Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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Etude Op. 65 No. 3
Alexander Scriabin Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
ThePainkiller713
I'm glad my youtube dive today has allowed me to discover proto-Meshuggah piano music. Love this
서닉
잘들었습니다... 매일 한번씩 듣고갑니다...
Emre Özdemir
A lot of people play the triplet and quadruplet (16+16+8) parts pretty much the same. Pretty much kills it for me :(
Kenneth Parker
Compare this piece with the Scriabin Etude Opus 8, No. 12. Does it sound like the same Composer? (And Both of them are Awesome Pieces).
Tom C
I think that on first hearing one would be shocked at the differences, but the similarities become clear when his works become more familiar. The harmony is in another world here, but the obsession with altered dominant chords can be heard in his earliest music too to a lesser extent. Polyrhythms exist throughout all his music, early or late. And the nervous dotted triplet rhythms heard throughout his works are present in both this etude and Op.8 No.12.
luketuke
I'm digging this shit
Diego Menendez
Ikr this shit go hard
Smiling Chanel
God be with you)))
thenameisgsarci
LOL, nice copy-pasting skills you got on the box. XD
Azure
Thank you for pointing out my mistakes. :)