The band originally formed in 1971/early 1972 with Peter Banks on keyboards, John Leach on bass and Ian Adamson on drums. The original group disbanded in December 1972. Peter went on to play keyboards for Narnia, playing alongside John Russell.
In 1974 Peter and Ian decided to breathe new life into ATF and started auditions for a guitar player. Andy Piercy approached the pair, and after a settling of opinions the Piercy/Banks partnership was formed. The early material took the form of Christian stories. In 1975 Robin Childs joined the band as a bass player.
In 1977 Robin left, replaced by Nick Battle and Ian left to be replaced by a "strange" drummer, Ivor Twidell. By late 1977 Nick had decided to leave but was persuaded to stay to record Signs of Change.
Signs of Change was released on a private label out of frustration with the Christian record labels who insisted that bands pay up-front. It was an outstanding album for it's time, well thought through and brilliantly executed. The six tracks are reminiscent of early Genesis and Yes, synth-lead with good-sized instrumental breaks. The album had a limited release of 4000 copies and with an even more limited number including a lyric sheet insert - printed white hand written lyrics on black. The album was distributed by mail order.
ATF moved on musically and with Nick leaving Andy switched to bass (not before various bass players had appeared with the band) and John Russell joined the band as the new guitarist, after seeing the band playing at a pub.
The band was eventually signed up by CBS in 1978 and started recording in the winter. During the production of the Laser Love album no less than 5 producers worked with the band (the band also produced 2 tracks), leaving the final release a little dis-jointed. Some of the tracks were recorded twice by different producers.
During August 1979 the band played the Greenbelt festival for the last time (having been regulars in the past few years) - everything about the bands appearance was electric, from the sound check in the early afternoon to the fireworks that finished the overrun evening performance. It gave the band a chance to air the new tracks before the release of the new album in October 1979.
Ivor left the band in October 1979 after ill health led to his collapse on stage, he was replaced by Nick Brotherwood. The band started work on a new album - 80-f. It was turned down by CBS and led to yet another change in drummer, however, the album contained some excellent tracks like Operator that never saw the light again. An acetate of the album is in existence. This delay cost the band a US tour.
Pete King, ex-Flys drummer, was recruited as the new drummer and quickly filled the role. His style matched the band and he settled in as the band started re-recording the album with Mack as the producer. The album was released with two singles, which again, never got the airplay they deserved. The album sold well in Germany and the band released Sternenflug - a German version of Starflight.
1981 saw the band touring extensively abroad, along with appearances on Old Grey Whistle Test and Rock Goes To College.
The album Batteries Not Included was the most polished release, and sadly the bands last release of new material. The singles did well in London, kept high in the Capital Radio phone votes, but the sales did not reflect this masterpiece.
Demos for a new album were being made.
In 1982 the band appeared on Swap Shop and toured with ELO (Pete King filled for Bev Bevan after he was taken ill), Queen and Van Halen on a fifty-one date tour of America in ninety-nine days. Half way through the tour CBS heard the demo tracks the band had recorded for a new album and requested they return to start in the recording studio. The band, funded by Harvey Goldsmith decided to stay on the tour - they returned in a lot of debt. The band was still not making the money nor had the public backing they needed.
The band announced the split in December 1982 at the Dominion Theatre - their last concert and one of the best. Without the ties of management and record companies the band flowed through the set, relaxed and backed by the crowd.
The band had been pulling in two directions with Andy and John wanting to move the music in a rock direction and the two Peter's wishing to go more pop.
The last single release by the band was Der Kommissar, a Falco hit. The single was a worldwide hit and CBS asked the band to reform but to no avail. Andy returned to the recording studio with John and various session musicians, a re-work of Dancing In The Shadows was released and a new single 8 Ball In The Top Pocket followed. The single never achieved airplay and was withdrawn shortly afterwards - the 12" slipped out without notice.
CBS released Der Kommissar - a greatest hits album, to cash in on the single and re-released it with reworked Dancing In The Shadows, One Rule For You and Starflight.
The bands revival was short lived and CBS finally laid the project to rest, abandoning the release of the album Free Heat.
John went on to form Press Any Key with his brother Rob, Andy started a solo career and went on to produce. Pete Banks and Pete King started working on a new project called Zipcodes and a tape was released after the death of Pete King in 1987.
The reworked Der Kommissar was released by Sony recently - the only album to make CD.
2004 and beyond
Although the band reunited for a couple of special events, things lay dormant until 2004 when Peter Banks and John Russell agreed to take part in a 'Friends' (the After The Fire fan club) reunion where, with John's son Matt on drums and bassist Ian Niblo, they played an informal Karaoke set for brave fans to perform their favourite tracks. Despite a gap of 'some' years it seemed that the fan-base for the band had never deserted them, they were just resting!
This spurred a flurry of activity, resulting in the recruitment of ex-Zipcodes cohort Keith Smith on vocals and a return to The Greenbelt Arts festival in 2004 for a full-on comeback gig some 25 years after the band last played there. A hot and sweaty venue was crammed to capacity where fans were treated to both a trip down memory lane and a band playing timeless classics.
The make-up of the band is different. The charts have moved on. But the band who played over 300 gigs, toured with ELO, Queen, Van Halen and shared a BBC In Concert stage with U2 are back and ready to start a new chapter in their history.
This new phase has seen the release of the bands back catalogue, a 'warts and all' official bootleg of the comeback at Greenbelt on DVD and the release of a single in support of Christian Aid's Trade Justice Campaign, part of the MAKEPOVERTYHISTORY initiative.
Take Me Higher
After the Fire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I am a room and you are a tower
I am a motion and you are the power, you are the power
I am a word and you are the line
I am a poem and you are the rhyme
I am a watch and you are the time you are time
You make my life worth living, you set this world on fire and just
I am an hour and you are a day
I am a step and you are the way
You are the words that I want to say, I want to say
I am a player and you are the game
I am a number and you are the name
I am a spark and you are the flame, you are The flame.
You make my life worth living, you set this world on fire and just
When I think its over, you take me higher, you take me higher
You know, you know you take me higher, you take me higher
I am a day you are a year
I am a breath and you are the air
You are the words that I want to hear, I want to hear
When you're beside me I will fear no ill
Your rod and staff my comfort still
The world can throw at me whatever it will, whatever it will
You make my life worth living, you set this world on fire and just
When I think its over, you take me higher, you take me higher
The lyrics of "Take Me Higher" by After the Fire are full of metaphorical comparisons between the singer and the person they are addressing. The first verse compares the two to time and space, with the singer being a smaller, more finite thing (a minute, a room, a word), and the other person being a larger, infinite thing (an hour, a tower, a line). This sets up the idea that the other person has a lot of power and influence over the singer's life.
The second verse builds on this theme, with the comparisons becoming more personal. Here, the singer is a player and the other person is the game, emphasizing the idea that the other person is in control. However, the chorus reveals that the singer is happy with this dynamic, as the other person "makes my life worth living" and "sets this world on fire." The final verse brings in religious imagery, with the other person being a source of comfort and protection in a dangerous world.
Overall, the song's message is one of submission and reliance on the other person for guidance and support. The comparisons to time and space suggest that this relationship is a fundamental, unchangeable aspect of the singer's life.
Line by Line Meaning
I am a minute and you are an hour
I am small and insignificant compared to you, who have a greater role and purpose
I am a room and you are a tower
I am confined and limited compared to you, who are vast and powerful
I am a motion and you are the power, you are the power
I am a part of the process, but you are the driving force that makes things happen
I am a word and you are the line
I am just a small part of the bigger picture, while you are the complete and essential whole
I am a poem and you are the rhyme
I am the expression of a thought or emotion, while you give it structure and coherence
I am a watch and you are the time you are time
I am a tool that measures something that you define and control
You make my life worth living, you set this world on fire and just
You bring meaning and purpose to my existence, and you have the ability to ignite passion and inspiration in others
When I think its over, you take me higher, you take me higher
In moments of despair or defeat, you give me hope and strength to keep going and rise above my circumstances
I am an hour and you are a day
I am a larger part of the process, but you have a greater scope and impact
I am a step and you are the way
I am one part of the journey, but you are the direction and purpose behind it
You are the words that I want to say, I want to say
You represent my deepest thoughts and desires, the things I long to express
I am a player and you are the game
I am a participant or observer, while you are the complex and dynamic system that governs everything
I am a number and you are the name
I am just a symbol or representation, while you are the essence and identity behind it
I am a spark and you are the flame, you are the flame
I am a small part of the bigger picture, while you are the powerful and inspiring force that fuels it
You know, you know you take me higher, you take me higher
You are aware of your ability to inspire and uplift me, and you continue to do so
I am a day you are a year
I am a larger part of the process, but you have a much greater impact and meaning over time
I am a breath and you are the air
I am just one small part of the essential element that sustains life, while you are the vast and all-encompassing force behind it
You are the words that I want to hear, I want to hear
You represent the things that bring me joy and comfort, the things that I long to experience
When you're beside me I will fear no ill
With you by my side, I am protected and reassured, and I have the strength to face any challenge or adversity
Your rod and staff my comfort still
Your guidance and support give me peace and comfort, even in the most difficult situations
The world can throw at me whatever it will, whatever it will
No matter what challenges or obstacles I may face, I know that I can rely on you to help me overcome them
Contributed by Grayson R. Suggest a correction in the comments below.
Mark Sudlow
THE most underrated album ever made... no question!!!
Roy Douglas
Reminds me of early 77's in style..Signs of Change is a gem LP....
Peter Knowles
Completely agree with Mark how underrated this album and indeed band were. This album has some great tunes and meaningful lyrics.