Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.
After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.
Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.
Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.
In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.
Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."
All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.
In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.
On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.
In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013.
In 2018, Aesop Rock teamed up with TOBACCO to form Malibu Ken
The Substance
Aesop Rock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(close to insanity)
A desk with a subtle light, a window and a door
(close to insanity)
One bottle of the bluest inks your iris ever saw
(close to insanity)
One child prodigy with a vision in his core
(close to insanity)
(yeah, yo)
I'm frost bitten, slippin' away titanic burden nurses
Where the anti-hero clergy purge their value burning service
And warped was I huddled beneath the influenza fresh
Meshed with impressions that appear to shrink before my very breath
These tides of woe and malice and mirth initiate a wave crash
Splashing my offspring graves prior to birth it's looking bleak
Malarky farce sergeant crooked and sleek emerald eyes glow
I'm shook in a freak side show
OK I strobe effects projective when I blink
So I resign this chorus line
When linked we let our eyelids fall and pilots stall
With what I sing I'll open lash light and dark clash to dim the wattage
Then see the wide eyed dry grays and supplied fiery colossus
Well I am a hostage guiding yet pushed beneath the crazes climate
Hiding behind the levy while the stubborn rivers rise and feel this
I wish heavenly brevity centered hate pedigrees instead of dead serenity
God damn must have remembered me
It clinched me, it wrenched me, tempted me to employ it
Apprehended me and rendered me suspended in its voyage
How these tables have turned
Hand to the bottle with the skull and cross bones scribbled off the label
Sip the ladle drank the burn begging for dead
Concerns off with a zephyr tread and leg in a web
Caught triple-six couriers beckon they fled
OK OK I get it
Let 'em shake a little then release 'em
Like as if ghostly hysterics would leash on banded completion
Odium, patience ran his anti-death commando
Just a litigant stretchin' to touch tranquil but couldn't quite catch the angle
I'm trained as corner stone famine troopers
So my tray within a heart of hearts still belly up and parched, come on
(yeah, yeah, check it)
I'm a sideline observer alerted not yet retreating
(close to insanity)
The climate stubbornly hovered slightly above freezing
(close to insanity)
Now everybody in the populis awaited my reply
(close to insanity)
I spit a billion tiny brilliant white lights into the sky
(close to insanity)
Undeniably amused by the way the fuse burn
By the way the clues churn in front of my eyes
To fertilize germination of concern for me for we
For he who's sucked into the trench fully dug
I don't wanna pull the plug
Hug on my canteen like in a dream
Centipede leader speedin' through a meaty greed league
I can tell by the way the needs bleed from a seed
If the breed should have ever been bread 'nuff said
Whether compared to caterpillar and cocoon
To emerge or a spark's soon a bloom to a surge
All I need is the nourishment, the courage and the burn
To ascend from a number to grave blade runner
Hunter, cleric, swordsman, king
More like I'm walking with a broken mood ring
Mood swingin' from the mezzanine level
Here to bevel the edge
My team's settled on the ledge to pledge
It's like that.
In the summer it rains buckets of hunger pains
In the winter it's the same with an added climate change
The remaining two quadrants balance the polar values equally for midrange
Yet the songs of thirst remain the same
You could turn the whole cold reservoir to liquor
Hell, split the ocean on its seams if it boosts your esteem
I never lend span of attention lest my brethren signal fresh
So do your magic miracle worker I'll remain unimpressed
For the flux, the fix, the famine
For the fact that little Billy up the block obtained a lovely hand cannon
I'd examined auto pilot (right) when filibuster won (yeah)
Concluded the few we're tuned with were now targets of his movement (oh shit)
It's intriguing, yet I guess I knew somewhere something was leaking
Now I honor instinct delinquent
Bring settler runaways frayed boogie bastard clicks
To bypass glass stature walking graph characters
Militant dance split the sun and sip the filament
Tracer, vivisection is to lab rat primes
They try to grace these sacred lips with his maze or a dirty wine
He knew, he brewed the substance just to mock the lesser budgets
Then sought off all trickery bought off the public and screamed victory
Tunnel through the might infested grillage and the rig
As fast a Aesop and his ten little fatigued fingers could dig trigger revenge
Tip the goblet in the dirt review my words spit in the puddle
Peace to faint struggle the fuck out and duck out
(yeah, check, huh, uh)
Now, all hail defenders of the trash talk
(close to insanity)
I was hidden, yet I slid in just to rip the mask off
(close to insanity)
I'm seventy-six inches of all the purest sounds
(close to insanity)
So y'all could dig me six feet deep my eyes would still be over ground
(close to insanity)
(It's like that)
In Aesop Rock's song The Substance, the lyrics paint a picture of a man trapped in his own mind, close to insanity. He describes the surroundings of his four-roomed space, including a desk, a window, and a door. He also mentions a bottle of blue ink and a child prodigy with a vision in his core. The verse seems to suggest that the writer is struggling with a heavy burden, with references to illness and misfortune. He feels as if he is stuck in a cycle of malice and mirth, struggling to break free. However, he believes that even in his darkest moments, he can still find hope, and he spits billion tiny brilliant white lights into the sky to prove it.
Throughout the song, the writer personifies the struggle he is going through, describing it as a kind of living creature or force that is trying to control him. Despite this, he remains determined and persistent, refusing to give up on himself or his dreams. The lyrics also suggest that the writer is aware of the futility of many of his struggles, but he continues to push forward regardless. The Substance paints a vivid portrait of a mind and soul struggling to break free from the constraints of the world around it.
Line by Line Meaning
Four rooms, a ceiling and a floor but there's more
(close to insanity)
The four walls of this space are restrictive, causing the singer to feel crazy.
A desk with a subtle light, a window and a door
The basic furnishings of the room, including a desk, a window and a door.
One bottle of the bluest inks your iris ever saw
A bottle of blue ink that is particularly vibrant and stands out.
One child prodigy with a vision in his core
(yeah, yo)
The artist is a talented individual with a clear sense of purpose.
I'm frost bitten, slippin' away titanic burden nurses
The artist feels cold and isolated, weighed down by his responsibilities.
Where the anti-hero clergy purge their value burning service
The setting is a place where people are disillusioned with traditional societal structures.
And warped was I huddled beneath the influenza fresh
The singer feels trapped and sick in this environment.
Meshed with impressions that appear to shrink before my very breath
The artist's experiences seem to be diminishing before his eyes.
These tides of woe and malice and mirth initiate a wave crash
Splashing my offspring graves prior to birth it's looking bleak
Negative emotions and events are causing the artist's future to look dismal.
Malarky farce sergeant crooked and sleek emerald eyes glow
I'm shook in a freak side show
The artist is disturbed by the intense, manipulative behavior of those around him.
OK I strobe effects projective when I blink
So I resign this chorus line
The singer's vision is distorted, causing him to back away from the situation.
When linked we let our eyelids fall and pilots stall
When we disconnect and shut down, we lose control of our lives.
With what I sing I'll open lash light and dark clash to dim the wattage
Then see the wide eyed dry grays and supplied fiery colossus
The singer's words can be both harsh and compassionate, revealing both the beauty and ugliness of the world.
Well I am a hostage guiding yet pushed beneath the crazes climate
Hiding behind the levy while the stubborn rivers rise and feel this
The singer feels trapped in his circumstances, unable to escape or change things.
I wish heavenly brevity centered hate pedigrees instead of dead serenity
God damn must have remembered me
The singer would prefer to feel anger and passion, rather than be numb.
It clinched me, it wrenched me, tempted me to employ it
Apprehended me and rendered me suspended in its voyage
The artist was drawn to something dangerous, but ultimately resisted it.
How these tables have turned
Hand to the bottle with the skull and cross bones scribbled off the label
The artist has turned to alcohol, specifically something that appears potent and potentially deadly.
Sip the ladle drank the burn begging for dead
Concerns off with a zephyr tread and leg in a web
The singer's alcohol use is causing him to feel numb and disconnected from the world around him.
Caught triple-six couriers beckon they fled
The singer is being tempted or pursued by something represented by 'triple-six'.
OK OK I get it
Let 'em shake a little then release 'em
Like as if ghostly hysterics would leash on banded completion
The artist is taking a detached, passive approach to a situation, hoping it will resolve itself without his intervention.
Odium, patience ran his anti-death commando
Just a litigant stretchin' to touch tranquil but couldn't quite catch the angle
The artist feels like he is fighting against death or negative forces in his life, but is struggling to find peace.
I'm trained as corner stone famine troopers
So my tray within a heart of hearts still belly up and parched, come on
(yeah, yeah, check it)
The artist is someone who has been through difficult times and has developed survival skills, but is still struggling to find fulfillment and nourishment.
I'm a sideline observer alerted not yet retreating
The climate stubbornly hovered slightly above freezing
The singer is watching a situation from the sidelines, but is not yet ready to walk away from it. The environment around him is tense and cold.
Now everybody in the populis awaited my reply
I spit a billion tiny brilliant white lights into the sky
The artist is expected to respond to something, and instead gives an impressive yet vague performance.
Undeniably amused by the way the fuse burn
By the way the clues churn in front of my eyes
The singer is entertained by watching events unfold, as he uncovers more information.
To fertilize germination of concern for me for we
For he who's sucked into the trench fully dug
The things happening are causing the singer to worry, for both himself and those around him who are trapped in a difficult situation.
I don't wanna pull the plug
Hug on my canteen like in a dream
The singer is hesitant to take action or end a situation that he is invested in. He clings to something small and safe, like a canteen.
Centipede leader speedin' through a meaty greed league
I can tell by the way the needs bleed from a seed
The artist is observing someone who is driven by their own greed and ambition, and can see the negative impact it's having on others.
If the breed should have ever been bread 'nuff said
Whether compared to caterpillar and cocoon
To emerge or a spark's soon a bloom to a surge
The artist is pondering the nature of humanity and how we develop and grow as individuals.
All I need is the nourishment, the courage and the burn
To ascend from a number to grave blade runner
Hunter, cleric, swordsman, king
The singer knows what he needs to succeed in life, and wants to rise above his current status to become a successful and respected figure.
More like I'm walking with a broken mood ring
Mood swingin' from the mezzanine level
Despite his aspirations, the singer is still feeling unstable and uncertain about his emotions and life path.
Here to bevel the edge
My team's settled on the ledge to pledge
The artist is trying to carve out his own path, and has a group of like-minded individuals who have pledged to support him.
In the summer it rains buckets of hunger pains
In the winter it's the same with an added climate change
The artist experiences emotional pain year-round, with added stressors in different seasons.
The remaining two quadrants balance the polar values equally for midrange
Yet the songs of thirst remain the same
Despite the balancing forces in his life, the artist is still feeling unsatisfied and unfulfilled.
You could turn the whole cold reservoir to liquor
Hell, split the ocean on its seams if it boosts your esteem
The singer perceives that some people will do anything to boost their own self-worth, even if it causes harm or is unrealistic.
I never lend span of attention lest my brethren signal fresh
So do your magic miracle worker I'll remain unimpressed
The artist is careful about who he pays attention to, and is unimpressed by people who claim to have the ability to perform miracles.
For the flux, the fix, the famine
For the fact that little Billy up the block obtained a lovely hand cannon
The singer is concerned with the instability and violence in his community, including a young boy who has acquired a dangerous weapon.
I'd examined auto pilot (right) when filibuster won (yeah)
Concluded the few we're tuned with were now targets of his movement (oh shit)
The singer has been studying the behavior of someone who is trying to control a group of people, and realizes that those who are most attuned to the situation are in danger.
It's intriguing, yet I guess I knew somewhere something was leaking
Now I honor instinct delinquent
The singer is fascinated by what's happening, but also knows that something is wrong and his intuition is telling him to be cautious.
Bring settler runaways frayed boogie bastard clicks
To bypass glass stature walking graph characters
The artist is trying to bring together a group of people who are marginalized or ignored, in order to bypass the mainstream structures that oppress them.
Militant dance split the sun and sip the filament
Tracer, vivisection is to lab rat primes
They try to grace these sacred lips with his maze or a dirty wine
The artist describes a scene where people are dancing and trying to find enlightenment or meaning, but feels that they are being used or manipulated by powerful forces.
He knew, he brewed the substance just to mock the lesser budgets
Then sought off all trickery bought off the public and screamed victory
Someone has created a substance that is meant to exploit those who are poor or have less power, and is using deception to make themselves appear successful.
Tunnel through the might infested grillage and the rig
As fast a Aesop and his ten little fatigued fingers could dig trigger revenge
The singer wants to uncover the truth and fight back against the powerful people or forces that are exploiting others.
Tip the goblet in the dirt review my words spit in the puddle
Peace to faint struggle the fuck out and duck out
(yeah, check, huh, uh)
The artist is feeling frustrated and defeated, but still wants to make his mark on the world and escape the difficult situation he's in.
Now, all hail defenders of the trash talk
I was hidden, yet I slid in just to rip the mask off
The artist is calling out people who make empty promises or engage in hollow rhetoric, and wants to reveal their true colors.
I'm seventy-six inches of all the purest sounds
So y'all could dig me six feet deep my eyes would still be over ground
(It's like that)
The artist is confident in his own abilities and talents, and believes he will always find a way to rise above any obstacles in his life.
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Dr. Peter Venkman a.k.a Original Ad-Buster
Aesop Rock - kicking more different styles on one track than 50 cent in his whole career.
zgok0083
insert rapper here
SilentK
I agree, I know almost every Aesop song and this is by far my favorite... and my favorite album. There is just so much passion in his voice.
Sun Shine
76 inches of all the purest sounds.
is still the hardest lyrical flex I've ever heard to this day.
nobody else is even close to 76 inches of all the purest sounds.
only aesop.
Kasran Typh
The simple beat really suits this song. Aes' vocals say enough.
chadEchad
This base line reminds me of the video "Penn and Teller teach Slight of Hand" Both videos use it really well.
Jim Corrigan
Used to listen to this song EVERY morning before class...
Bofur Seamantle
The first people to hear this must have burst out after; "Odium, patience ran his anti-death commando
Just a litigant stretchin' to touch tranquil
But couldn't quite catch the angle".
Tanner Solloway
If gods real it's aes nuff said.
Heather Sitz
Love it... 💚🕉🙏