Desplat has composed scores for a wide range of films, including low-budget independent productions and large-scale blockbusters, such as The Queen, The Golden Compass, The Curious Case of Benjamin Button, The Twilight Saga: New Moon, Fantastic Mr. Fox, Harry Potter and the Deathly Hallows – Part 1 & Part 2, The King's Speech, The Danish Girl, Moonrise Kingdom, Argo, Rise of the Guardians, Zero Dark Thirty, Godzilla, The Imitation Game, Unbroken, The Secret Life of Pets, and Isle of Dogs.
Desplat was born in Paris to a French father and a Greek mother. At the age of five, he began playing piano. He also became proficient on trumpet and flute. He studied with Claude Ballif and Iannis Xenakis in France and Jack Hayes in the U.S. Desplat's musical interests were wide, and he was also influenced by South American and African artists and teachers, among whom were Carlinhos Brown and Ray Lema.
Desplat has composed extensively for films, in France and in Hollywood - scores and incidental music for over 100 films including "Lapse of Memory" (1992), "Family Express" (1992), "Regarde Les Hommes Tomber" (1994), "Les Péchés Mortels" (1995), César-nominated "Un Héros Très Discret" (1996), "Une Minute de Silence" (1998), "Sweet Revenge" (1998), "Le Château des Singes" (1999), "Home Sweet Home" (2001), "Reines d'un Jour" (2001), the César-nominated "Sur mes Lèvres" (2002), "Rire et Châtiment" (2003), "Fantastic Mr. Fox" (2009), "Harry Potter and the Deathly Hallows: Part 1" (2010), "Harry Potter and the Deathly Hallows: Part 2" (2011) and "The Danish Girl" (2015).
Desplat has composed individual songs that have been sung in films by such artists as Akhenaton, Kate Beckinsale, Charlotte Gainsbourg, Valérie Lemercier, Miosotis, Catherine Ringer and Renée Fleming. He has also written music for the theatre, including pieces performed at the Comédie Française. Desplat has conducted performances of his music played by the London Symphony Orchestra, the Royal Philharmonic Orchestra, and the Munich Symphony Orchestra. Desplat has also given Master Classes at La Sorbonne in Paris and the Royal College of Music in London.
In 2007, he composed the scores for Philip Pullman's "The Golden Compass", Zach Helm's directorial debut "Mr. Magorium's Wonder Emporium" with American composer Aaron Zigman and the Ang Lee movie "Lust, Caution". Prior to these break-out works, he contributed scores for "The Luzhin Defence", "Girl with a Pearl Earring", "Syriana", "Birth", "Hostage", "Firewall", "Casanova", "Nid de Guêpes" and "The Painted Veil", for which he won the Golden Globe Award for Best Original Score, Los Angeles Film Critics Association Award for Best Music, and the 2006 World Soundtrack Award. He won the 2007 BMI Film Music Award, 2007 World Soundtrack Award, 2007 European Film Award, and received his first Academy Award nomination for Best Original Score for "The Queen". He also won the Silver Berlin Bear at the Berlin Film Festival for Best Film Music in "De battre mon cœur s'est arrêté". In 2008 Desplat received his second Oscar nomination for David Fincher's "The Curious Case of Benjamin Button". Desplat received his third Oscar nomination and a BAFTA nomination for "Fantastic Mr. Fox" in 2010, both of which were won by Michael Giacchino for "Up".
Recently, Desplat has composed music for "Largo Winch", based on the Belgian comic; "Afterwards", a French-Canadian psychological thriller film directed by Gilles Bourdos in English; Anne Fontaine's "Coco avant Chanel" based on the life of designer Coco Chanel; Robert Guédiguian's "L'Armée du Crime"; "Chéri", reuniting him with director Stephen Frears, whom he collaborated with on "The Queen"; "Un Prophète" reuniting with director Jacques Audiard; "Julie & Julia" directed by Nora Ephron; "Fantastic Mr. Fox", directed by Wes Anderson and based on the novel by Roald Dahl; "The Twilight Saga: New Moon", directed by Chris Weitz; Roman Polanski's "The Ghost Writer"; "Tamara Drewe"; "The Special Relationship"; "The King's Speech", which earned Desplat his fourth Oscar nomination; and "Largo Winch II: The Burma Conspiracy".
In early 2011, Desplat began to write the music to "Harry Potter and the Deathly Hallows: Part 2". He reunited with director David Yates, who offered Desplat the opportunity to score the second part.
Desplat's upcoming projects include "The Tree of Life", directed by Terrence Malick (which he actually recorded in early 2010), "A Better Life" and "La Fille du Puisatier", Roman Polanski's "Carnage" and George Clooney's "The Ides of March".
Desplat started 2012 with "Extremely Loud & Incredibly Close" and continued with scores for "The Spider's House", the Florent Emilio Siri-directed biopic "Cloclo", Jacques Audiard's "De rouille et d'os", Ben Affleck's "Argo", DreamWorks Animation's "Rise of the Guardians", Matteo Garrone's "Reality", Wes Anderson's "Moonrise Kingdom" and Kathryn Bigelow's "Zero dark Thirty".
On The Street
Alexandre Desplat Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To the Mississippi
We'll take a boat to the land of dreams
Steam down the river, down to New Orleans
The band's there to meet us
Old friends there to greet us
Where all the proud and elite folks meet
Basin Street is the street
Where the best folks always meet
In New Orleans, land of dreams
You'll never know how nice it seems,
Or just how much it really means
Glad to be, oh yes-sirree
Where welcome's free and dear to me
Where I can lose, lose my Basin Street Blues
Basin Street, oh Basin Street
Is the street, mama
New Orleans, land of dreams
The lyrics of Alexandre Desplat's song "On The Street" capture the beauty and charm of New Orleans as a city of dreams with the Mississippi River serving as a gateway to this land. The opening line "Won't you come along with me to the Mississippi?" beckons the listener on a journey of adventure and discovery. The mention of a boat ride down the river to New Orleans evokes a sense of relaxation and pleasure, as the singer suggests taking a break from reality to temporarily escape to a different world.
The following lines express the anticipation and excitement of the singer who has arranged a meeting with old friends who are waiting at Basin Street, a place where "all the proud and elite folks meet." For the singer, it is a "heaven on earth" where the best people come together. Basin Street embodies the essence of the city, a place where dreams come true and life is enjoyed in its fullness.
Line by Line Meaning
Won't you come along with me
Inviting someone to come with them to a specific place.
To the Mississippi
To the river that is located in the southeastern United States.
We'll take a boat to the land of dreams
Using a boat as a means of transportation to their desired location.
Steam down the river, down to New Orleans
Traveling down the Mississippi River to reach New Orleans.
The band's there to meet us
Meeting the band at their destination.
Old friends there to greet us
Receiving a warm welcome from old friends.
Where all the proud and elite folks meet
Highlighting the prestigious and high-class nature of the location they are visiting.
Heaven on earth, they call it Basin Street
Referring to their destination as an idyllic place on earth.
Basin Street is the street
Reiterating the name of their destination.
Where the best folks always meet
Implying that only the highest-class people gather in that area.
In New Orleans, land of dreams
Referring again to their location that is full of inspiration and opportunities.
You'll never know how nice it seems,
Asserting that their destination is indescribably beautiful.
Or just how much it really means
Indicating that one needs to experience their destination to fully appreciate its value.
Glad to be, oh yes-sirree
Being happy to be present in that location.
Where welcome's free and dear to me
Being warmly received and feeling appreciated in their destination.
Where I can lose, lose my Basin Street Blues
Indicating that their destination is a place to forget their worries and be carefree.
Basin Street, oh Basin Street
Reemphasizing the name of their destination.
Is the street, mama
Calling out to someone affectionately.
New Orleans, land of dreams
Reminding their audience again of the inspirational and aspirational nature of their destination.
Lyrics © O/B/O APRA AMCOS
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