Nicolas Godin studied architecture at the รcole nationale supรฉrieure d'architecture de Versailles, and Jean-Benoรฎt Dunckel studied mathematics, before forming a band in 1995. Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rรชve, which translates to Love, Imagination, Dream), Dunckel and Godin played together in the band Orange with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air.
Initially Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, "Modular Mix", which featured production by รtienne de Crรฉcy.
Career
After making several remixes for other acts in the first half of the 1990s, Air recorded its first EP, Premiers Symptรดmes, in 1995. The band released its first album, Moon Safari, in 1998. Its first single, "Sexy Boy", was heavily played on alternative radio stations. The album received universal acclaim and became an international success. In 1999, Air composed the score The Virgin Suicides to Sofia Coppola's debut film of the same name; in 2012, Air wrote its second score to Georges Mรฉliรจs' Le voyage dans la lune.
Other works
Air has often collaborated with Coppola. Air drummer and former Redd Kross member Brian Reitzell put together the soundtrack to 2003's Lost in Translation, including one original contribution by Air titled "Alone in Kyoto". The soundtrack for Coppola's October 2006 film Marie Antoinette featured a track by Air ("Il Secondo Giorno"). Air wrote and played the music of the album 5:55 by Anglo-French actress and singer Charlotte Gainsbourg, which was released in August 2006. Air has recorded a DJ mix album, Late Night Tales: Air, for Azuli Records' Late Night Tales series. The release was initially scheduled for October 2005, but was delayed several times. It finally was released, complete with a new sleeve design, in September 2006. Darkel, a solo album by Dunckel, was released that same year.
City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle and was deemed such a success that both parties resolved to make a full studio recording.
Influences and musical style
Air is associated with a variety of musical styles: electronica, space pop, dream pop, progressive rock, downtempo, chillout, trip hop, ambient, electronic pop and space rock. Dunckel grew up listening to both classical and electronic music, especially Kraftwerk. He later took an interest in what he called the "English dark rock" of Siouxsie and the Banshees and Joy Division, while being a fan of David Bowie, Iggy Pop and Lou Reed. Brian Eno and Cluster were two of the electronic acts who inspired him the most. He cites among his favorite artists: Maurice Ravel for classical music, Franรงois de Roubaix for music soundtracks and Siouxsie and the Banshees for pop music. Dunckel shared with Godin a special liking for the music of Michel Legrand, Philip Glass and Grace Jones. During his childhood, Godin was fascinated by the Beatles before later discovering the soul of Sly and the Family Stone. The duo were influenced by progressive rock pioneers Pink Floyd.
Air uses many of its studio instruments (like Moog synthesizers, the Korg MS-20, Wurlitzer and Vocoder) on stage, where their ability to improvise is more clearly highlighted. The band performs the well-known tracks from the albums live as extended or altered versions. Air often collaborates (both in the studio and live) with artists like Beth Hirsch (Moon Safari), Franรงoise Hardy ("Jeanne"), Jean-Jacques Perrey ("Cosmic Bird"), Gordon Tracks ("Playground Love" and "Easy Going Woman" โ Gordon Tracks is a pseudonym of the French singer Thomas Mars from Phoenix), Beck (10 000 Hz Legend) and Jean-Michel Jarre ("Close Your Eyes" from Jarre's Electronica 1: The Time Machine). They also invited Dave Palmer on their 2004 tour and drummer Earl Harvin, Vincent Taurelle and Steve Jones on their 2007 tour.
Studio albums
Moon Safari (1998)
10 000 Hz Legend (2001)
Talkie Walkie (2004)
Pocket Symphony (2007)
Love 2 (2009)
Le voyage dans la lune (2012)
Soundtrack albums
The Virgin Suicides (2000)
Music for Museum (2014)
Extended plays
Premiers Symptรดmes (1997)
Collaborative albums
City Reading (Tre Storie Western) (2003)
Mix and remix albums
Everybody Hertz (2002)
Late Night Tales (2006)
Compilation albums
Twentyears (2016)
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Air is one of the many aliases of Pete Namlook. He has been releasing ambient music under this name since the release of an eponymous album in 1993.
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Japanese noise rock, Air is an alias of Koji Kurumatani first released album Wear Off in 1996.
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Air is a late 90s Indonesian Pop band that became popular with their "Bintang" song.
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Air was a jazz trio with its roots steeped in Chicago's Association for the Advancement of Creative Musicians (AACM), and was formed originally in 1971. The jazz trio Air formed from within the Muhal Richard Abrams Sextet, which was active on the Chicago scene contemporaneously with the birth and growth of the AACM and groups such as the Art Ensemble of Chicago. Henry Threadgill on reeds, hubcaphone, and percussion; Fred Hopkins on bass, and Steve McCall on drums formed the trio when Threadgill was commissioned by Columbia College to score and adapt Scott Joplin's work for a performance honoring Joplin's centenary (Joplin's birth has been established now as sometime in 1868) and a rebirth of interest in the noted ragtime composer. All three men were Air signs in the zodiac, and so adopted the name.
They performed first around Chicago, while maintaining residency with Muhal Abrams group, which also featured Kalaparusha Maurice McIntyre and Wallace McMillan, both reed players. The Air "brand" remained a side project until all three reunited in New York in 1975, and began recording under that name for India Navigation, Nessa, Black Saint, and Novus. The trio broke up when Steve McCall left in the early 1980s, and when Pheroan Aklaff joined in 1982, they recorded as New Air, and recorded several albums under that name, including Air Show No. 1 in 1986, which featured Cassandra Wilson on vocals. Andrew Cyrille ultimately replaced akLaff before the band eventually was superceded by the burgeoning careers of its members: Threadgill with his groups Sextett and Very Very Circus, and Hopkins as the go-to bassist for Threadgill, David Murray, and Hamiet Bluiett. McCall's health forced his retirement from touring around 1980, and the dynamic drummer and effusive and gracious man who was a cofounder of the AACM with Muhal Abrams and Fred Anderson, died of a stroke in 1989.
This Air is listed as Air (4) on Discogs and is also been identified on last.fm as Air (Fred Hopkins, Steve McCall, Henry Threadgill) and Air with Fred Hopkins, Steve Mccall, Henry Threadgill (sic: McCall's name misspelt), and possibly also other alternative spellings of the group's name exist.
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Air was a psychedelic folk rock band featuring Googie and Tom Coppola, John Siegler and Mark Rosengarden. They released their first self titled album in 1971.
One Hell of a Party
Air Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Someone must clear these things away
Here in the burnt out husk of the morning
Strung out with nothing left to say
Yeah this was one hell of a party
Nobody ever got to bed
But the morning after's killing me
And just where were we trying to get to?
I can't recall one single word
The faces that pushed themselves before you
Congeal into one, nothing transferred
But this was one hell of a party
And it's still living in my head
But the morning after shines so cold
So I'll follow where I'm lead
Yeah, this was one hell of a party
Nobody got to go to bed
Let's face it now, it's over
And this morning after's killing me
And I have to rest my head
The song "One Hell of a Party" by Air is a melancholic reflection of the aftermath of a wild night of partying. The opening lines, "Please do not follow where I am leading, someone must clear these things away," suggest a sense of regret and confusion, as the singer grapples with the consequences of their actions. The burnt-out husk of the morning, and the feeling of being strung out and speechless, convey a sense of emptiness and nihilism.
The chorus, "Yeah this was one hell of a party, nobody ever got to bed," echoes the hedonistic excess of the night before, but the repetition of "the morning after's killing me, and I have to rest my head" creates a feeling of exhaustion and regret. The verses continue to explore the disorientation and fragmented memories of the night, as well as the sense of loss and disconnection that often accompanies such experiences.
Overall, the lyrics of "One Hell of a Party" are a potent reminder of the fleeting nature of pleasure and the often-painful aftermath of excess. Through its haunting melody and evocative lyrics, the song captures the bittersweet beauty of fleeting moments of joy and the inevitability of their passing.
Line by Line Meaning
Please do not follow where I am leading
I do not know where to go, so do not follow me blindly
Someone must clear these things away
We need to clean up and move on from this mess
Here in the burnt out husk of the morning
We are left in the aftermath of our revelry, feeling empty and hollow
Strung out with nothing left to say
We are exhausted and drained of all conversation
Yeah this was one hell of a party
We had an amazing time at this event
Nobody ever got to bed
We stayed up all night and did not go to sleep
But the morning after's killing me
The consequences of our actions are weighing heavily on me now
And I have to rest my head
I need some time to recover and recuperate
And just where were we trying to get to?
I do not remember what we were trying to achieve
I can't recall one single word
My memory is hazy and I cannot remember anything
The faces that pushed themselves before you
The people who were trying to get your attention
Congeal into one, nothing transferred
All the faces you saw blend together and no meaningful interactions took place
And it's still living in my head
The memories of the party are still fresh in my mind
So I'll follow where I'm lead
I will go along with whatever comes my way
Let's face it now, it's over
It is time to accept that the party is finished
And this morning after's killing me
The reality of the aftermath is difficult to cope with
And I have to rest my head
I need some rest and time to recover
Lyrics ยฉ Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Jarvis Branson Cocker, Jean Benoit Dunckel, Nicolas Jean Michel Godin
Lyrics Licensed & Provided by LyricFind
@weloveroy
Hangover becomes melancholic. Superb.
@lyndanet5116
The Resin Figures here are so amazing ...so beautifully illuminated....
@YouMyMuse
Air's songs with Jarvis are just perfect, love them so much..
@Trashpanda888
Such a gem.
@dablues6573
This music need more views !!
@phill6983
Rite satanique fun et convivial I think the view counter must be broken. I can't believe there is still only 3.5k views after all these months!
@chillialexander
Fuzzy memories brought into clarity through such a great song
@rickc2102
One of my favorite comedown songs.
@ravensnflies8167
i think the lyrics are lost on most people...
@JimiJames
7,800 views? what a shame considering this is brilliant.