Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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24 Preludes%2C Op. 11%3A Prelude No. 24 In D Minor
Alexander Scriabin Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Sumon Chakrabartty
This piece is deadly man...
Viggo Jonsell
Its much easier than it looks. For some reason the hardest part for me when sightreading it the first time was getting the polyrythm switch from left to right hand to be smooth. Not something I typically have problesm with but oh well.
M. Ahsan
@Scriabin yeah I'll either play that note with the right or left hand depending on what's comfortable for me. Just break up the notes based on your preference and always stay tension free
Scriabin
@M. Ahsan I agree with you. I do have one question. Sometimes, the top LH octave plays the same note in the RH. Did you break it up for ease meaning omit one while the same note is done in the other?
M. Ahsan
@Scriabinist yup, I learnt it in a week! but perfecting it to concert level is another matter entirely 😂
Scriabinist
@M. Ahsan Yeah, I'd say an advanced student could play it through probably first try. Although perfecting it would take longer.
Ken M.
0:13 - 0:20 is so gorgeous
Edward H
wow.