6 Preludes, Op. 13: No. 4 in E minor: Allegro
Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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6 Preludes Op. 13: No. 4 in E minor: Allegro
Alexander Scriabin Lyrics
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Francisco Cabrita
No. 1 is amazing harmonic! He lingers on subdominant sounds and it becomes such a unique mood! Such a different kind of maestoso
Xyriak
Wow incredible. I love the Chopin influence. My favorite is 6
Scriabinist
No.6 definitely is the best of set
Minister_Of_Films26
Nice username
Aldo Ringo
The subtlety and sense of refinement that you only get with Lettburg.
rom
No. 5 reminds me of a beautiful little waltz
rom
No. 1 is heaven
Alexander Bayramov
yes omg
it just tells how beautiful simple (of course it's not simple on the inside) diatonic music can be
Asriel Kujo
reminds me of brahms haha
Alexander Bayramov
@Asriel Kujo which piece btw?