit, perhaps referring to his desire to inspire change through his art. The verse ends with a line about life being a beotch and keeping villagers circling the marketplace out searching for the G-spot.
Line by Line Meaning
Night Light suckas..
Introducing the theme and title of the song, which is about the experiences of the night and how it contrasts with the day.
Put one up shackle me, not clean logic procreation
Feeling trapped and constrained by rules and expectations, which stifles creativity and innovation.
I did invent the wheel, in a previous generation
Feeling unappreciated and unrecognized for past achievements and contributions.
While the triple sixers lassos keep angels roped in the basement
Feeling oppressed and held back by those in power, who control others for their own benefit.
I locate my old halos and pass em out to the pavement
Reclaiming one's past glory and sharing it with others, despite feeling disregarded and rejected by society at large.
y'all catch a 30-second flash frame
Feeling disoriented and overwhelmed by the fast pace of modern life and the constant bombardment of information and stimulation.
Dirty cooperative Neptune bloom head-trip split
Imagining a surreal and fantastical scene that defies logic and reality, reflecting the chaotic and unpredictable nature of the night.
Fantastic! Fathom the splicing of major league low lifes
Celebrating the merging of seemingly incompatible elements and identities, creating a new and unique hybrid form.
With anti hero earthworm mentality (Godzilla!)
Embracing one's flaws and limitations, and using them as strengths and advantages, like the unlikely hero Godzilla who triumphs over adversity.
I paste my game to zero all completion
Challenging oneself to reach the highest level of excellence and perfection, and pushing others to do the same.
See a cretin's still a cretin even speakin' altered moniker
Realizing that true identity and character cannot be hidden or disguised, regardless of how one presents themselves or is perceived by others.
American nightmare lost in the monitor
Being trapped and consumed by the virtual reality of screens and technology, which perpetuates the illusion of control and freedom.
I'll hold the door open so you can stagger through
Offering help and support to others who are struggling and lost in the darkness of the night.
Then ten berserk and bread cookies in after you
Playfully teasing and mocking those who are careless and foolish, but doing so with humor and irony.
It's the gutter and I spell it with the 'G' I stole from "Get the fuck up"
Acknowledging the harsh and gritty reality of life in the night, but finding strength and courage in the subversive and rebellious spirit of hip-hop and street culture.
Noise crutch stolen wretched refuse of my teaming dumb luck
Using music and creativity as a means of coping with pain and trauma, and transforming negative experiences into positive expressions.
Still I promise temperance storm breed still bleeding Amish
Maintaining balance and self-control in the midst of chaos and turbulence, and recognizing the resilience and strength of traditional and simple ways of life.
See the freaks sucked out the bottom dropped 3 bears and a baby in a cottage
Observing the marginalized and oppressed members of society who are forced to live in poverty and desperation, often with tragic consequences.
And I can't sleep now
Feeling restless and anxious, unable to find peace or comfort in the night.
Yeah, the police'll laugh
Suggesting that those in authority and power take pleasure in the suffering and misfortune of others, and do little to help or protect them.
You won't be laughing when your covered wagons crash
Warning that the false sense of security and prosperity that people cling to can easily be shattered and destroyed, leaving them vulnerable and helpless.
You won't be laughing when you're hosted by the ghost of Christmas past
Reflecting on the regret and pain that come with missed opportunities and lost chances, and the haunting memory of past mistakes and failures.
You won't be laughing when your blow up doll's
Mocking the artificial and superficial values and desires that people pursue in the night, which offer empty and fleeting pleasures but no lasting joy or fulfillment.
got a headache and won't give up the ass
Satirizing the absurdity and futility of expecting instant gratification and pleasure from meaningless and dehumanizing experiences.
And I lay my kicks to rest when I'm impressed
Taking pride and satisfaction in one's achievements and accomplishments, but not resting on one's laurels and always striving for more.
So I staple-gun them to my feet
Committing to one's passion and goals, and never abandoning them or letting obstacles and challenges deter them.
This origami dream is beautiful: pull the tail watch the wings flap
Appreciating the beauty and wonder of creativity and artistry, which can transform ordinary objects and materials into works of art and imagination.
But you really can't do a thing with that
Recognizing the limitations and challenges of creative expression, and how it can be difficult to bring ideas and visions to life in the real world.
All I ever wanted was to pick apart the day
Desiring to analyze and understand the complexities and contradictions of life, and to find meaning and purpose in them.
Swallow up the pieces
Absorbing and processing the experiences and emotions of the day, and finding ways to integrate them into one's identity and worldview.
Spit 'em at your species
Sharing one's unique perspective and insights with others, and challenging them to rethink their assumptions and beliefs.
Reachin' the city of lost barnacles and leeches
Imagining a dystopian and oppressive society where the weak and vulnerable are exploited and oppressed, and only the strongest and most ruthless survive.
Night-light got me when the daylight went to evening
Experiencing the transformative and mystical power of the night, which can change one's mood, perceptions, and consciousness.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind