Formed in Cincinnati in 1986, Greg Dulli (vocals, rhythm guitar), Rick McCollum (lead guitar), John Curley (bass), and Steve Earle (drums -- not to be confused with country musician Steve Earle) .
In 1988, they released their debut album Big Top Halloween on their own Ultrasuede label. The album caught the attention and imagination of the independent music community and the band soon signed to Sub Pop of Seattle in 1989. Sub Pop's signing of the Afghan Whigs created quite a stir at the time as they were the first non-Northwestern U.S. band to record for the label.
In 1990, their first Sub Pop release Up in It was released; the blistering pace and yowling, effects-heavy guitars on tracks like "White Trash Party" gave no hint of the stylistic about-face to come. It was followed by a limited edition single released by No.6 Records under the name The Ornament.
With the critically acclaimed 1992 album Congregation and a limited covers EP, Uptown Avondale, the band adopted what would become their signature soul-influenced sound.
Soon the Afghan Whigs signed to a major label, Elektra Records, and in 1993 released another critically acclaimed album, Gentlemen. Although the singles “Debonair” and “Gentlemen” were fairly popular, the album failed to launch the band into the mainstream.
Beside regular appearances on MTV's playlists, their track "Fountain and Fairfax" also appeared on the television series My So-Called Life in 1994.
Despite personnel problems interfering with recording and touring, 1996 saw the band release the noir-influenced Black Love (the album featured Paul Buchignani on drums in place of Steve Earle). Although the main subject matter in previous releases were liquor-drenched obsession, secrets and misery, Black Love was a step into a more dark, even seedier and complex side of Dulli’s persona.
In 1996, Greg Dulli served as executive producer for the soundtrack for the Ted Demme film Beautiful Girls. the Afghan Whigs appeared in the film as a bar band and contributed two songs to the soundtrack (Frederick Knight’s "Be For Real" and Barry White's "Can't Get Enough of Your Love, Babe").
In 1998, the Afghan Whigs released their 6th album, 1965, on Columbia Records (Michael Horrigan, former Love Cowboys bassist replaced Buchignani). The album saw the band on inspired form. Sadly, it was the band's last full-length album of original material.
Despite reports that the band had started work on their 7th album, the Afghan Whigs announced their split in 2001, citing the strain of geographic distance between members as the reason.
In 2006, the Afghan Whigs temporarily reunited. The ‘1965’ lineup (Dulli, McCollum, Curley, Horrigan) recorded two new tracks ("I’m A Soldier" and "Magazine") which are featured on their retrospective titled Unbreakable (A Retrospective) which was released in June 2007.
In December 2011, the band announced that it would be appearing at All Tomorrow's Parties' renowned I'll Be Your Mirror festival on May 25-27, 2012 in London, England. As well, Dulli will serve as the curator, and the Whigs the headliner, for ATP's stateside edition on September 22nd, 2012 in Asbury Park, New Jersey; further dates continue to be announced, including major summer-festival headlining spots at Spain's Primavera, among others. Drummer Cully Symington (Okkervil River, Gutter Twins) and multi-instrumentalist Rick Nelson (Polyphonic Spree, Twilight Singers) will join Curley, Dulli, and McCollum for all shows, which will feature songs from the entire span of the Afghan Whigs repertoire, along with a few new surprises and songs never before played live.
These developments provided both surprise and relief for the group's members. "The pressure is really nonexistent, because we're playing songs that we've already completed - that we already know," Dulli says. "Those songs still resonate with me; in fact, they have always resonated with me. I imagine there will be people who never saw the band before, too, and that's exciting." "It will be nice to experience the Whigs again as a grown-up," jokes Curley. "In my mind, the Whigs were a live band above anything else. Playing shows always was our favorite part about being in the band, and the times when we felt the most freedom and release. I missed playing at that level; I missed playing the songs that we wrote, that meant so much to people - and to us." (from www.theafghanwhigs.com History). In 2014 they released "Do to the Beast" and performed in Ireland, Israel, and the U.S.
Retarded
Afghan Whigs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What a drag
Muthafucker lied to you
Muthafucker took me head
You're never alone with your jones
And all you can't forget
So roll on up the price is down
Today the retard speaks to me and now I have it all
What a drag
Muthafucker lied to you
It could never get that bad just ask
So go on go on go on go on
Who you call retarded now?
I said who you call retarded now?
I see YOU standing proud
Come on down & swallow hard
The lyrics of Afghan Whigs's song "Retarded" are dark and cryptic. The first verse talks about being alone with Lucifer because television is gone. The character sounds like they could be struggling with addiction, as they are never alone with their "jones." They also mention a muthafucker who lied to them and took their head, which could be interpreted as someone who deceived them or a drug that took over their mind. The chorus is particularly interesting, as they discuss a "retard" speaking to them and it leading to their having it all. This could be a reference to gaining clarity or enlightenment through struggle, or it could be a cynical comment on society's views of disabled individuals.
The second verse continues with the theme of deception and feeling lied to. The character questions who is really "retarded" and seems to challenge societal norms. They mention someone standing proud, but then tell them to come down and swallow hard, which could be interpreted as a command to face reality instead of hiding behind pride. The lyrics overall are open to interpretation but seem to comment on isolation, addiction, and societal expectations.
Line by Line Meaning
Television's gone and I'm alone with Lucifer
Without the distraction of television, I am now in the company of my inner demons
What a drag
This situation is unpleasant
Muthafucker lied to you
Someone lied to you, using profanity to emphasize the severity of the deception
Muthafucker took me head
Someone took advantage of me, leaving me feeling helpless
You're never alone with your jones
Your addiction will always be with you, providing comfort or torment
And all you can't forget
Yet there are certain memories you cannot escape
So roll on up the price is down
Despite the consequences, indulge in your addiction because it's currently affordable
So come on come on come on come on.
Encouraging oneself or others to give in to temptation
Today the retard speaks to me and now I have it all
A mental setback or weakness has actually brought me enlightenment or fulfillment
What a drag
This situation is still unpleasant
Muthafucker lied to you
Someone continues to deceive or manipulate you
It could never get that bad just ask
The situation is not as bad as it seems, and one could confirm this with others
So go on go on go on go on
Keep moving forward, despite the challenges
Who you call retarded now?
Challenging someone who previously underestimated or insulted you
I said who you call retarded now?
Repeatedly emphasizing the challenge to their perception of you
I see YOU standing proud
Noticing the irony that the once-demeaning person is now in a weakened state
Come on down & swallow hard
Now that the roles have reversed, they must accept their new position and its potential difficulties
Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Written by: GREGORY E. DULLI, RICK MCCOLLUM
Lyrics Licensed & Provided by LyricFind