Our imaginary Alice fell into the rabbit hole on a chilly day in May 2002. Toril Lindqvist had been a guitar player in various rock bands for years, but was beginning to feel tormented by musical inspiratio that didn't quite fit into any Rock and Roll context. She wanted to be a singer. In something more "electronic" than a rock band. Finally one day she took a long shot and phoned old friend Carl Lundgren.
Skeptical in the extreme, Carl agreed to hook up for a brain storming session. The two met a couple of times and became inspired by the fact that they really had nothing in common musically; this would actually become the fuel of their creative process. Early on, the duo would make attempts at "Body Music meets Punk Rock meets Commodore 64", inspired by an imaginary and unholy alliance of DAF, The Clash and Rob Hubbard.
A couple of simple demos were released during the late summer of 2002, and surprisingly generated lots of acclaim! With fuelled enthusiasm, the duo christened their project "Alice in Videoland" from a 1984 Commodore 64 computer game. Anders Lundgren (keyboards) and Anders Alexander (drums) were recruited in February 2003. Johan Dahlbom (bass) joined in November the same year. At this point, Alice in Videoland had begun receiving massive praise for their energetic and charismatic live show.
In the midst of this early experimentation process, off the hype of a five track demo and less than ten gigs, Alice in Videoland suddenly found themselves battered with offers. Eight different labels expressed their interest in signing the band, who were eventually attracted to the relative freedom offered by Swedish label National. AiV began recording their album in June 2003, partly assisted by Micke Lohse (Atomic Swing). Curious of cross-genre experimentation, the band elaborated on their sound, drawing inspiration from a spectrum of genres ranging from EBM, synthpop and electro through to disco, rock and punk.
And sure enough - in the following months their sound evolved from being arguably concept driven into something truly musically interesting. The debut album, Maiden Voyage contains a peculiar mixture of electronic pop, punk and hard EBM beats. Substance? You betcha. Alice won't be climbing out of the rabbit hole anytime soon ...
Alice in Videoland also released Outrageous, a follow-up to Maiden Voyage, in 2005.
In 2008 they released their thrid album She's A Machine on the Swedish label National.
In 2009 they released a new single, Psychobitch
A Million Thoughts and They're All About You is the fourth studio album by Alice in Videoland. It was released in Sweden on 11 February 2011. It includes the single "Spaceship".
all music is written by Toril Lindqvist/ Anders Alexander
Going Down
Alice in Videoland Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I can tell it's on repeat
It's in slow-motion in my head
Your devotion's to be dead
Can't recall, I can't rejoice
It's not at all like I have a choice
Played with fire, now I burn
My desire wouldn't let me turn
I'm going down
Can't pretend, it's gonna end
It's all around
Takes my soul beyond control
I'm going down
I got lost, I got refused
I can't trust since I'd been used
Should have felt it from the start
But I melted with my heart
So I stayed, defied the ache
And I paid for your mistakes
I'll retire with the facts I've learned:
My desire didn't let me turn
The opening lines of Alice in Videoland's "Going Down" suggest that the singer is aware of their own failure, and that it's something they've experienced before. The lines "I can smell my defeat / I can tell it's on repeat" imply that the singer is familiar with the feeling of failure, and is worried about experiencing it again. The second line is particularly interesting, as it suggests that the singer is already aware that this experience will repeat, before they've even failed. This speaks to an underlying fatalism in the song, as if the singer is resigned to the idea that they will always fail.
The third line, "It's in slow-motion in my head", suggests a certain detachment from the experience. It's not just that the singer is experiencing failure, it's that they're experiencing it in an oddly detached way. Perhaps they're numb to the pain of failure, or perhaps they're so used to it that they're able to observe it from a distance.
The next line, "Your devotion's to be dead", suggests that the singer is not alone in their failure. There is someone in their life who has let them down, and who they are now blaming for their own unhappiness. This thread continues throughout the song, with the singer blaming others for their own failures, rather than taking responsibility for their own actions. The chorus, "I'm going down / Can't pretend, it's gonna end / It's all around / Takes my soul beyond control / I'm going down", speaks to this sense of inevitability. The singer feels helpless in the face of their own failure, as if the world is conspiring against them.
The verses that follow continue this theme. The singer can't recall anything positive, and feels as if they've been burned by their own desires. They blame themselves for playing with fire, but at the same time suggest that they didn't have a choice. The line "I can't trust since I'd been used / Should have felt it from the start / But I melted with my heart" suggests that the singer has been hurt in the past, and that they are now cynically assuming that everyone will hurt them. They blame themselves for not being more wary, but at the same time see their own naivety as admirable.
Overall, "Going Down" is a song about failure, fatalism, and blame. The singer is aware of their own shortcomings, but at the same time feels as if they are powerless to change their fate. They blame others for their own unhappiness, rather than taking responsibility for their own actions. It's a melancholy song, but one that captures the sense of despair that can come from repeated failure and disappointment.
Line by Line Meaning
I can smell my defeat
I know I'm going to lose
I can tell it's on repeat
I keep making the same mistake over and over again
It's in slow-motion in my head
I can't stop thinking about it, it's consuming me
Your devotion's to be dead
You don't care about me anymore
Can't recall, I can't rejoice
I can't remember anything positive about the situation
It's not at all like I have a choice
I feel like I'm stuck
Played with fire, now I burn
I took a risk and now I'm suffering the consequences
'cause my desire didn't let me turn
I knew it was a bad idea but I couldn't resist
I'm going down
I'm losing this battle
Can't pretend, it's gonna end
I can't hide from the inevitable
It's all around
The problem is everywhere
Takes my soul beyond control
It's affecting me in ways I can't contain
I'm going down
I'm losing this battle
I got lost, I got refused
I made a mistake and got rejected
I can't trust since I'd been used
I don't trust anyone anymore because of how I've been treated
Should have felt it from the start
I should have known better
But I melted with my heart
I let my emotions cloud my judgement
So I stayed, defied the ache
I ignored my better judgement and endured the pain
And I paid for your mistakes
I suffered because of your actions
I'll retire with the facts I've learned
I'll move on from this experience with new knowledge
My desire didn't let me turn
I took a risk I knew I shouldn't have, but did it anyway
Contributed by Blake B. Suggest a correction in the comments below.
Maia Maya
I love this band and this album too
NaopTein
Thanks for uploading this! Much better quality than the other version around here.
nazarenko.maxim
Great band.
Vampira Deathrocker Bat xq
I love this song
YTbr
Älskar denna låten fortfarande. AiV 😍
𝚨𝖇𝖘𝖎𝖓𝖙𝖍𝖊𝖎𝖆
Still listening to this song in 2022 <3
Yehakel: Tomorrow Is Not Enough!
Yeah!! Very nice!!
wolfgirl377
, perfect , people ellos , y todo el mundo , bendiciones , peñica ,
wolfgirl377
, eso , es ,