Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
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Piano Sonata No. 3 in F sharp minor Op. 23 : III. Andante
Alexander Scriabin Lyrics
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@callmelei7682
I love to see her perform in person. Please come to UAE. 😍
@Sora-rm2fq
I am always curious to see what she has been playing but seeing her perform Scriabin makes me extra happy for some reason.
@groove9tube
Lucky to have seen her in a small theater near my home in Feb 2020 two weeks before the world shut down. She played the pieces out of order from the program. What a genius.
@RosCharron
What to say about the incomparable Yuja Wang! She is totally luminous in this performance!
@karpabla
Scriabin seems to occupy an especial place in Yuja.
❤️
@krystynam.8223
Brilliantly performed Scriabin's Sonata. 🎹 Bravo Yuja. 👏👏👏
@JohnJenkins-ib5wh
Love Yuja Wang 💕
@anigiuran109
Thank you Deutsche Grammophon ! I love Yuja Wang !😊😊😊😊😊❤❤❤❤❤
@deutschegrammophon
You’re welcome 😊
@karlhaan3494
Really beautiful playing. Exquisite! Thank you Yuja ❤️🇮🇪