Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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No. 2 in C major%3A Allegretto
Alexander Scriabin Lyrics
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@MusicalSeriesChannel
Very nice. Thanks for sharing.
@RolandHuettmann
Beautiful. You inspired me to learn about Scriabin. My desire to know much more is awakening. To me your play creates a sound carpet full of small details, and all are interwoven into a one picture of gentle colors.
@DenZhdanovPianist
Thanks! And have fun with that: Scriabin is definitely one of the most curious composers to learn about.
@dannys-pianoconnections5169
SUUUPER
@ihori3003
Thank you Denis, absolutely love your rubato! And a really nice camera work!
@b.m8149
Bravo! Chopin's Preludes from Op.28, Scriabin Preludes from Op.11, so perhaps you will play Szymanowski Preludes from Op1? I read an interesting article comparing these preludes, recently. 🙂
@DenZhdanovPianist
Thanks!❤️ Please send me this article!!
@kevinsspruce
Terima kasih.
@DenZhdanovPianist
🤗☺️ thanks for your support!
@felixmladenov5428
Is it even possible to sing more expressively in a small room? I doubt it. 👏👏👏