There are five artists named Algebra:
1) Thrash Metal
2) Progressive … Read Full Bio ↴There are five artists named Algebra:
1) Thrash Metal
2) Progressive Rock
3) Soul
4) Malaysian band
5) Punk
1)
Algebra is a thrash metal band from Lausanne, Switzerland. Their influences are Slayer, Sepultura, old Metallica, Nuclear Assault and Exodus among others.
Discography:
2008 - Demo 2008 (demo)
2009 - Procreation (EP)
2012 - Polymorph (full-length)
During the year 2008, four musicians from Lausanne (Switzerland) coming from different backgrounds, coalesced into a stable and productive thrash metal band. Subsequently, a period of composition and practicing ensued, during which several cover songs were played to sharpen the skills of each. At this moment, the band’s style started directing itself towards fast thrash metal from the 80’s such as Slayer and Sepultura, nevertheless including technical and melodical elements of modern metal/death metal similar to bands such as Forbidden, Gojira and Pantera.
The first demo was recorded in Autumn 2008, allowing the band to play some gigs and make its name known on the local scene. In summer 2009, after a few months and a good amount of live experience, the band recorded its first EP, in order to begin pursuing clubs and labels more seriously. After the release of their EP “Procreation”, the band received positive critics from webzines and managed to play more interesting gigs such as the Metal Assault Festival, alongside Prostitute Disfigurement, The Sorrow and Eminence. Right now the band has 10 new tracks, which are being tested live and perfected for the new album, which is to be recorded at the beginning of 2011.
2)
The second is an Italian Progressive Rock Band with two albums to their credit, 1994's "Storia di un Iceberg" and 2009's "JL".
Algebra formed in Benevento, Italy, in early 80's, when keyboard player Rino Pastore and drummer Salvatore Silvestri met. They were soon reached by bassist Carmine Ielardi, and began to compose their own songs.
In January 1983 the line-up was completed by guitarist-singer Mario Giammetti. Two months later they were recording their first demo in a studio when met the boss of a small local radio, who asked them to release a single. Ielardi had to leave the band, so Rino, Salvatore and Mario (on bass too, since then) recorded another song, A Prayer, which became the A side of a single released on May 30th 1983 on the Radio Sannio Productions label.
Unfortunately the single didn't get great attention around, so Algebra split up in June 1984 after a handful of concerts.
In a few months time, Mario, Rino and Salvatore joined another band, called Taxirum, including guitarist Cris Pascale as fourth member. This band used to play a modern pop rock and was selected from the label Dischi Noi for an international project which unfortunately didn't happen anymore. In March 1988 Taxirum played their last gig, after which they split up.
After this separation Mario became a well known journalist for influential magazines as Ciao 2001, Rockstar and Jam, also writing various musical books and founding Dusk - The Italian Genesis Magazine.
By the way, at the end of 1993 Algebra's reunion happened, with all three original main members (Mario, Rino and Salvatore) plus some guests, including Maria Giammetti, Mario's sister, on sax. They recorded between January and April 1994 about one hour of new music, and the album, called Storia di un iceberg, was released in October 1994 on the Mellow Records label. The album, which also contains the two old songs previously released on single, includes tracks close to new age (Prologue, Epilogue) as well as more proper songs (Verso il nulla, Claudia), but the best is in the progressive tunes, from the acoustic delicacy of the title track to the long instrumental Russian Suite.
In May 1995 Mellow released The River Of Constant Change - A Tribute To Genesis, double CD produced by Mario Giammetti which was immediately well received (it went sold out in a few months and needed a reissue). Algebra opened the tribute with their own version of Dusk, considered from various critics as one of the best songs. In January 1996 the Genesis tribute album became a small tour in the North of Italy; Algebra were part of this tour, along with other bands, and their performances of Dusk and Open Door were enclosed in the video Each Day Will Seem So Long. At this stage, two new full members were in the band: Maria Giammetti on saxes and Roberto Polcino on keyboards and accordion. With this new line up, Algebra recorded songs for further various tribute albums, although a new drummer, Francesco Ciani, replaced Salvatore from 1998.
They contributed to tribute albums dedicated to Camel, Gentle Giant, Italian prog of the Seventies, Emerson, Lake & Palmer, the Canterbury movement and Jethro Tull.
Algebra recorded their second album inspired to Richard Bach’s legendary book Jonathan Livingston Seagull, featuring a few very special guest vocalists: Italian 70’s prog legends Aldo Tagliapietra (Le Orme) and Lino Vairetti (Osanna), the songwriter Goran Kuzminac and the rocker Graziano Romani.
In the meantime, the band continued to record songs for tribute albums. The first one, published in March 2006, is dedicated to the Moody Blues, followed by a cover of a Luis Miguel song, in the band wish to continuously explore new inspirations, while the rendition of Fairport Convention's The Lobster is still unreleased. In 2009, the band also recorded a song for a Marillion tribute which would have been released during 2010 along with a Genesis solo projects tribute album.
The latter part of 2008 and the first months of 2009, however, were particularly spent to finish Algebra second album, for which the band was lucky enough to secure two international special guests: flutist John Hackett and even his brother Steve Hackett, legendary former Genesis guitarist. The album was released on the AMS label on October 23rd with the title "JL".
In the meantime, the band continued to record songs for tribute albums. The first one, published in March 2006, is dedicated to the Moody Blues, followed by a cover of a Luis Miguel song, in the band wish to continuously explore new inspirations, while the rendition of Fairport Convention's The Lobster is still unreleased. Later on, the band also recorded songs for Marillion and Steve Hackett tribute albums.
The 2-CD set "Deconstructing Classics", third Algebra’s album, is out on September 9th 2019.
A rarities compilation for a band that has only released two albums may appear a little weird, we know. ButAlgebra has a very long story, as slow as it can be, and we thought it was time to put together all the covers we have recorded over the years that were scattered on several Various Artists albums, along with extra tracks. Doing covers is not something a musician should generally be proud of, but on the other hand it represented, for us, a way to grow, because we approached other artists’ songs, since the first one recorded in 1994, with the idea of deconstructing and redoing it in our own way. So not tributes, but spontaneous reinterpretations in our own style. Later on, we applied the same criteria to some of our own compositions. Hence the title, Deconstructing Classics.The songs included on cd 1 have all been officially released except the first (featuring two immense artists and friends like Anthony Phillips and Steve Hackett) and they represent hopefully Algebra at their best over a quarter of century.Cd 2 (completely unreleased) is quite the opposite: next to songs properly recorded that for some reason were never released, there are improvisations, live songs, experiments et al. So the second cd (with reversed chronological order)may be less enjoyable than the first one, but we think it features some nice stuff too and we hope the listener will forgive any mistakes, out of tune guitars, small imperfections or wobbly rhythms.
3)
Ironically there are no textbooks or classroom instructions that could help one balance the equations of Kedar Massenburg's newest protégé, ALGEBRA. The Atlanta native insists that one can only discover her sonically. As an R&B solo artist with such a simple solution, when mainstream success seems to be more about the right hair, nails and make -up, ALGEBRA’S debut album PURPOSE is the perfect curriculum for breathing life back in to a genre overwrought by factory made clones.
No stranger to performing, ALGEBRA has been lending her melodic voice to projects by Monica and Bilal for years. However, singing for other artists was about as out of character for her as having someone write songs for her. "Even when someone else wrote a song specifically for me, I felt like I was still being a background singer for myself”.
As the music scene in Atlanta became the hot bed of popular music, ALGEBRA taught herself to play guitar and performed regularly at open mics. This pivotal point in her career afforded her the time to develop her writing and performance skills even further without the harness of a prescribed format. "Soon you learn not to care what others think, you learn to perform for you. I would come back week after week and I learned to perform for balance and for freedom. I was becoming alive”.
This organic approach permeates her music. ALGEBRA can easily be pop, rock, rap funk or crunk, yet she can breathe ballads effortlessly. Collaborating with award-winning songwriter and producer Brian Michael Cox on "What Happened" quickly proved to be a true showcase of her brilliance. This soulful ballad is delivered so honestly and with such vulnerability that it sounds like it could be her autobiography. A song filled with PURPOSE.
ALGEBRA’S definitive voice and identity is one of full disclosure. "I don't want to be boxed," she asserts. The litmus test of what she would create lies in being relatable and in offering complete truth in every word she sings. On the song “At This Time" she pours her heart out, placing herself on display to someone whom she has waited a long time to unite with citing descriptive and colorful lyrics, “My arms brag to each other bout how you feel/From conversations I know what they feel is real”. The current single “Run & Hide” produced by the creator of the polka-dot error in hip hop himself, Kwame’ is a testament to all fellas that Miss ALGEBRA will not settle for just any ‘ol guy with lame game. Better come correct or don’t come at all.
As the first artist to be released on the revamped Kedar Entertainment Group, ALGEBRA enters the contemporary soul music landscape following legacies created by artists like D'Angelo, Erykah Badu and India.Arie all of whom developed under the watchful eye of Massenburg. However her sound is unique. ALGEBRA at first is unassuming, but it takes mere moments for you to recognize that she is not just a tempest in a teapot but more like the catalyst of a paradigm shift.
When asked the question, what does PURPOSE mean to her and this project that she has waited so long to share with the world; ALGEBRA replies “The defining moment of purpose is when you realize all that you have is worth less than nothing and still, life is worth living.” With there being only two universal languages in this world - Math and Music; fate would have it, southern songbird ALGEBRA represents both!
4) A Malaysian nasheed group which has released album called "Yang Benar Tetap Benar" (The Truth Are True). The lyrics are based on the poem written by the ex-mufti of Perlis - Dr MAZA. His web could be accessed here - drmaza.com.
5) Algebra is an instrumental post-punk/noise rock band from Romania.
1) Thrash Metal
2) Progressive … Read Full Bio ↴There are five artists named Algebra:
1) Thrash Metal
2) Progressive Rock
3) Soul
4) Malaysian band
5) Punk
1)
Algebra is a thrash metal band from Lausanne, Switzerland. Their influences are Slayer, Sepultura, old Metallica, Nuclear Assault and Exodus among others.
Discography:
2008 - Demo 2008 (demo)
2009 - Procreation (EP)
2012 - Polymorph (full-length)
During the year 2008, four musicians from Lausanne (Switzerland) coming from different backgrounds, coalesced into a stable and productive thrash metal band. Subsequently, a period of composition and practicing ensued, during which several cover songs were played to sharpen the skills of each. At this moment, the band’s style started directing itself towards fast thrash metal from the 80’s such as Slayer and Sepultura, nevertheless including technical and melodical elements of modern metal/death metal similar to bands such as Forbidden, Gojira and Pantera.
The first demo was recorded in Autumn 2008, allowing the band to play some gigs and make its name known on the local scene. In summer 2009, after a few months and a good amount of live experience, the band recorded its first EP, in order to begin pursuing clubs and labels more seriously. After the release of their EP “Procreation”, the band received positive critics from webzines and managed to play more interesting gigs such as the Metal Assault Festival, alongside Prostitute Disfigurement, The Sorrow and Eminence. Right now the band has 10 new tracks, which are being tested live and perfected for the new album, which is to be recorded at the beginning of 2011.
2)
The second is an Italian Progressive Rock Band with two albums to their credit, 1994's "Storia di un Iceberg" and 2009's "JL".
Algebra formed in Benevento, Italy, in early 80's, when keyboard player Rino Pastore and drummer Salvatore Silvestri met. They were soon reached by bassist Carmine Ielardi, and began to compose their own songs.
In January 1983 the line-up was completed by guitarist-singer Mario Giammetti. Two months later they were recording their first demo in a studio when met the boss of a small local radio, who asked them to release a single. Ielardi had to leave the band, so Rino, Salvatore and Mario (on bass too, since then) recorded another song, A Prayer, which became the A side of a single released on May 30th 1983 on the Radio Sannio Productions label.
Unfortunately the single didn't get great attention around, so Algebra split up in June 1984 after a handful of concerts.
In a few months time, Mario, Rino and Salvatore joined another band, called Taxirum, including guitarist Cris Pascale as fourth member. This band used to play a modern pop rock and was selected from the label Dischi Noi for an international project which unfortunately didn't happen anymore. In March 1988 Taxirum played their last gig, after which they split up.
After this separation Mario became a well known journalist for influential magazines as Ciao 2001, Rockstar and Jam, also writing various musical books and founding Dusk - The Italian Genesis Magazine.
By the way, at the end of 1993 Algebra's reunion happened, with all three original main members (Mario, Rino and Salvatore) plus some guests, including Maria Giammetti, Mario's sister, on sax. They recorded between January and April 1994 about one hour of new music, and the album, called Storia di un iceberg, was released in October 1994 on the Mellow Records label. The album, which also contains the two old songs previously released on single, includes tracks close to new age (Prologue, Epilogue) as well as more proper songs (Verso il nulla, Claudia), but the best is in the progressive tunes, from the acoustic delicacy of the title track to the long instrumental Russian Suite.
In May 1995 Mellow released The River Of Constant Change - A Tribute To Genesis, double CD produced by Mario Giammetti which was immediately well received (it went sold out in a few months and needed a reissue). Algebra opened the tribute with their own version of Dusk, considered from various critics as one of the best songs. In January 1996 the Genesis tribute album became a small tour in the North of Italy; Algebra were part of this tour, along with other bands, and their performances of Dusk and Open Door were enclosed in the video Each Day Will Seem So Long. At this stage, two new full members were in the band: Maria Giammetti on saxes and Roberto Polcino on keyboards and accordion. With this new line up, Algebra recorded songs for further various tribute albums, although a new drummer, Francesco Ciani, replaced Salvatore from 1998.
They contributed to tribute albums dedicated to Camel, Gentle Giant, Italian prog of the Seventies, Emerson, Lake & Palmer, the Canterbury movement and Jethro Tull.
Algebra recorded their second album inspired to Richard Bach’s legendary book Jonathan Livingston Seagull, featuring a few very special guest vocalists: Italian 70’s prog legends Aldo Tagliapietra (Le Orme) and Lino Vairetti (Osanna), the songwriter Goran Kuzminac and the rocker Graziano Romani.
In the meantime, the band continued to record songs for tribute albums. The first one, published in March 2006, is dedicated to the Moody Blues, followed by a cover of a Luis Miguel song, in the band wish to continuously explore new inspirations, while the rendition of Fairport Convention's The Lobster is still unreleased. In 2009, the band also recorded a song for a Marillion tribute which would have been released during 2010 along with a Genesis solo projects tribute album.
The latter part of 2008 and the first months of 2009, however, were particularly spent to finish Algebra second album, for which the band was lucky enough to secure two international special guests: flutist John Hackett and even his brother Steve Hackett, legendary former Genesis guitarist. The album was released on the AMS label on October 23rd with the title "JL".
In the meantime, the band continued to record songs for tribute albums. The first one, published in March 2006, is dedicated to the Moody Blues, followed by a cover of a Luis Miguel song, in the band wish to continuously explore new inspirations, while the rendition of Fairport Convention's The Lobster is still unreleased. Later on, the band also recorded songs for Marillion and Steve Hackett tribute albums.
The 2-CD set "Deconstructing Classics", third Algebra’s album, is out on September 9th 2019.
A rarities compilation for a band that has only released two albums may appear a little weird, we know. ButAlgebra has a very long story, as slow as it can be, and we thought it was time to put together all the covers we have recorded over the years that were scattered on several Various Artists albums, along with extra tracks. Doing covers is not something a musician should generally be proud of, but on the other hand it represented, for us, a way to grow, because we approached other artists’ songs, since the first one recorded in 1994, with the idea of deconstructing and redoing it in our own way. So not tributes, but spontaneous reinterpretations in our own style. Later on, we applied the same criteria to some of our own compositions. Hence the title, Deconstructing Classics.The songs included on cd 1 have all been officially released except the first (featuring two immense artists and friends like Anthony Phillips and Steve Hackett) and they represent hopefully Algebra at their best over a quarter of century.Cd 2 (completely unreleased) is quite the opposite: next to songs properly recorded that for some reason were never released, there are improvisations, live songs, experiments et al. So the second cd (with reversed chronological order)may be less enjoyable than the first one, but we think it features some nice stuff too and we hope the listener will forgive any mistakes, out of tune guitars, small imperfections or wobbly rhythms.
3)
Ironically there are no textbooks or classroom instructions that could help one balance the equations of Kedar Massenburg's newest protégé, ALGEBRA. The Atlanta native insists that one can only discover her sonically. As an R&B solo artist with such a simple solution, when mainstream success seems to be more about the right hair, nails and make -up, ALGEBRA’S debut album PURPOSE is the perfect curriculum for breathing life back in to a genre overwrought by factory made clones.
No stranger to performing, ALGEBRA has been lending her melodic voice to projects by Monica and Bilal for years. However, singing for other artists was about as out of character for her as having someone write songs for her. "Even when someone else wrote a song specifically for me, I felt like I was still being a background singer for myself”.
As the music scene in Atlanta became the hot bed of popular music, ALGEBRA taught herself to play guitar and performed regularly at open mics. This pivotal point in her career afforded her the time to develop her writing and performance skills even further without the harness of a prescribed format. "Soon you learn not to care what others think, you learn to perform for you. I would come back week after week and I learned to perform for balance and for freedom. I was becoming alive”.
This organic approach permeates her music. ALGEBRA can easily be pop, rock, rap funk or crunk, yet she can breathe ballads effortlessly. Collaborating with award-winning songwriter and producer Brian Michael Cox on "What Happened" quickly proved to be a true showcase of her brilliance. This soulful ballad is delivered so honestly and with such vulnerability that it sounds like it could be her autobiography. A song filled with PURPOSE.
ALGEBRA’S definitive voice and identity is one of full disclosure. "I don't want to be boxed," she asserts. The litmus test of what she would create lies in being relatable and in offering complete truth in every word she sings. On the song “At This Time" she pours her heart out, placing herself on display to someone whom she has waited a long time to unite with citing descriptive and colorful lyrics, “My arms brag to each other bout how you feel/From conversations I know what they feel is real”. The current single “Run & Hide” produced by the creator of the polka-dot error in hip hop himself, Kwame’ is a testament to all fellas that Miss ALGEBRA will not settle for just any ‘ol guy with lame game. Better come correct or don’t come at all.
As the first artist to be released on the revamped Kedar Entertainment Group, ALGEBRA enters the contemporary soul music landscape following legacies created by artists like D'Angelo, Erykah Badu and India.Arie all of whom developed under the watchful eye of Massenburg. However her sound is unique. ALGEBRA at first is unassuming, but it takes mere moments for you to recognize that she is not just a tempest in a teapot but more like the catalyst of a paradigm shift.
When asked the question, what does PURPOSE mean to her and this project that she has waited so long to share with the world; ALGEBRA replies “The defining moment of purpose is when you realize all that you have is worth less than nothing and still, life is worth living.” With there being only two universal languages in this world - Math and Music; fate would have it, southern songbird ALGEBRA represents both!
4) A Malaysian nasheed group which has released album called "Yang Benar Tetap Benar" (The Truth Are True). The lyrics are based on the poem written by the ex-mufti of Perlis - Dr MAZA. His web could be accessed here - drmaza.com.
5) Algebra is an instrumental post-punk/noise rock band from Romania.
Nobody but You
Algebra Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Boy, listen
Everybody can't be in my head
Everybody can't sleep in my bed
Everybody can't be up in my face
Everybody can't be all in my space
Now I might fuss a lil' bit, curse a lil' bit
You know this, yeah
But if you trust a lil' bit
You gonna get one hundred percent
I don't want nobody but you
Don't want nobody touching me, baby
But you
Don't want nobody kissing me, baby
But you
Don't want nobody loving me, baby
But you
But you, you, you
Everybody won't understand my journey
Everybody won't know how it heal what hurts me
Everybody can't be written into my story
Just because they want me don't mean they ready for me
Now I might throw a lil' fit, talk a lil' slick
I do this, yeah
I'm willing to go on and admit it that you a perfect fit
Baby, you the shit
I don't want nobody but you
Don't want nobody touching me, baby
But you
Don't want nobody kissing me, baby
But you
Don't want nobody loving me, baby
But you
But you, you, you
Never mind what you thought, you were in my heart
Never mind what you think, you were in my dreams
Never mind how it seems, you're my everything
Never mind
I don't want nobody but you
Don't want nobody touching me, baby
But you
Don't want nobody kissing me, baby
But you
Don't want nobody loving me, baby
But you
But you, you, you
I don't want nobody but you
Everybody can't be in my head
Everybody can't sleep in my bed
Everybody can't be up in my face
Everybody can't be all in my space
Now I might fuss a lil' bit, curse a lil' bit
You know this, yeah
You gonna get one hundred percent
I don't want nobody but you
Don't want nobody touching me, baby
But you
Don't want nobody kissing me, baby
But you
Don't want nobody loving me, baby
But you
But you, you, you
Everybody won't understand my journey
Everybody won't know how it heal what hurts me
Everybody can't be written into my story
Just because they want me don't mean they ready for me
Now I might throw a lil' fit, talk a lil' slick
I do this, yeah
I'm willing to go on and admit it that you a perfect fit
Baby, you the shit
I don't want nobody but you
Don't want nobody touching me, baby
But you
Don't want nobody kissing me, baby
But you
Don't want nobody loving me, baby
But you
But you, you, you
Never mind what you thought, you were in my heart
Never mind what you think, you were in my dreams
Never mind how it seems, you're my everything
Never mind
I don't want nobody but you
Don't want nobody touching me, baby
But you
Don't want nobody kissing me, baby
But you
Don't want nobody loving me, baby
But you
But you, you, you
I don't want nobody but you
The lyrics to Algebra's song Nobody But You express deep feelings of intimacy, trust, and dedication in a romantic relationship. The first verse sets the tone for the rest of the song by indicating that not everyone can be as close to the singer as the person they address in the song. They emote being comfortable with being themselves and even going to the extent of fussing and cursing a little bit without worrying whether the other person would leave. However, the singer asks for trust, promising the other person that they will receive one hundred percent in return.
The chorus reveals an essential element of the singer's desires: they want nobody but the person they address in the song. They don't want anyone else touching, kissing, or loving them, and they admit that the other person is a "perfect fit" and "the shit." As the song continues, we understand that the singer has been hurt before, and that not everyone who pursues them will be ready or able to handle what comes with a deep connection.
Overall, the song is an intimate declaration of trust and commitment from one person to their significant other. It's a reminder that not everyone can be let into our lives the way we let some people in, and it communicates the idea of being comfortable with oneself - flaws and all - around the person we love.
Line by Line Meaning
Boy, listen
Listen to me, boy.
Everybody can't be in my head
Not everyone can understand the thoughts in my mind.
Everybody can't sleep in my bed
Not everyone is allowed to share my personal space.
Everybody can't be up in my face
Not everyone is allowed to invade my personal space.
Everybody can't be in my space
Not everyone is allowed to be around me all the time.
Now I might fuss a lil' bit, curse a lil' bit
I might get a little upset and curse sometimes.
You know this, yeah
You know it's true.
But if you trust a lil' bit
But if you have a little trust.
You gonna get one hundred percent
Then you will get all of me.
I don't want nobody but you
I only want you.
Don't want nobody touching me, baby
I only want you to touch me.
Don't want nobody kissing me, baby
I only want you to kiss me.
Don't want nobody loving me, baby
I only want you to love me.
But you, you, you
Only you.
Everybody won't understand my journey
Not everyone can understand the path I'm on.
Everybody won't know how it heal what hurts me
Not everyone can understand what helps me heal.
Everybody can't be written into my story
Not everyone can be a part of my life story.
Just because they want me don't mean they ready for me
Just because someone wants me doesn't mean they are ready for me.
Now I might throw a lil' fit, talk a lil' slick
I might get upset and talk a little rude sometimes.
I do this, yeah
This is just who I am.
I'm willing to go on and admit it that you a perfect fit
I am willing to admit that you are a perfect match for me.
Baby, you the shit
You are amazing, my dear.
Never mind what you thought, you were in my heart
Ignore what you may have thought, you are in my heart.
Never mind what you think, you were in my dreams
Don't worry about what you may think, you are in my dreams.
Never mind how it seems, you're my everything
Disregard how it may appear, you are everything to me.
Never mind
Don't worry about it.
Lyrics © Kobalt Music Publishing Ltd., Universal Music Publishing Group
Written by: EDWARD MONROE HILL, MARK DANIEL SANDERS
Lyrics Licensed & Provided by LyricFind
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@-tyrese-7931
She's seriously underrated
@bellathelady
Yes, and always the artists that can really "sing." Avery Sunshine, Ledisi, and Keke Wyatt are also in the underrated category, sad to say, but I love them : ))
@ismailtroxler1
+bellathelady 💯
@terrywillson1660
tyrese@marcuspolk5852
Indeed💯
@deborahthemisses
Absolutely💯
@FashionSasha
"Everybody won't understand my journey
Everybody won't know how to hear what hurts me
Everybody can't be written into my story
Just because they want me don't mean they ready for me."
Real talk right here!!!!
@bernadetteharris3399
It's that part for me too!
@moniquepitts7324
Love this song!!! Keep it on repeat
@marniejohnson66
YES!