Piano Sonata No. 3 in F-Sharp Minor, Op. 23: II. Allegretto
Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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Piano Sonata No. 3 in F-Sharp Minor Op. 23: II. Allegretto
Alexander Scriabin Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Robert.M
Section 11:35 is just such a heaven part melodically. Unlike the other pianists, this section is well tempered and with a beautiful gradual accentuation.
Sam H
Nice sonata! He performed it quite well. The third movement is simply beautiful.
BytomGirl
"Quite well" ? He is one of the best pianists I know
Марина
Нравится очень! Скрябин это космос. Браво Луганскому!
Chase Ackerson
Interesting how at 3:45 he plays the bass an octave lower than what’s written. Great effect
The Internet Is Awesome
I think this must be a somewhat common practice with scriabin, because my teacher (who studied at Moscow Consv.) also recommended taking a bass octave in the third movement (that was not written in the score).
Samaritan
and then he proceeds to make a mistake at 3:47
Isaac Laurenn
@Samaritan so?
Hisham Elseweifi
That second movement 😍❤️
c goodson
Yes!!!! Trying to learn it!!