Comenzó interpretando temas con mariachi y música tradicional mexicana. Últimamente canta también música pop.
Alejandro Fernández (born April 24, 1971) is a popular Latin Grammy-winning Mexican singer nicknamed as "El Potrillo" ("The Little Colt") by the media and his fans. ] Alejandro originally specialized in traditional, earthy forms of Mexican folk and country music, such as mariachi and ranchera. However, his more recent work has focused on mainstream pop music. He is the son of Vicente Fernández, also a popular Mexican country singer. His nickname "El Potrillo" (The Little Colt) was given to him by the media and his fans because of his being the son of Vicente, who is considered the most popular charro in Mexico.
Career
Born in Guadalajara, Jalisco, Mexico, he trained as an architect but turned to singing in 1991, encouraged by his father. A year later, he released his first album, titled Alejandro Fernandez. Since then, he has recorded 18 albums and sold a reported 15 million records, working with producers such as Emilio Estefan, Jr. and Kike Santander. His first public appearance was in 1976, when his father presented him on one of his shows, he was meant to perform the song "Alejandra". In the middle of the song he forgot the lyrics, started crying and suffered a panic attack, but then, his father got on stage and helped him singing along the song, making it a very touching moment between Alejandro and his father.
In 1992, Alejandro Fernández released his debut, self-titled album, launching one of the most prolific, successful and memorable careers in Latin music. Since then, the son of legendary ranchera singer Vicente Fernández has done what few progeny of famous parents have ever been able to achieve: He’s followed in his father’s footsteps, but at the same time, he’s carved out his own, separate path, thanks to his skilled vocals and an unparalleled stage presence. Fernández also has portrayed the lead role in zapata: El sueño del héroe, a 2004 movie about the Mexican revolutionary hero Emiliano Zapata by filmmaker Alfonso Arau, which proved to be one of the greatest disappointments in the Nuevo Cine Mexicano era, spending 7 million dollars in production and publicity but faring poorly at the box office.
While most Latin acts talk about crossovers from Spanish to English, Alejandro is one of only a handful of artists that have managed to become a superstar by crossing over from the world of traditional ranchera music to the world of pop. That duality began in 1997 with Me Estoy Enamorando, a collaboration with producer Emilio Estefan that sold 3 million copies worldwide and established Alejandro as an international star. In 1998, Alejandro performed along with the operatic tenor Placido Domingo and the French singer Patricia Kaas in Christmas in Vienna VI.
In 2004, A Corazón Abierto reunites Alejandro with Grammy-winning producer and songwriter Kike Santander, who penned his greatest hits from "Me Estoy Enamorando". But it also finds him singing the songs of a bold new generation of songwriters, including Gian Marco, Leonel García (one half of pop duo Sin Bandera), Reyli Barba (former member of pop band Elefante) and Mexican group Tres De Copas.
"A Corazón Abierto" is about love, but it’s hardly a staid album. Quite the opposite. Under the guidance of producers Kike Santander and Aureo Baqueiro, the sound of this record is taken beyond the traditional and is an album rich in instrumentation—rippling guitars, flowing strings and mariachi lines—that treads on folk, rock and ranchera elements with organic ease and conviction. The superb emotional and musical interpretations are the clincher. At times exuberant, "A Corazón Abierto" can also be an album of subtle understatement, unafraid to bare the singer in every sense of the word.
"Romanticism is something that will never die", says Alejandro Fernández, explaining his choice of songs on "A Corazón Abierto", his breakthrough recording about lost love, love that is never forgotten and the capacity to always love again. "I’m super, ultra passionate. We’re releasing an album that’s an x-ray of myself. That’s why it’s titled "A Corazón Abierto". It was something very honest. Not naked, but something deeper than that".
In 2005, Alejandro launches México - Madrid: En Directo Y Sin Escalas (in English: Mexico - Madrid: Nonstop). Featuring 13 tracks including one new song, this album is Fernández at his best - live and in concert! "Produced by Aureo Baquiero and filmed in front of a live audience at Spain’s Palacio de Congresos IFEMA, the production features Fernández performing some of his biggest hits accompanied by a 28-piece orchestra and some of Spain’s most important voices on three of the songs: Amaia from La Oreja de Van Gogh joins him on "Me dediqué a perderte"; Malú duets with him on "Contigo aprendí", and with flamenco star Diego El Cigala perform a moving version of "Como quien pierde una estrella", accompanied on cajon by famed Flamenco guitarist Niño Josele. That same year, Alejandro was chosen to sing along with the tenors Jose Carreras and Placido Domingo in a special concerto celebrating the opening of the "Forum Internacional de las Culturas" in Monterrey. Alejandro's performance was praised by the audience. He also recorded a duet song with the tenor Mario Frangoulis called "Hay Más" from the album Follow Your Heart.
In 2007, launches Viento A Favor features tunes written by Leonel García and Noel Schajris (better known as emotive Latin-pop duo Sin Bandera) and Mexican singer Reyli Barba. They're all taken to wuthering heights by Fernandez's stellar vocal range, which goes from hushed whispers to booming intensity. First single "Te Voy A Perder" is an epic romance, and "Amor Gitano", a duet with performer Beyoncé Knowles. Closing tune "Cuando Estamos Juntos" is another surprise, an acoustic-flavored ode to simple joy.
He has five children, (Alejandro, Jr. and the twins, América and Camila) with his ex-wife, Mexican América Guinart, and two (Emiliano and Valentina) with his now ex-girlfriend, Colombian model Ximena Díaz.
Discography
1992: Alejandro Fernandez
1993: Piel De Niña
1994: Grandes Exitos A La Manera De Alejandro Fernandez
1995: Que Seas Muy Feliz
1996: Muy Dentro de Mi Corazón
1997: Me Estoy Enamorando
1999: Mi Verdad
1999: Christmas in Vienna VI (Plácido Domingo, Patricia Kaas and Alejandro Fernández)
2000: entre tus brazos
2001: Orígenes
2002: Un Canto De México
2003: Niña Amada Mía
2003: En Vivo: Juntos Por Ultima Vez
2004: zapata: El sueño del héroe (Soundtrack)
2004: A Corazón Abierto
2005: México - Madrid: En Directo Y Sin Escalas
2007: Viento A Favor
2007: 15 Años De Éxitos
Website :www.alejandrofernandez.com
Niña Amada Mia
Alejandro Fernández Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Para que la vida, para que cantar,
Si bien sabes, que con solo un poco,yo me vuelvo loco, con lo que me das.
Soy un ciego, vivo de limosnas,
Pero si me tocas, soy feliz demas.
Si quieres ahora, por que no te vayas,me convierto en nada, para no estorbar,no hagas caso, si te dicen mala,
Si quieres ahora, niña amada mia,
Soy lo que me pidas, pero junto a ti,pero si te marchas, que esta noche negra,me convierta en piedra, para no sentir.
Si quieres ahora, por que no te vayas, me convierto en nada, para no estorbar, no hagas caso, si te dicen mala,cortame las alas, no quiero volar.
Si quieres ahora, niña amada mia,
Soy lo que me pidas, pero junto a ti,pero si te marchas, que esta noche negra,me convierta en piedra, para no sentir.
The lyrics of Alejandro Fernández's song "Niña Amada Mía" convey a sense of desperation and dependence on the subject of the song. The first stanza pleads for the person not to leave because without their affection, life holds no purpose. The singer acknowledges that even with just a little bit of attention, they become crazy with what is given.
The second stanza paints a picture of a blind man living off the generosity of others, but when touched by the person they love, they become incredibly happy. The third stanza again pleads for the person to stay, even if others say bad things about them, to "cut the singer's wings" so they don't have to fly. The final stanza repeats the same sentiment while acknowledging that if the person does leave, the singer will become like stone to avoid the pain.
Overall, the lyrics demonstrate a deep emotional reliance on the other person, with the singer willing to do anything to remain close to them, even if it means giving up their autonomy and individuality.
Line by Line Meaning
No te vayas, que sin tus carícias,
Don't leave me, because without your caresses,
Para que la vida, para que cantar,
What's the point in life, what's the point in singing,
Si bien sabes, que con solo un poco,yo me vuelvo loco, con lo que me das.
You know very well that even with just a little bit, you drive me crazy with what you give me.
Soy un ciego, vivo de limosnas,
I'm a blind man, living on handouts,
Pero si me tocas, soy feliz demas.
But if you touch me, I am beyond happy.
Si quieres ahora, por que no te vayas,me convierto en nada, para no estorbar,no hagas caso, si te dicen mala,
If you want to leave now, I'll become nothing, so as not to be a burden. Don't listen to anyone who calls you bad,
Cortame las alas, no quiero volar.
Clip my wings, I don't want to fly.
Si quieres ahora, niña amada mia,soy lo que me pidas, pero junto a ti,
If you want it now, my beloved girl, I'll be anything you want me to be, but only with you,
Pero si te marchas, que esta noche negra,me convierta en piedra, para no sentir.
But if you leave me, let this dark night turn me into stone so I won't feel anything.
Si quieres ahora, por que no te vayas, me convierto en nada, para no estorbar,no hagas caso, si te dicen mala, cortame las alas, no quiero volar.
If you want to leave now, I'll become nothing, so as not to be a burden. Don't listen to anyone who calls you bad, clip my wings, I don't want to fly.
Si quieres ahora, niña amada mia, soy lo que me pidas, pero junto a ti, pero si te marchas, que esta noche negra, me convierta en piedra, para no sentir.
If you want it now, my beloved girl, I'll be anything you want me to be, but only with you. But if you leave me, let this dark night turn me into stone so I won't feel anything.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@RomelinaPaulino
LETRA 'NIÑA, AMADA MIA'
No te vayas, que sin tus caricias
para que la vida, para que cantar
si bien sabes, que con solo un poco
yo me vuelvo, loco con lo que me das
soy un ciego, vivo de limosnas
pero si me tocas soy feliz de mas
Si quieres ahora
por que no te vayas
me convierto en nada para no estorbar
no hagas caso si te dicen mala
córtame la salas no quiero volar
Si quieres ahora niña amada mía
soy lo que me pidas pero junto a ti
pero si te marchas que esta noche negra
me convierte en piedra para no sentir
Si quieres ahora
por que no te vayas
me convierto en nada para no estorbar
no hagas caso si te dicen mala
córtame la las alas no quiero volar
Si quieres ahora niña amada mía
soy lo que me pidas pero junto a ti
pero si te marchas que esta noche negra
me convierte en piedra para no sentir.
@BaladasDelRecuerdo2023
No tengo a quien dedicar este tema tan fregon, pero te lo dedico a ti que leíste mi comentario Dios te bendiga te mando muchas bendiciones!!
@aracelijacome7818
Gracias buenas noches.que encuentra quien te valore😊
@Dreambig29-654
Aw ❤ gracias 🙏🏻 buenos deseos y bendiciones para ti
@BaladasDelRecuerdo2023
@@Dreambig29-654 Por favor apoyen a mi música chicos, como el amor que les di, les deseo felicidad siempre.
@efrainsifuentessanchez4342
Gracias amigo
@nurisbellfinolbarrera1573
😂❤❤❤
@EASTBAY_NORCAL
En las propias palabras de Alejandro esta fue su canción favorita su mejor éxito fue “como quien pierde una estrella” pero esta es una gran canción y fue el tema de la telenovela niña amada mía dicha fue un exitazo
@anesarastoder7854
Siempre me preguntaré ¿cómo haces México, para parir tan buenos artistas? mi mayor respeto a todos los grandes talentos mexicanos
@joakinperez322
Somos raza valiente guerreros y guerreras jamás nos rendímos ante nada.
@claudiaguadalupesosatorres8028
De donde es usted?