Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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9 Mazurkas Op. 25 : No. 2 in C major
Alexander Scriabin Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Kevin Yang
No. 1 in F minor: Allegro - 0:08
No. 2 in C major: Allegretto - 2:51
No. 3 in E minor: Lento - 6:21
No. 4 in E major: Vivo - 8:28
No. 5 in C# minor: Agitato - 12:26
No. 6 in F# major: Allegretto - 16:09
No. 7 in F# minor: Moderato - 18:55
No. 8 in B major: Allegretto - 23:51
No. 9 in Eb minor: Mesto - 26:36
Kevin Yang
No. 1 in F minor: Allegro - 0:08
No. 2 in C major: Allegretto - 2:51
No. 3 in E minor: Lento - 6:21
No. 4 in E major: Vivo - 8:28
No. 5 in C# minor: Agitato - 12:26
No. 6 in F# major: Allegretto - 16:09
No. 7 in F# minor: Moderato - 18:55
No. 8 in B major: Allegretto - 23:51
No. 9 in Eb minor: Mesto - 26:36
Scriabinist
The 3rd one sounds almost like his middle period despite being in his early period, Scriabin's voice is growing stronger and stronger
André MSZ
First and second ones are deffinetely my favorites
Firoza
i like the e minor the best. the set seems as if its looking forward, but a bit held back by the structure of mazurka
Santi
suena a jazz WOW, pensar que esto es de 1800-1900
Ly Vu
I love the 1st one, at the first part
Stefano Cerato
❤
Asriel Kujo
unpopular opinion that nobody asked about: my fav is the second
Jethro Olivier
I actually like it as well, but my fav is still the 4th&5th
Thomas Wenas - Bobbiefet
I agree