Escovedo's family tree includes former Santana percussionist Pete Escovedo and Pete's daughter, Sheila E (also Prince's former drummer and later a pop star). He began his music career with the Nuns, a mid-'70s punk band based in San Francisco. He co-founded the pioneering cowpunk band Rank and File in 1979, which moved to Austin, Texas, in 1981 after a stint in New York City. The band released Sundown on Slash Records in 1982, but shortly after, Escovedo left to form the True Believers with brother Javier. The band recorded two albums for EMI and toured the country, often as an opening act for Los Lobos. However, EMI opted not to release the second album, which eventually led to the group's break-up. (It eventually surfaced as a bonus item when Rykodisc reissued the first set on CD in 1994.)
Escovedo released a solo album in 1992 on Watermelon Records, Gravity, uniting his wide variety of styles; the album was produced by Stephen Bruton of Bonnie Raitt's band. Escovedo also began gigging periodically with the band Buick MacKane, who fused old-school punk with 70's glam rock; after Rykodisc released Escovedo's With These Hands in 1996, they followed it up with Buick MacKane's long-awaited album. After Escovedo parted ways with Rykodisc, he signed with the Chicago-based alt-country label Bloodshot in 1998, who released the live album More Miles Than Money: Live 1994-1996 and the acclaimed studio set A Man Under The Influence.
In April of 2003, Escovedo collapsed following a show in Phoenix, AZ, and he was subsequently diagnosed with Hepatitis C. An outpouring of support from musicians led to a series of successful benefit concerts to help pay Escovedo's medical expenses and keep his music before the public, followed by a tribute album, Por Vida: A Tribute to the Songs of Alejandro Escovedo, which was released in 2004.
In June 2010, Escovedo released Street Songs of Love.
Follow You Down
Alejandro Escovedo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
i don't think i can take it.
A little tender to the touch
and it feels like we can break it...
I'll follow you 'round
I'll follow you 'round
I'll follow you 'round
Don't you dance so close
i don't think i can follow
I've been hanging with the ghost
the cause of all this trouble
I'll follow you 'round
I'll follow you 'round
And i'll follow you down,
I'll follow you...
Don't you speak so soft
I don't think i can bear it.
I've been dancing with the ghost,
and it's much too late to fake it.
In Alejandro Escovedo's song Follow You Down, the lyrics give off a sense of vulnerability and hesitation towards loving someone. The first verse of the song introduces the concept that the singer cannot handle too much love, fearing that it could lead to a breakage. This could either be physically or emotionally, displaying the fragility of both the individual and the relationship. The repetition of "a little tender to the touch" emphasizes this idea and lingers throughout the song as a reminder of the frailty of relationships. However, even with this fear, the singer still proclaims that he will follow this individual around, highlighting the internal battle between love and fear.
In the second verse, the singer seems to struggle with his own insecurities and the fear of not being enough. He expresses difficulty in dancing too closely, and instead turns to "hanging with the ghost." This line could signify that he is stuck in the past, unable to progress or move forward in a relationship due to previous experiences that haunt him. However, he still follows the person around, and it becomes an act of emotive catharsis - a way for the singer to confront his fears and move forward. The last verse dismisses the idea that he can speak softly, effectively acknowledging that he cannot deal with any more emotions, ghosts or baggage. The admission of defeat showcases the singer's feelings of insufficiency and inability to continue to love, but he still continues to follow.
The lyrics overall present a fascinating character who is both afraid of love and haunted by past experiences. As much as the repeated lines suggest repetition and stagnancy, the often-contradictory lines, "I'll follow you down, I'll follow you" show the importance of an individual in his life, one he still finds worth following through his highs and lows. The song exudes a sense of fragility and uncertainty yet concludes in a sort of desperate hope for love.
Line by Line Meaning
Don't love me too much,
i don't think i can take it.
I'm afraid that if you love me too much, I won't be able to handle it.
A little tender to the touch
and it feels like we can break it...
Our love feels delicate, like it's on the verge of breaking with just a small touch.
I'll follow you 'round
I'll follow you 'round
I'll follow you 'round
I'll always be there for you and follow you wherever you go.
Don't you dance so close
i don't think i can follow
I've been hanging with the ghost
the cause of all this trouble
I can't handle how close we are, it reminds me of past pain and struggles that I still carry with me.
And i'll follow you down,
I'll follow you...
I'll be right there with you, no matter what challenges we may face along the way.
Don't you speak so soft
I don't think i can bear it.
Your voice is so gentle that it's almost unbearable for me to hear.
I've been dancing with the ghost,
and it's much too late to fake it.
I've been haunted by my past experiences, and it's too late for me to pretend that they don't affect me.
Contributed by Annabelle N. Suggest a correction in the comments below.