Alexis A. Ffrench is a classical pianist, improviser and composer of rare d… Read Full Bio ↴Alexis A. Ffrench is a classical pianist, improviser and composer of rare distinction. "The combination of these gifts gives his performances an arresting individuality and an air of spontaneous sensitivity to a degree which is rarely heard nowadays. In recitals and concertos he has proved to be a born performer, responding at his best before an audience. He has a true performers flair and his playing is marked by an inspired individuality, a quality that has been rarer and rarer in recent times."
Born in 1970 Alexis began to improvise on the piano at the age of 4. A church organist at 7, he won scholarships to study at the Purcell School and the Royal Academy of Music, London in 1981. He later won a scholarship to the Guildhall School of Music & Drama graduating with an AGSM Distinction and the Sheriffs' prize for piano. A two-year period of postgraduate study on the Advanced Solo Studies course followed culminating in the 'Premier prix' (Concert recital Diploma.) Alexis first came to prominence as a solo classical pianist in 1992 as a result of winning the first Portobello Concert Artists Award.
"...And there was a pianist Alexis Alexander Ffrench who brought the entire audience to its feet, and was subsequetly chosen to appear on television playing music by Samuel Coleridge Taylor"
Michael Dickson
Classical Music Magazine
In the same year he made his concerto debut as part of Simon Rattle's 'Towards the Millennium' Series performing 'Rhapsody in Blue' at London's Queen Elizabeth Hall.
"Alexis Ffrench gave an electrifying performance of the 'Rhapsody in Blue' at the Queen Elizabeth Hall, which was one the highlights of the Sounds for Silents festival dedicated to links between music and film"
Ian Christie British Film Institute
Subsequent appearances in the U.K have included concerts at the Barbican and South Bank centres, the Canterbury Festival, St.Martin in the Fields, Peterborough Cathedral as well as live broadcasts on Classic FM and Radio 3. Television broadcasts have included a live performance of music by Samuel Coleridge Taylor with the Commonwealth Chamber orchestra screened on BBC2. Concerts abroad have included a recital tour of Italy including appearances at the Bolzano and Montepulciano festivals and also concerts in Spain and Germany.
Alexis has worked uith many eminent conductors most notably Robert Ziegler, Michael Tilson Thomas, Norman Beedie and Sir Georg Solti. He has been awarded an array of prizes and scholarships, most notably the prestigious Carnwarth Scholarship awarded biennially by the Worshipful Company of Musicians, Countess of Munster and Myra Hess Trust Awards as well as prizes from the Barings and Johnsons' Wax foundations. Alexis was also a major prizewinner in the 1992 Royal Overseas League Music Competition.
In addition to his recital and concerto appearances Alexis is a leading exponent of classical contemporary improvisation in live solo concerts and as a recording artist. Alexis' spiritual and mystical improvisation exudes an almost magical quality and his mesmerizing solo concerts are truly unique experiences. "When improvising I am transported into the realm of the metaphysical in mind, body and spirit. Imbued with a sense of otherworldness I then begin to explore those timeless dimensions which are both powerful and irresistible. In such concerts the music should go as quickly as it comes with only the listener to determine the music's strength". It is this inspiration that lies at the very heart of Alexis' artistry creating a feeling of intense spirituality.
His latest CD 'Memories in Blue' is a collection of jazz inflected solo piano improvisations on songs by Andrew Lloyd-Webber.
Alexis combines his activities as a solo concert performer with a Head of Keyboard post at the prestigious Uppingham School. His compositions range from scores for film and television to symphonic and chamber works for the concert hall. In 1996 Alexis signed a worldwide publishing deal with Hit and Run Music prompting collaborations with a cross section of classical and popular artists from Andrea Bocelli to Mike Rutherford of Genesis. His eclectic musical tastes are revealed in the rich colours of his art and his depth of musical understanding crosses all boundaries.
" a pianist possessing outstanding technical ability and musicianship"
Robert Ziegler
"I enormously enjoyed Alexis Ffrench's dynamic playing of music from the Romantic repertoire. He brought power and musical poetry to a varied and stimulating programme."
Michael Berkeley
Composer / BBC broadcaster
"Alexis is a completely natural musician with a wide expressive and real technique at the keyboard. He is also a highly imaginative improviser... He is a wonderful musician."
Robert Saxton
Composer
Born in 1970 Alexis began to improvise on the piano at the age of 4. A church organist at 7, he won scholarships to study at the Purcell School and the Royal Academy of Music, London in 1981. He later won a scholarship to the Guildhall School of Music & Drama graduating with an AGSM Distinction and the Sheriffs' prize for piano. A two-year period of postgraduate study on the Advanced Solo Studies course followed culminating in the 'Premier prix' (Concert recital Diploma.) Alexis first came to prominence as a solo classical pianist in 1992 as a result of winning the first Portobello Concert Artists Award.
"...And there was a pianist Alexis Alexander Ffrench who brought the entire audience to its feet, and was subsequetly chosen to appear on television playing music by Samuel Coleridge Taylor"
Michael Dickson
Classical Music Magazine
In the same year he made his concerto debut as part of Simon Rattle's 'Towards the Millennium' Series performing 'Rhapsody in Blue' at London's Queen Elizabeth Hall.
"Alexis Ffrench gave an electrifying performance of the 'Rhapsody in Blue' at the Queen Elizabeth Hall, which was one the highlights of the Sounds for Silents festival dedicated to links between music and film"
Ian Christie British Film Institute
Subsequent appearances in the U.K have included concerts at the Barbican and South Bank centres, the Canterbury Festival, St.Martin in the Fields, Peterborough Cathedral as well as live broadcasts on Classic FM and Radio 3. Television broadcasts have included a live performance of music by Samuel Coleridge Taylor with the Commonwealth Chamber orchestra screened on BBC2. Concerts abroad have included a recital tour of Italy including appearances at the Bolzano and Montepulciano festivals and also concerts in Spain and Germany.
Alexis has worked uith many eminent conductors most notably Robert Ziegler, Michael Tilson Thomas, Norman Beedie and Sir Georg Solti. He has been awarded an array of prizes and scholarships, most notably the prestigious Carnwarth Scholarship awarded biennially by the Worshipful Company of Musicians, Countess of Munster and Myra Hess Trust Awards as well as prizes from the Barings and Johnsons' Wax foundations. Alexis was also a major prizewinner in the 1992 Royal Overseas League Music Competition.
In addition to his recital and concerto appearances Alexis is a leading exponent of classical contemporary improvisation in live solo concerts and as a recording artist. Alexis' spiritual and mystical improvisation exudes an almost magical quality and his mesmerizing solo concerts are truly unique experiences. "When improvising I am transported into the realm of the metaphysical in mind, body and spirit. Imbued with a sense of otherworldness I then begin to explore those timeless dimensions which are both powerful and irresistible. In such concerts the music should go as quickly as it comes with only the listener to determine the music's strength". It is this inspiration that lies at the very heart of Alexis' artistry creating a feeling of intense spirituality.
His latest CD 'Memories in Blue' is a collection of jazz inflected solo piano improvisations on songs by Andrew Lloyd-Webber.
Alexis combines his activities as a solo concert performer with a Head of Keyboard post at the prestigious Uppingham School. His compositions range from scores for film and television to symphonic and chamber works for the concert hall. In 1996 Alexis signed a worldwide publishing deal with Hit and Run Music prompting collaborations with a cross section of classical and popular artists from Andrea Bocelli to Mike Rutherford of Genesis. His eclectic musical tastes are revealed in the rich colours of his art and his depth of musical understanding crosses all boundaries.
" a pianist possessing outstanding technical ability and musicianship"
Robert Ziegler
"I enormously enjoyed Alexis Ffrench's dynamic playing of music from the Romantic repertoire. He brought power and musical poetry to a varied and stimulating programme."
Michael Berkeley
Composer / BBC broadcaster
"Alexis is a completely natural musician with a wide expressive and real technique at the keyboard. He is also a highly imaginative improviser... He is a wonderful musician."
Robert Saxton
Composer
Walk With Us
Alexis Ffrench Lyrics
We have lyrics for 'Walk With Us' by these artists:
J.C. Jess 制作统筹:小扛 视频统筹:污污 宣传统筹:烤年糕 分轨混音:冰镇小灯 歌手:污污 小扛 板栗 美工:烤一块年糕 穿梭在六…
Skullhead Time to step back into society Say goodbye to a life…
The Rappers If your a basic Bitch then we don't Fuck with…
Wolf On Fire Come with me To the sea, to the sea, to the…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@titovalasques
Brent Clanton
Taken from the BLM website:
“Four years ago, what is now known as the Black Lives Matter Global Network began to organize. It started out as a chapter-based, member-led organization whose mission was to build local power and to intervene when violence was inflicted on Black communities by the state and vigilantes.
In the years since, we’ve committed to struggling together and to imagining and creating a world free of anti-Blackness, where every Black person has the social, economic, and political power to thrive.
Black Lives Matter began as a call to action in response to state-sanctioned violence and anti-Black racism. Our intention from the very beginning was to connect Black people from all over the world who have a shared desire for justice to act together in their communities. The impetus for that commitment was, and still is, the rampant and deliberate violence inflicted on us by the state.
Enraged by the death of Trayvon Martin and the subsequent acquittal of his killer, George Zimmerman, and inspired by the 31-day takeover of the Florida State Capitol by POWER U and the Dream Defenders, we took to the streets. A year later, we set out together on the Black Lives Matter Freedom Ride to Ferguson, in search of justice for Mike Brown and all of those who have been torn apart by state-sanctioned violence and anti-Black racism. Forever changed, we returned home and began building the infrastructure for the Black Lives Matter Global Network, which, even in its infancy, has become a political home for many.
Ferguson helped to catalyze a movement to which we’ve all helped give life. Organizers who call this network home have ousted anti-Black politicians, won critical legislation to benefit Black lives, and changed the terms of the debate on Blackness around the world. Through movement and relationship building, we have also helped catalyze other movements and shifted culture with an eye toward the dangerous impacts of anti-Blackness.
These are the results of our collective efforts.
The Black Lives Matter Global Network is as powerful as it is because of our membership, our partners, our supporters, our staff, and you. Our continued commitment to liberation for all Black people means we are continuing the work of our ancestors and fighting for our collective freedom because it is our duty.
Every day, we recommit to healing ourselves and each other, and to co-creating alongside comrades, allies, and family a culture where each person feels seen, heard, and supported.
We acknowledge, respect, and celebrate differences and commonalities.
We work vigorously for freedom and justice for Black people and, by extension, all people.
We intentionally build and nurture a beloved community that is bonded together through a beautiful struggle that is restorative, not depleting.
We are unapologetically Black in our positioning. In affirming that Black Lives Matter, we need not qualify our position. To love and desire freedom and justice for ourselves is a prerequisite for wanting the same for others.
We see ourselves as part of the global Black family, and we are aware of the different ways we are impacted or privileged as Black people who exist in different parts of the world.
We are guided by the fact that all Black lives matter, regardless of actual or perceived sexual identity, gender identity, gender expression, economic status, ability, disability, religious beliefs or disbeliefs, immigration status, or location.
We make space for transgender brothers and sisters to participate and lead.
We are self-reflexive and do the work required to dismantle cisgender privilege and uplift Black trans folk, especially Black trans women who continue to be disproportionately impacted by trans-antagonistic violence.
We build a space that affirms Black women and is free from sexism, misogyny, and environments in which men are centered.
We practice empathy. We engage comrades with the intent to learn about and connect with their contexts.
We make our spaces family-friendly and enable parents to fully participate with their children. We dismantle the patriarchal practice that requires mothers to work “double shifts” so that they can mother in private even as they participate in public justice work.
We disrupt the Western-prescribed nuclear family structure requirement by supporting each other as extended families and “villages” that collectively care for one another, especially our children, to the degree that mothers, parents, and children are comfortable.
We foster a queer‐affirming network. When we gather, we do so with the intention of freeing ourselves from the tight grip of heteronormative thinking, or rather, the belief that all in the world are heterosexual (unless s/he or they disclose otherwise).
We cultivate an intergenerational and communal network free from ageism. We believe that all people, regardless of age, show up with the capacity to lead and learn.
We embody and practice justice, liberation, and peace in our engagements with one another.”
What part exactly of the above statement was ‘unpure’???
@ericacheung3355
Your songs are beautiful. Every time I listen to your music, my mind becomes peaceful and my anger just disappeared. Thanks Alexis!
@zosiahuber7521
Beautiful work! 👏🏼
@mrssradams
So calming... I wish that I could play as well as you do Alexis 😍😍😊😊
@ambergotwalt3613
Absolutely love this man and his music 🎶
@laylacons6540
Absolutely incredible. There isn’t a word for how touching this is. You make me cry 😍👏🏾
@deborahmabingani6498
Have purchased many of your pieces for piano. Thank you for providing quality classical music for those of us at the intermediate playing level. Simply beautiful arrangements. Keep them coming. And thank you for this piece in particular.
@amandaadams9170
Your videos are touching just as much as your beautiful music 🎶 🎵 ❤️
@jubila
Soooooo beautiful sound........
Amazing..
💕
@joojhaarsingh855
Amazing Alexis! May your works ever continue 💙🙏🏽
@jenelcaramalau4694
SPLENDID...!!!UN REAL TALENT...!!!!MULTUMESC MULT ALEXIS...!!!