Comenzó interpretando temas con mariachi y música tradicional mexicana. Últimamente canta también música pop.
Alejandro Fernández (born April 24, 1971) is a popular Latin Grammy-winning Mexican singer nicknamed as "El Potrillo" ("The Little Colt") by the media and his fans. ] Alejandro originally specialized in traditional, earthy forms of Mexican folk and country music, such as mariachi and ranchera. However, his more recent work has focused on mainstream pop music. He is the son of Vicente Fernández, also a popular Mexican country singer. His nickname "El Potrillo" (The Little Colt) was given to him by the media and his fans because of his being the son of Vicente, who is considered the most popular charro in Mexico.
Career
Born in Guadalajara, Jalisco, Mexico, he trained as an architect but turned to singing in 1991, encouraged by his father. A year later, he released his first album, titled Alejandro Fernandez. Since then, he has recorded 18 albums and sold a reported 15 million records, working with producers such as Emilio Estefan, Jr. and Kike Santander. His first public appearance was in 1976, when his father presented him on one of his shows, he was meant to perform the song "Alejandra". In the middle of the song he forgot the lyrics, started crying and suffered a panic attack, but then, his father got on stage and helped him singing along the song, making it a very touching moment between Alejandro and his father.
In 1992, Alejandro Fernández released his debut, self-titled album, launching one of the most prolific, successful and memorable careers in Latin music. Since then, the son of legendary ranchera singer Vicente Fernández has done what few progeny of famous parents have ever been able to achieve: He’s followed in his father’s footsteps, but at the same time, he’s carved out his own, separate path, thanks to his skilled vocals and an unparalleled stage presence. Fernández also has portrayed the lead role in zapata: El sueño del héroe, a 2004 movie about the Mexican revolutionary hero Emiliano Zapata by filmmaker Alfonso Arau, which proved to be one of the greatest disappointments in the Nuevo Cine Mexicano era, spending 7 million dollars in production and publicity but faring poorly at the box office.
While most Latin acts talk about crossovers from Spanish to English, Alejandro is one of only a handful of artists that have managed to become a superstar by crossing over from the world of traditional ranchera music to the world of pop. That duality began in 1997 with Me Estoy Enamorando, a collaboration with producer Emilio Estefan that sold 3 million copies worldwide and established Alejandro as an international star. In 1998, Alejandro performed along with the operatic tenor Placido Domingo and the French singer Patricia Kaas in Christmas in Vienna VI.
In 2004, A Corazón Abierto reunites Alejandro with Grammy-winning producer and songwriter Kike Santander, who penned his greatest hits from "Me Estoy Enamorando". But it also finds him singing the songs of a bold new generation of songwriters, including Gian Marco, Leonel García (one half of pop duo Sin Bandera), Reyli Barba (former member of pop band Elefante) and Mexican group Tres De Copas.
"A Corazón Abierto" is about love, but it’s hardly a staid album. Quite the opposite. Under the guidance of producers Kike Santander and Aureo Baqueiro, the sound of this record is taken beyond the traditional and is an album rich in instrumentation—rippling guitars, flowing strings and mariachi lines—that treads on folk, rock and ranchera elements with organic ease and conviction. The superb emotional and musical interpretations are the clincher. At times exuberant, "A Corazón Abierto" can also be an album of subtle understatement, unafraid to bare the singer in every sense of the word.
"Romanticism is something that will never die", says Alejandro Fernández, explaining his choice of songs on "A Corazón Abierto", his breakthrough recording about lost love, love that is never forgotten and the capacity to always love again. "I’m super, ultra passionate. We’re releasing an album that’s an x-ray of myself. That’s why it’s titled "A Corazón Abierto". It was something very honest. Not naked, but something deeper than that".
In 2005, Alejandro launches México - Madrid: En Directo Y Sin Escalas (in English: Mexico - Madrid: Nonstop). Featuring 13 tracks including one new song, this album is Fernández at his best - live and in concert! "Produced by Aureo Baquiero and filmed in front of a live audience at Spain’s Palacio de Congresos IFEMA, the production features Fernández performing some of his biggest hits accompanied by a 28-piece orchestra and some of Spain’s most important voices on three of the songs: Amaia from La Oreja de Van Gogh joins him on "Me dediqué a perderte"; Malú duets with him on "Contigo aprendí", and with flamenco star Diego El Cigala perform a moving version of "Como quien pierde una estrella", accompanied on cajon by famed Flamenco guitarist Niño Josele. That same year, Alejandro was chosen to sing along with the tenors Jose Carreras and Placido Domingo in a special concerto celebrating the opening of the "Forum Internacional de las Culturas" in Monterrey. Alejandro's performance was praised by the audience. He also recorded a duet song with the tenor Mario Frangoulis called "Hay Más" from the album Follow Your Heart.
In 2007, launches Viento A Favor features tunes written by Leonel García and Noel Schajris (better known as emotive Latin-pop duo Sin Bandera) and Mexican singer Reyli Barba. They're all taken to wuthering heights by Fernandez's stellar vocal range, which goes from hushed whispers to booming intensity. First single "Te Voy A Perder" is an epic romance, and "Amor Gitano", a duet with performer Beyoncé Knowles. Closing tune "Cuando Estamos Juntos" is another surprise, an acoustic-flavored ode to simple joy.
He has five children, (Alejandro, Jr. and the twins, América and Camila) with his ex-wife, Mexican América Guinart, and two (Emiliano and Valentina) with his now ex-girlfriend, Colombian model Ximena Díaz.
Discography
1992: Alejandro Fernandez
1993: Piel De Niña
1994: Grandes Exitos A La Manera De Alejandro Fernandez
1995: Que Seas Muy Feliz
1996: Muy Dentro de Mi Corazón
1997: Me Estoy Enamorando
1999: Mi Verdad
1999: Christmas in Vienna VI (Plácido Domingo, Patricia Kaas and Alejandro Fernández)
2000: entre tus brazos
2001: Orígenes
2002: Un Canto De México
2003: Niña Amada Mía
2003: En Vivo: Juntos Por Ultima Vez
2004: zapata: El sueño del héroe (Soundtrack)
2004: A Corazón Abierto
2005: México - Madrid: En Directo Y Sin Escalas
2007: Viento A Favor
2007: 15 Años De Éxitos
Website :www.alejandrofernandez.com
Morenita Mía
Alejandro Fernández Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Y la quise mucho,
Por las tardes iba enamorado
Y cariñoso a verla
Al contemplar sus ojos
Mi pasión crecía,
Ay morena, morenita mía,
No te olvidaré.
Yo le dije que de ella tan solo
Estaba enamorado,
Y mi amor fue tan grande y tan grande,
Que nunca se acaba
Cuando a solas pienso en ella
Mucho más la quiero,
Ay morena, morenita mía
No te olvidaré.
Hay un amor muy grande que existe
Entre los dos
Ilusiones blancas y rosas
Como una flor
Un cariño y un corazón
Que siente y que ama
Si no me olvidas siempre felices
Seremos los dos.
In Alejandro Fernandez's song Morenita Mía, the singer talks about a beautiful woman he fell in love with. He says that he loved her very much, and would go to see her in the afternoons, full of tenderness and affection towards her. Whenever he looked into her eyes, his passion for her would grow even stronger. He acknowledges her as his own, saying "My dark-skinned beauty, I will never forget you."
He confesses to her that he only loves her and that his love for her is so vast that it will never end. Whenever he thinks about her, he loves her even more. He reminds her that there is a great love between them, full of hope and promises, just like the white and pink flowers. He expresses his feelings towards her, stating that their hearts love and feel one another, and as long as she doesn't forget him, they will always be happy together.
Overall, the song is a romantic and passionate tribute to a woman's beauty, with the artist expressing how deeply he feels for her, and how much he loves and admires her. It is a call for a long-lasting relationship, filled with devotion and trust.
Line by Line Meaning
Conocí a una linda morenita
I met a beautiful woman with a darker complexion
Y la quise mucho,
And I loved her deeply
Por las tardes iba enamorado
In the afternoons, I went to see her full of love
Y cariñoso a verla
And affectionately visited her
Al contemplar sus ojos
When I looked into her eyes
Mi pasión crecía,
My passion grew stronger
Ay morena, morenita mía,
Oh my beautiful, little dark-skinned one
No te olvidaré.
I will never forget you
Yo le dije que de ella tan solo
I told her that I was only in love with her
Estaba enamorado,
That I was in love with her
Y mi amor fue tan grande y tan grande,
And my love was so big, so big
Que nunca se acaba
That it never ends
Cuando a solas pienso en ella
When I am alone and think of her
Mucho más la quiero,
I love her even more
Ay morena, morenita mía
Oh my beautiful, little dark-skinned one
No te olvidaré.
I will never forget you
Hay un amor muy grande que existe
There is a huge love that exists
Entre los dos
Between us
Ilusiones blancas y rosas
White and pink illusions
Como una flor
Like a flower
Un cariño y un corazón
Love and a heart
Que siente y que ama
That feels and loves
Si no me olvidas siempre felices
If you don't forget me, we will always be happy
Seremos los dos.
Both of us will be together
Contributed by Jayce A. Suggest a correction in the comments below.