Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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2 Mazurkas Op. 40 : No. 2. Mazurka in F sharp major: Piacevole
Alexander Scriabin Lyrics
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Firoza
joyous with the energy of a dance, an edge of brightness, sheer color, scriabins voice painting the new world
pianoman598
Mystical Mazurkas
Dennis Nguyen
Tiny correction. The eight etudes are op. 42 and symphony 3 is op. 43.
Nicolas Luçon
c'est ultra lent, non ?
Aldo Ringo
Oui, clairment un peu trop lent, il pourrait être beaucoup plus rapide. Le temps (?) est du crotchet et c'est allegro, alors il y a trois crotchets chaque fois. Un interpretation bizarre je dirais
박정효
Alexanderic Chorabin.
purpleAiPEy
@Art mega nob
Jamie Pound
@Art nob
Art
Easy path of regurgitated non-analytical surface-level assumption that prevents you from looking deeper into the differences present