Nicolas Godin studied architecture at the École nationale supérieure d'architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995. Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream), Dunckel and Godin played together in the band Orange with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air.
Initially Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, "Modular Mix", which featured production by Étienne de Crécy.
Career
After making several remixes for other acts in the first half of the 1990s, Air recorded its first EP, Premiers Symptômes, in 1995. The band released its first album, Moon Safari, in 1998. Its first single, "Sexy Boy", was heavily played on alternative radio stations. The album received universal acclaim and became an international success. In 1999, Air composed the score The Virgin Suicides to Sofia Coppola's debut film of the same name; in 2012, Air wrote its second score to Georges Méliès' Le voyage dans la lune.
Other works
Air has often collaborated with Coppola. Air drummer and former Redd Kross member Brian Reitzell put together the soundtrack to 2003's Lost in Translation, including one original contribution by Air titled "Alone in Kyoto". The soundtrack for Coppola's October 2006 film Marie Antoinette featured a track by Air ("Il Secondo Giorno"). Air wrote and played the music of the album 5:55 by Anglo-French actress and singer Charlotte Gainsbourg, which was released in August 2006. Air has recorded a DJ mix album, Late Night Tales: Air, for Azuli Records' Late Night Tales series. The release was initially scheduled for October 2005, but was delayed several times. It finally was released, complete with a new sleeve design, in September 2006. Darkel, a solo album by Dunckel, was released that same year.
City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle and was deemed such a success that both parties resolved to make a full studio recording.
Influences and musical style
Air is associated with a variety of musical styles: electronica, space pop, dream pop, progressive rock, downtempo, chillout, trip hop, ambient, electronic pop and space rock. Dunckel grew up listening to both classical and electronic music, especially Kraftwerk. He later took an interest in what he called the "English dark rock" of Siouxsie and the Banshees and Joy Division, while being a fan of David Bowie, Iggy Pop and Lou Reed. Brian Eno and Cluster were two of the electronic acts who inspired him the most. He cites among his favorite artists: Maurice Ravel for classical music, François de Roubaix for music soundtracks and Siouxsie and the Banshees for pop music. Dunckel shared with Godin a special liking for the music of Michel Legrand, Philip Glass and Grace Jones. During his childhood, Godin was fascinated by the Beatles before later discovering the soul of Sly and the Family Stone. The duo were influenced by progressive rock pioneers Pink Floyd.
Air uses many of its studio instruments (like Moog synthesizers, the Korg MS-20, Wurlitzer and Vocoder) on stage, where their ability to improvise is more clearly highlighted. The band performs the well-known tracks from the albums live as extended or altered versions. Air often collaborates (both in the studio and live) with artists like Beth Hirsch (Moon Safari), Françoise Hardy ("Jeanne"), Jean-Jacques Perrey ("Cosmic Bird"), Gordon Tracks ("Playground Love" and "Easy Going Woman" – Gordon Tracks is a pseudonym of the French singer Thomas Mars from Phoenix), Beck (10 000 Hz Legend) and Jean-Michel Jarre ("Close Your Eyes" from Jarre's Electronica 1: The Time Machine). They also invited Dave Palmer on their 2004 tour and drummer Earl Harvin, Vincent Taurelle and Steve Jones on their 2007 tour.
Studio albums
Moon Safari (1998)
10 000 Hz Legend (2001)
Talkie Walkie (2004)
Pocket Symphony (2007)
Love 2 (2009)
Le voyage dans la lune (2012)
Soundtrack albums
The Virgin Suicides (2000)
Music for Museum (2014)
Extended plays
Premiers Symptômes (1997)
Collaborative albums
City Reading (Tre Storie Western) (2003)
Mix and remix albums
Everybody Hertz (2002)
Late Night Tales (2006)
Compilation albums
Twentyears (2016)
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Air is one of the many aliases of Pete Namlook. He has been releasing ambient music under this name since the release of an eponymous album in 1993.
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Japanese noise rock, Air is an alias of Koji Kurumatani first released album Wear Off in 1996.
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Air is a late 90s Indonesian Pop band that became popular with their "Bintang" song.
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Air was a jazz trio with its roots steeped in Chicago's Association for the Advancement of Creative Musicians (AACM), and was formed originally in 1971. The jazz trio Air formed from within the Muhal Richard Abrams Sextet, which was active on the Chicago scene contemporaneously with the birth and growth of the AACM and groups such as the Art Ensemble of Chicago. Henry Threadgill on reeds, hubcaphone, and percussion; Fred Hopkins on bass, and Steve McCall on drums formed the trio when Threadgill was commissioned by Columbia College to score and adapt Scott Joplin's work for a performance honoring Joplin's centenary (Joplin's birth has been established now as sometime in 1868) and a rebirth of interest in the noted ragtime composer. All three men were Air signs in the zodiac, and so adopted the name.
They performed first around Chicago, while maintaining residency with Muhal Abrams group, which also featured Kalaparusha Maurice McIntyre and Wallace McMillan, both reed players. The Air "brand" remained a side project until all three reunited in New York in 1975, and began recording under that name for India Navigation, Nessa, Black Saint, and Novus. The trio broke up when Steve McCall left in the early 1980s, and when Pheroan Aklaff joined in 1982, they recorded as New Air, and recorded several albums under that name, including Air Show No. 1 in 1986, which featured Cassandra Wilson on vocals. Andrew Cyrille ultimately replaced akLaff before the band eventually was superceded by the burgeoning careers of its members: Threadgill with his groups Sextett and Very Very Circus, and Hopkins as the go-to bassist for Threadgill, David Murray, and Hamiet Bluiett. McCall's health forced his retirement from touring around 1980, and the dynamic drummer and effusive and gracious man who was a cofounder of the AACM with Muhal Abrams and Fred Anderson, died of a stroke in 1989.
This Air is listed as Air (4) on Discogs and is also been identified on last.fm as Air (Fred Hopkins, Steve McCall, Henry Threadgill) and Air with Fred Hopkins, Steve Mccall, Henry Threadgill (sic: McCall's name misspelt), and possibly also other alternative spellings of the group's name exist.
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Air was a psychedelic folk rock band featuring Googie and Tom Coppola, John Siegler and Mark Rosengarden. They released their first self titled album in 1971.
One And Only
Air Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
毎日決心の連続だから
あしたこそ 今日からの
繰り返しでいつもいつも時を重ねる
かしこくないけど嘘もない
きっとこういうことしかありえない
振り向けば気がつけば
全てつながる軌跡
ふいに見上げた
諳んじてみた
指でなぞった
胸に刻みこんだから
ゆきゆきてonly one
愛されてonly one
唾はいてonly one
けなされてonly one
気がつけばonly one
一言で言えばonly one
とまどいの朝
背伸びして口ついた言葉
「誰のためじゃなく何のため」
もちろん自分ありきの話だね
悩みのたね 今消えたね
咲き誇るほら
荒れたLovable music
作りつづけた
君を振り向かせたから
Please take me in your heart.
Please take me in your heart.
Please please every body.
Please please every body.
0nly one, the only one,
only one, the only one.
Please take me in your heart.
Please take me in your heart.
The lyrics to Air's song "Only One" convey a deep sense of longing for a place where the singer and their loved one can truly be together. The opening lines suggest a desire for a peaceful and serene environment where the "waters still run deep." The singer's desire is for intimacy and connection with their loved one, and they describe the other person as the one who "sails into" them and whose "lips are silent," perhaps symbolic of the unspoken but profound connection they share.
The chorus, with the repetitive phrase "There's only one forever," speaks to the couple's commitment and devotion to one another. The song suggests that they have been on a journey together, with their path chosen "long ago," and that they have created a sanctuary for themselves through their honesty and trust in one another. The lyrics convey a sense of deep affection and a belief in the power of their connection to withstand anything.
Overall, the lyrics to "Only One" are simple and poetic, conveying a sense of longing, love, and commitment. The song captures the essence of a deep connection between two people and the sacred space they create for themselves within the world.
Line by Line Meaning
There has to be a place for you and me
We need to find a place where we can be together.
Where we can sleep and waters still run deep
We need a peaceful and quiet place with deep and calm water.
And you're the one that sails into me
You are the one who fits perfectly with me.
And you're the one whose lips are silent
You don't need words to show me how you feel.
You're the one that always said
You are the one who always reminded me.
There's only one forever
We only have one lifetime together.
It brought us both together,
Our love for each other brought us together.
You said to me, just give me honesty
You asked me to always be honest with you.
And in return, I'll build your santuary
You promised to create a peaceful and safe space for us.
Long ago, that path was chosen
Our fate was sealed a long time ago.
How could we not fall in love
It was inevitable that we would fall in love.
Remember when we always said
We used to remind each other.
There's only one forever
We only have one lifetime together.
It brought us both together
Our love for each other brought us together.
There's only one forever
We only have one lifetime together.
Lyrics © O/B/O APRA AMCOS
Written by: AIR
Lyrics Licensed & Provided by LyricFind
@MrCenturion13
"The hoofs of approaching aircraft...." oh, Dark Skies, never change.
@lambastepirate
I got a good laugh off that one to.
@brianvosburgh1720
Agreed. That line is a classic. 👍🇺🇲
@oldgamesinvestigator7852
He also said Fockewolf 189, but I think he meant 190. There are some errors this guy makes that makes me question if he's an AI bot. Still a good video though.
@MrCenturion13
You folks surely understand that the people behind DS do this deliberately? It's their way of increasing clickz.
@davewilliams3315
Block that metaphor!
@m2pozad
Patton's views of the Soviets are widely known. He could not have been the only General itching to have, 'an accident'.
@SuperErikRoss
itchy scratchy thats why patton had his own "accident" at the end of the war
@radosaworman7628
@@caesar4880 +1 from Poland
@redsun9261
@@radosaworman7628 Yeah, soviets should have stopped at the border, letting Hitler to deal with western slavs. There will be no bitching like this nowadays because no Poland, lol.