Nicolas Godin studied architecture at the École nationale supérieure d'architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995. Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream), Dunckel and Godin played together in the band Orange with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air.
Initially Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, "Modular Mix", which featured production by Étienne de Crécy.
Career
After making several remixes for other acts in the first half of the 1990s, Air recorded its first EP, Premiers Symptômes, in 1995. The band released its first album, Moon Safari, in 1998. Its first single, "Sexy Boy", was heavily played on alternative radio stations. The album received universal acclaim and became an international success. In 1999, Air composed the score The Virgin Suicides to Sofia Coppola's debut film of the same name; in 2012, Air wrote its second score to Georges Méliès' Le voyage dans la lune.
Other works
Air has often collaborated with Coppola. Air drummer and former Redd Kross member Brian Reitzell put together the soundtrack to 2003's Lost in Translation, including one original contribution by Air titled "Alone in Kyoto". The soundtrack for Coppola's October 2006 film Marie Antoinette featured a track by Air ("Il Secondo Giorno"). Air wrote and played the music of the album 5:55 by Anglo-French actress and singer Charlotte Gainsbourg, which was released in August 2006. Air has recorded a DJ mix album, Late Night Tales: Air, for Azuli Records' Late Night Tales series. The release was initially scheduled for October 2005, but was delayed several times. It finally was released, complete with a new sleeve design, in September 2006. Darkel, a solo album by Dunckel, was released that same year.
City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle and was deemed such a success that both parties resolved to make a full studio recording.
Influences and musical style
Air is associated with a variety of musical styles: electronica, space pop, dream pop, progressive rock, downtempo, chillout, trip hop, ambient, electronic pop and space rock. Dunckel grew up listening to both classical and electronic music, especially Kraftwerk. He later took an interest in what he called the "English dark rock" of Siouxsie and the Banshees and Joy Division, while being a fan of David Bowie, Iggy Pop and Lou Reed. Brian Eno and Cluster were two of the electronic acts who inspired him the most. He cites among his favorite artists: Maurice Ravel for classical music, François de Roubaix for music soundtracks and Siouxsie and the Banshees for pop music. Dunckel shared with Godin a special liking for the music of Michel Legrand, Philip Glass and Grace Jones. During his childhood, Godin was fascinated by the Beatles before later discovering the soul of Sly and the Family Stone. The duo were influenced by progressive rock pioneers Pink Floyd.
Air uses many of its studio instruments (like Moog synthesizers, the Korg MS-20, Wurlitzer and Vocoder) on stage, where their ability to improvise is more clearly highlighted. The band performs the well-known tracks from the albums live as extended or altered versions. Air often collaborates (both in the studio and live) with artists like Beth Hirsch (Moon Safari), Françoise Hardy ("Jeanne"), Jean-Jacques Perrey ("Cosmic Bird"), Gordon Tracks ("Playground Love" and "Easy Going Woman" – Gordon Tracks is a pseudonym of the French singer Thomas Mars from Phoenix), Beck (10 000 Hz Legend) and Jean-Michel Jarre ("Close Your Eyes" from Jarre's Electronica 1: The Time Machine). They also invited Dave Palmer on their 2004 tour and drummer Earl Harvin, Vincent Taurelle and Steve Jones on their 2007 tour.
Studio albums
Moon Safari (1998)
10 000 Hz Legend (2001)
Talkie Walkie (2004)
Pocket Symphony (2007)
Love 2 (2009)
Le voyage dans la lune (2012)
Soundtrack albums
The Virgin Suicides (2000)
Music for Museum (2014)
Extended plays
Premiers Symptômes (1997)
Collaborative albums
City Reading (Tre Storie Western) (2003)
Mix and remix albums
Everybody Hertz (2002)
Late Night Tales (2006)
Compilation albums
Twentyears (2016)
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Air is one of the many aliases of Pete Namlook. He has been releasing ambient music under this name since the release of an eponymous album in 1993.
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Japanese noise rock, Air is an alias of Koji Kurumatani first released album Wear Off in 1996.
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Air is a late 90s Indonesian Pop band that became popular with their "Bintang" song.
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Air was a jazz trio with its roots steeped in Chicago's Association for the Advancement of Creative Musicians (AACM), and was formed originally in 1971. The jazz trio Air formed from within the Muhal Richard Abrams Sextet, which was active on the Chicago scene contemporaneously with the birth and growth of the AACM and groups such as the Art Ensemble of Chicago. Henry Threadgill on reeds, hubcaphone, and percussion; Fred Hopkins on bass, and Steve McCall on drums formed the trio when Threadgill was commissioned by Columbia College to score and adapt Scott Joplin's work for a performance honoring Joplin's centenary (Joplin's birth has been established now as sometime in 1868) and a rebirth of interest in the noted ragtime composer. All three men were Air signs in the zodiac, and so adopted the name.
They performed first around Chicago, while maintaining residency with Muhal Abrams group, which also featured Kalaparusha Maurice McIntyre and Wallace McMillan, both reed players. The Air "brand" remained a side project until all three reunited in New York in 1975, and began recording under that name for India Navigation, Nessa, Black Saint, and Novus. The trio broke up when Steve McCall left in the early 1980s, and when Pheroan Aklaff joined in 1982, they recorded as New Air, and recorded several albums under that name, including Air Show No. 1 in 1986, which featured Cassandra Wilson on vocals. Andrew Cyrille ultimately replaced akLaff before the band eventually was superceded by the burgeoning careers of its members: Threadgill with his groups Sextett and Very Very Circus, and Hopkins as the go-to bassist for Threadgill, David Murray, and Hamiet Bluiett. McCall's health forced his retirement from touring around 1980, and the dynamic drummer and effusive and gracious man who was a cofounder of the AACM with Muhal Abrams and Fred Anderson, died of a stroke in 1989.
This Air is listed as Air (4) on Discogs and is also been identified on last.fm as Air (Fred Hopkins, Steve McCall, Henry Threadgill) and Air with Fred Hopkins, Steve Mccall, Henry Threadgill (sic: McCall's name misspelt), and possibly also other alternative spellings of the group's name exist.
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Air was a psychedelic folk rock band featuring Googie and Tom Coppola, John Siegler and Mark Rosengarden. They released their first self titled album in 1971.
The Old Man's Back Again
Air Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It was reaching through the clouds
To risk a dream, the shadow crossed the sky
And it crushed it to the ground, just like a beast
The old man's back again
The old man's back again
She was silent as she watched them take her man
Teardrops burned her cheeks
For she'd thought she'd heard the shadow had left this land
The old man's back again
The old man's back again
The crowds just gathered, their faces turned away
And they queue all day, like dragons of disgust
Older women whispering
Wondering just what these young hot-heads want of us
And Andrei V. he cries, with eyes that ring like chimes
His anti-worlds go spinning through his head
He burns them in his dreams
For half-awake, they may as well be dead
The old man's back again
I see he's back again
I see a soldier, he's standing in the rain
For him there's no old man to walk behind
Devoured by his pain
Bewildered by the faces who pass him by
He'd like another name, the one he's got's a curse
These people cried
Why can't they understand?
His mother called him Ivan, then she died
The old man's back again
The old man's back again
I can see him back again
Da da da da da da da da
The lyrics to Air's song The Old Man's Back Again paint a picture of a world in turmoil, with various characters affected by the return of an ominous old man. The opening lines describe a vision of a hand reaching through the clouds to a crushed dream, suggesting a feeling of hopelessness and defeat. The chorus repeats the phrase "the old man's back again," indicating that something undesirable has returned to the scene.
The lyrics go on to describe a woman standing in the snow, mourning the loss of her man who has been taken away. The emotions are raw, with teardrops burning her cheeks. This is followed by a scene of crowds turning away from young hot-heads they do not understand. Andrei V. is mentioned, with ringing eyes and a burning desire to spin his anti-worlds, suggesting a sense of rebellion against the current situation.
The lyrics continue with the story of a soldier standing in the rain, feeling alone and misunderstood. He longs for a different name, as the one he has is a curse. His mother called him Ivan, but now she is gone. The repetition of the chorus emphasizes the return of the old man, who may represent a force of oppression or discord.
Overall, the lyrics create an atmosphere of unease and frustration, with characters struggling to make sense of their situations. The old man may be a metaphor for any number of societal or political issues. The lyrics leave room for interpretation and reflection on the listener's part.
Line by Line Meaning
I seen a hand, I seen a vision
I witnessed a vision of a hand that appeared to be reaching down from the sky
It was reaching through the clouds
This hand seemed to be extending itself from above a cloudy, misty sky
To risk a dream, the shadow crossed the sky
However, this vision was fleeting and disappeared, as if crushed by some powerful force
And it crushed it to the ground, just like a beast
The power that crushed this dream and vision was relentless and overpowering
The old man's back again
This phrase suggests that an old power or entity has returned, possibly with malevolent intentions
I seen a woman, standing in the snow
The singer observes a woman outside in the snow
She was silent as she watched them take her man
Despite the traumatic event, this woman remained eerily silent as she watched her partner taken away from her
Teardrops burned her cheeks
The woman was crying, but there was a strong sense of detachment in how she was behaving
For she'd thought she'd heard the shadow had left this land
The woman appeared to have known about the old power or entity mentioned previously, and thought it had gone away or been subdued
The crowds just gathered, their faces turned away
The scene changes, and the artist now observes a group of people gathered in public
And they queue all day, like dragons of disgust
These people seem to be in a state of disgust or frustration, and are patiently waiting for some sort of event to take place
Older women whispering
The artist singles out a group of older women who appear to be exchanging hushed whispers
Wondering just what these young hot-heads want of us
The women seem to be wondering why the younger generation is causing such a commotion, or what they want from the older generation
And Andrei V. he cries, with eyes that ring like chimes
The focus shifts to a man named Andrei V., who is crying loudly, with his eyes appearing to be ringing in distress
His anti-worlds go spinning through his head
Andrei V. seems to be struggling with overwhelming or conflicting thoughts that are taking him on mental journeys
He burns them in his dreams
These thoughts or anti-worlds seem to haunt him even in his sleep
For half-awake, they may as well be dead
Even when he is only half-awake or dozing, these anti-worlds seem to take on a life of their own, rendering him useless or paralyzed
I see he's back again
The singer reiterates the return of the old power or entity, suggesting that it is very present and threatening
I see a soldier, he's standing in the rain
The scene shifts again to a soldier standing outside in the rain
For him there's no old man to walk behind
The soldier seems to be feeling a sense of abandonment or loneliness, with no one to guide or support him
Devoured by his pain
The soldier is clearly in agony, physical or emotional
Bewildered by the faces who pass him by
The passersby seem indifferent or uncaring, making the soldier feel even more isolated or powerless
He'd like another name, the one he's got's a curse
The soldier is intensely unhappy with his current situation, and would like to escape it somehow
These people cried
But despite how he was feeling, the soldier realizes that other people are also suffering in different ways
Why can't they understand?
However, there is a strong sense of frustration that others cannot or will not empathize with his plight
His mother called him Ivan, then she died
The soldier reveals a deep sense of grief over his mother's death, which might be an underlying factor to his pain
Da da da da da da da da
This is likely an instrumental interlude, and does not contain any discernible lyrics to interpret
Lyrics © Warner/Chappell Music, Inc., CARLIN AMERICA INC
Written by: Scott Engel
Lyrics Licensed & Provided by LyricFind
@zapache1769
I seen a hand, I seen a vision
It was reaching through the clouds, To risk a dream
A shadow crossed the sky
And it crushed into the ground, Just like a beast
The old man's back again
The old man's back again
I seen a woman, standing in the snow
She was silent as she watched them take her man
Teardrops burned her cheeks
for she thought she'd heard, The shadow had left this land
The old man's back again
The old man's back again
The crowds just gathered, their faces turned away
And they queue all day like dragons of disgust
All the women whispering
Wondering just what these young hot-heads want of us
And entres vie he cries
with eyes that ring like chimes
His anti-worlds go spinning through his head
He burns them in his dreams
for half awake they may as well be dead
The old man's back again
I see he's back again
I see a soldier, He's standing in the rain
For him there's no old man to walk behind
Devoured by his pain
bewildered by the faces who pass him by
He'd like another name the one he's got's a curse
These people cried
Why can't they understand
His mother called him Ivan then she died
The old man's back again
The old man's back again
I can see him back again
@kezadrone
Late 60's had some immense songs.
@tgould7
What a beautiful and haunting song
@mick62mick
Yet another high quality performance from my favourite singer .
@xtina12307
the strings <3
@ivanchandler7666
the old man is back again.wow wow what a track hit single record it should be 10 out 10.it mentioned my name near the end, and true my mother" did pass away in the lyrics. wow what a hit. I will keep playing it to my friends. to find out what thay think . true respect.
@gumbycomplex
Whoever's on the bass is jamming so hard. Like its hard for me to listen to the rest of the track his groove is so funky.
@TheDiamond2009
Scott Walker plays the bass on this.
@potricknipperdimple
It's Scott Walker!
@TheDiamond2009
That's what I said.
@mrpeaker12
the olds mans back