Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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2 Impromptus a la mazur Op. 7: No. 2 in F-Sharp Major
Alexander Scriabin Lyrics
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Isaac Parlin
How can this be Scriabin playing? This recording is too high quality. Who is this incredible pianist?
Scriabinist
@Isaac Parlin Maybe the Uploader is talking about that this is a piece composed by Scriabin for the piano, but it's a confusing description indeed.
Isaac Parlin
@Gwydion Rhys Thank you for your reply, but this does not sound like a piano roll to me given the subtlety of tone, voicing, and pedaling. Also, the recording lacks Scriabin's extreme tempo fluctuations, which are probably the aspect of his playing that the piano rolls captured best. And if this were Scriabin, he wouldn't follow the score so precisely! His alterations can be shocking but are definitely fun to listen to!
I'm just curious because this pianist is excellent in every way, and I want to hear more of his or her playing!
Scriabinist
No.2 is fire
Patrick McKernan
Maybe his weirdest piece
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