Alizée Jacotey (born 21 August 1984 in Ajaccio, Corsica, France) is a famou… Read Full Bio ↴Alizée Jacotey (born 21 August 1984 in Ajaccio, Corsica, France) is a famous French pop singer. She goes by the stage name Alizée (pronounced: /a.lɪ.ze/), the feminine form of alizé, the trade wind. She was discovered by Mylène Farmer, one of the most successful French pop singers, following her winning performance in the talent show, Graines de Star, in 1999. From 2000 until the year 2006 while collaborating with Mylène Farmer and Laurent Boutonnat, Alizée released two successful albums and became a pop star inside and outside of France. She was then considered the protégée of Mylène Farmer. In 2006 she decided to end her collaboration with Farmer and one year later she released her third album,Psychedelices for the first time, without her artistic supervision. This album enjoyed limited success in France, but topped the charts(international) in Mexico.
Alizée made her début with the single, Moi... Lolita on the 4 July 2000. It is her most successful single to date. It was a instant hit throughout most of Europe and parts of east Asia, reaching number one in several countries. Alizée's image was that of a seductive Lolita character, referring to the novel by Vladimir Nabokov. The video for the single showed Alizée as a village girl visiting a night-club. Four months after the single her debut album "Gourmandises" was released. The album written entirely by Farmer and Boutonnat, has sold over 1,3 million copies in France. It was certified Platinum in just three months by the SNEP. In 2001, the album was released internationally, and she became the highest-selling female French singer in 2001. The album went on to sell over 2 million copies worldwide. Farmer and Boutonnat kept a tight rein how the album was marketed and controlled the image in which Alizée was portrayed. In the mean time, Alizée gave very few interviews, and even when she did, they did not stretch beyond 20 minutes per journalist. Neither did she agree to any photoshoots.
Her second single L'Alizé followed soon after. It was also successful giving her first number one in France, and gained some success internationally. The video of the "sexily alliterative" song shows Alizée amidst soap bubbles against a pink backdrop singing about herself. The video was shot in a studio in Brussels, which had a 25 metre by 10 metre painted canvas to serve as the background—with real bubbles. This single was followed up with another single from the same album - the title song, Gourmandises. The video, which shows a group of young boys and girls out on a picnic, was shot in a day. The last single from this album was Parler Tout Bas, which deals with the theme of dreams and a loss of innocence. In France, "Parler tout bas" was the third single followed by the release of "Gourmandises".
In 2003, Alizée returned with her second album "Mes Courants Électriques". With the release of this album, she changed her image from a 'Lolita' to that of a more toned-down teenager. This album was also written by Farmer and Boutonnat. The style of the music didn't change so much but the album was more critically acclaimed than the previous one. While it had much success in and outside France, worldwide it managed to sell 1.000.000 copies, less than its predecessor. The album has an international version featuring English versions of four tracks.
The first single from this album, Je N'ai Marre! was released in 2003. The music video for this shows Alizée in a glass cage, singing while having water splashed on her. The plexiglass cage, 3 by 3 meters in dimension, was constructed in a Parisian studio, and the shooting of the video took two days. An English-language version of this song, titled I'm Fed Up, was also released, and featured similar visuals for the music video. The other singles from this album were J'ai pas Vingt ans and À contre-courant. Like Je N'ai Marre, J'ai Pas Vingt Ans, Youpidou and Amelie M'a Dit also had English versions. The video for J'ai Pas Vingt Ans (I'm Not Twenty) resembles the ambience of a concert with Alizée dancing in the midst of several other dancers. À Contre-courant, the last single from this album, was shot in an abandoned coal factory. Unlike the other two singles, there was no English-language rendition of this song.
Following the release of her second studio album, Mes Courants Électriques, Alizée toured around France and had two performances in Belgium and Switzerland, during the second half of the year 2003. The tour started off with a performance on August 26, 2003 in Paris. It concluded with her performance on the eve of January 17, 2004 at the Le Zénith concert hall in Paris and had covered major cities including Lyon, Rouen, Lille, Grenoble and Dijon, among others.
A live CD and DVD, titled "Alizée En Concert", comprising of selected performances from her tour, was launched a year later in the fall of 2004. The audio CD contained tracks, taken from her two studio albums. The DVD featured video footage of the same performances as on the CD, along with bonus footage of her rehearsals. The compilation was re-released in early 2007 in Mexico by Universal music as a CD+DVD release, following the featuring of the songs in local radio stations. With the re-release and renewed interest, the songs climbed up the music charts in the country. The album became a hit, peaking at number 4 in the International Chart on May 28, 2007, and number 8 on the main albums chart. En concert has a Gold certification for shipments over 50,000 copies only in Mexico.
Following her marriage in late 2003, Alizée took a hiatus from singing and avoided appearing in the media. She welcomed her first child Annily in 2005. Her first television appearance in two years was on MTV France on February 18, 2006.
After almost two years of fan speculation, on April 3, 2006, a handwritten message, signed Alizée, was received by the webmaster of the fansite Le Nid d'Alizée, stating that she is working on the third album.
On July 7, 2006, the show Le JT de la musique on French TV channel "Europe 2 TV" reported that Alizée has separated from her former producer and song writer Mylène Farmer and was working on her third album. It was also reported that the lyrics of the new album were being penned by Jean Faulques. Her husband, Jérémy Châtelain produces a lot of the album.
Her third album Psychédélices was released in December of 2007. Despite the promotion it had moderate success in France, where it reached number 16 on the albums chart. The album only held its peak position for one week on each chart and fell in the second week. The album was more of a success in Mexico, it debuted at number 44 in the Mexican Top 100 Albums Chart. The album peaked at number 15 in the main chart and number 1 in the international chart. It has sold 300,000 copies so far. Many of her fans were disappointed by this album as it was not produced by Mylène Farmer and Laurent Boutonnat. The critics considered it as artistically inferior of her previous efforts.
Only one single was spawned in France from Psychédélices, called Mademoiselle Juliette. It missed the top 20 peaking at number 22. The second single release, Fifty-Sixty, peaked at number 65 in the Mexican single charts. In 2008 Alizée recorded a new studio version of Madonna's hit single La Isla Bonita and was included on a special edition for her album, Psychédélices in Mexico. The song so far has gone on to become a hit becoming Alizée's first top ten single on the national top ten airplay chart.
Following the success of Alizée En Concert and Psychédélices in Mexico, her former label, Universal Music released a compilation album, titled Tout Alizée. The compilation peaked at No. 62 on the Mexico Top 100 Albums Chart and No.20 on the Mexican International Top 20 Albums Chart.
During the Psychédélices tour, she had to cancel a tour date in Paris, stating that she was already working on her new album and it would sound different from all of her previous recordings. The album Une Enfant Du Siècle and was released in France on 29 March 2010. The theme of the album is the life of American model Edie Sedgwick from the birth till the death, based on the style of Andy Warhol. He isn't mentioned in the lyrics but the album has many references on him. The album received positive reviews from critics. However it peaked at No.24 on the French Album Chart aswell as No.22 on the Mexican Albums Chart. The single Limelight was released as a teaser single, being uploaded on 15 February 2010 on British website Popjustice. The main single Les Collines was released on 26 April 2010.
In 2011, she and Jérémy Chatelain divorced.
In Spring 2012, Alizée announced a new album would be released. However Sony delayed the album to Autumn 2012. In the meantime she was featured on the single Clara veut la Lune by Alain Chamfort.On 27 June 2012, Alizée announced on live chat that the first single, À cause de l'automne from the new album was to be released 28 June 2012. She also revealed that for the new album she was working with Jean-Jacques Goldman, BB Brunes and Thomas Boulard were also working on the album, The first music video was shot on 15 July 2012 and was released on 5 December 2012. The video features Alizée exploring the themes of autumn (i.e playing with autumn leaves and umbrellas). The first performance of the single was on RFM radio on 21 December 2012 where she sang the song in a live broadcast. It charted at 131 on the French Singles Chart. The album was yet again delayed to Spring 2013. In January, she revealed the artwork and name for the album, which is named 5. The album incorporates dance-pop,rock and ballads. This was her first album to not chart in the French Album Chart.
In 2014, following the success of her appearance (and win) on popular French tv show Danse avec les stars , she released her sixth studio album, Blonde on 23 June 2014. The single Blonde was released months earlier on 18 March 2014. The song peaked at No.63 while the album peaked at No.20. It was considered a commercial failure.
Alizée now owns a dance studio in Ajaccio, Corsica with her now-husband Grégoire Lyonnet and welcomed a baby girl called Maggy Lyonnet on 24 November 2019.
Alizée made her début with the single, Moi... Lolita on the 4 July 2000. It is her most successful single to date. It was a instant hit throughout most of Europe and parts of east Asia, reaching number one in several countries. Alizée's image was that of a seductive Lolita character, referring to the novel by Vladimir Nabokov. The video for the single showed Alizée as a village girl visiting a night-club. Four months after the single her debut album "Gourmandises" was released. The album written entirely by Farmer and Boutonnat, has sold over 1,3 million copies in France. It was certified Platinum in just three months by the SNEP. In 2001, the album was released internationally, and she became the highest-selling female French singer in 2001. The album went on to sell over 2 million copies worldwide. Farmer and Boutonnat kept a tight rein how the album was marketed and controlled the image in which Alizée was portrayed. In the mean time, Alizée gave very few interviews, and even when she did, they did not stretch beyond 20 minutes per journalist. Neither did she agree to any photoshoots.
Her second single L'Alizé followed soon after. It was also successful giving her first number one in France, and gained some success internationally. The video of the "sexily alliterative" song shows Alizée amidst soap bubbles against a pink backdrop singing about herself. The video was shot in a studio in Brussels, which had a 25 metre by 10 metre painted canvas to serve as the background—with real bubbles. This single was followed up with another single from the same album - the title song, Gourmandises. The video, which shows a group of young boys and girls out on a picnic, was shot in a day. The last single from this album was Parler Tout Bas, which deals with the theme of dreams and a loss of innocence. In France, "Parler tout bas" was the third single followed by the release of "Gourmandises".
In 2003, Alizée returned with her second album "Mes Courants Électriques". With the release of this album, she changed her image from a 'Lolita' to that of a more toned-down teenager. This album was also written by Farmer and Boutonnat. The style of the music didn't change so much but the album was more critically acclaimed than the previous one. While it had much success in and outside France, worldwide it managed to sell 1.000.000 copies, less than its predecessor. The album has an international version featuring English versions of four tracks.
The first single from this album, Je N'ai Marre! was released in 2003. The music video for this shows Alizée in a glass cage, singing while having water splashed on her. The plexiglass cage, 3 by 3 meters in dimension, was constructed in a Parisian studio, and the shooting of the video took two days. An English-language version of this song, titled I'm Fed Up, was also released, and featured similar visuals for the music video. The other singles from this album were J'ai pas Vingt ans and À contre-courant. Like Je N'ai Marre, J'ai Pas Vingt Ans, Youpidou and Amelie M'a Dit also had English versions. The video for J'ai Pas Vingt Ans (I'm Not Twenty) resembles the ambience of a concert with Alizée dancing in the midst of several other dancers. À Contre-courant, the last single from this album, was shot in an abandoned coal factory. Unlike the other two singles, there was no English-language rendition of this song.
Following the release of her second studio album, Mes Courants Électriques, Alizée toured around France and had two performances in Belgium and Switzerland, during the second half of the year 2003. The tour started off with a performance on August 26, 2003 in Paris. It concluded with her performance on the eve of January 17, 2004 at the Le Zénith concert hall in Paris and had covered major cities including Lyon, Rouen, Lille, Grenoble and Dijon, among others.
A live CD and DVD, titled "Alizée En Concert", comprising of selected performances from her tour, was launched a year later in the fall of 2004. The audio CD contained tracks, taken from her two studio albums. The DVD featured video footage of the same performances as on the CD, along with bonus footage of her rehearsals. The compilation was re-released in early 2007 in Mexico by Universal music as a CD+DVD release, following the featuring of the songs in local radio stations. With the re-release and renewed interest, the songs climbed up the music charts in the country. The album became a hit, peaking at number 4 in the International Chart on May 28, 2007, and number 8 on the main albums chart. En concert has a Gold certification for shipments over 50,000 copies only in Mexico.
Following her marriage in late 2003, Alizée took a hiatus from singing and avoided appearing in the media. She welcomed her first child Annily in 2005. Her first television appearance in two years was on MTV France on February 18, 2006.
After almost two years of fan speculation, on April 3, 2006, a handwritten message, signed Alizée, was received by the webmaster of the fansite Le Nid d'Alizée, stating that she is working on the third album.
On July 7, 2006, the show Le JT de la musique on French TV channel "Europe 2 TV" reported that Alizée has separated from her former producer and song writer Mylène Farmer and was working on her third album. It was also reported that the lyrics of the new album were being penned by Jean Faulques. Her husband, Jérémy Châtelain produces a lot of the album.
Her third album Psychédélices was released in December of 2007. Despite the promotion it had moderate success in France, where it reached number 16 on the albums chart. The album only held its peak position for one week on each chart and fell in the second week. The album was more of a success in Mexico, it debuted at number 44 in the Mexican Top 100 Albums Chart. The album peaked at number 15 in the main chart and number 1 in the international chart. It has sold 300,000 copies so far. Many of her fans were disappointed by this album as it was not produced by Mylène Farmer and Laurent Boutonnat. The critics considered it as artistically inferior of her previous efforts.
Only one single was spawned in France from Psychédélices, called Mademoiselle Juliette. It missed the top 20 peaking at number 22. The second single release, Fifty-Sixty, peaked at number 65 in the Mexican single charts. In 2008 Alizée recorded a new studio version of Madonna's hit single La Isla Bonita and was included on a special edition for her album, Psychédélices in Mexico. The song so far has gone on to become a hit becoming Alizée's first top ten single on the national top ten airplay chart.
Following the success of Alizée En Concert and Psychédélices in Mexico, her former label, Universal Music released a compilation album, titled Tout Alizée. The compilation peaked at No. 62 on the Mexico Top 100 Albums Chart and No.20 on the Mexican International Top 20 Albums Chart.
During the Psychédélices tour, she had to cancel a tour date in Paris, stating that she was already working on her new album and it would sound different from all of her previous recordings. The album Une Enfant Du Siècle and was released in France on 29 March 2010. The theme of the album is the life of American model Edie Sedgwick from the birth till the death, based on the style of Andy Warhol. He isn't mentioned in the lyrics but the album has many references on him. The album received positive reviews from critics. However it peaked at No.24 on the French Album Chart aswell as No.22 on the Mexican Albums Chart. The single Limelight was released as a teaser single, being uploaded on 15 February 2010 on British website Popjustice. The main single Les Collines was released on 26 April 2010.
In 2011, she and Jérémy Chatelain divorced.
In Spring 2012, Alizée announced a new album would be released. However Sony delayed the album to Autumn 2012. In the meantime she was featured on the single Clara veut la Lune by Alain Chamfort.On 27 June 2012, Alizée announced on live chat that the first single, À cause de l'automne from the new album was to be released 28 June 2012. She also revealed that for the new album she was working with Jean-Jacques Goldman, BB Brunes and Thomas Boulard were also working on the album, The first music video was shot on 15 July 2012 and was released on 5 December 2012. The video features Alizée exploring the themes of autumn (i.e playing with autumn leaves and umbrellas). The first performance of the single was on RFM radio on 21 December 2012 where she sang the song in a live broadcast. It charted at 131 on the French Singles Chart. The album was yet again delayed to Spring 2013. In January, she revealed the artwork and name for the album, which is named 5. The album incorporates dance-pop,rock and ballads. This was her first album to not chart in the French Album Chart.
In 2014, following the success of her appearance (and win) on popular French tv show Danse avec les stars , she released her sixth studio album, Blonde on 23 June 2014. The single Blonde was released months earlier on 18 March 2014. The song peaked at No.63 while the album peaked at No.20. It was considered a commercial failure.
Alizée now owns a dance studio in Ajaccio, Corsica with her now-husband Grégoire Lyonnet and welcomed a baby girl called Maggy Lyonnet on 24 November 2019.
J'en ai marre !
Alizée Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
J'ai la peau douce
Dans mon bain de mousse
Je m'éclabousse
J'en ris
Mon poisson rouge
Dans mon bain de mousse
Je l'emmitoufle
Je lui dis
J'ai pas de problèmes, je fainéante
Pas de malaises, je fainéante
Dans l'eau je baigne, c'est l'important
Bien à mon aise, dans l'air du temps
J'ai la peau douce
Dans mon bain de mousse
Je brûle à l'ombre
Des bombes
Tout est délice
Délit docile
Je fais la liste
Des choses, qui
M'indisposent
J'en ai marre de ceux qui pleurent
Qui ne roulent qu'à deux à l'heure
Qui se lamentent et qui se fixent
Sur l'idée d'une idée fixe
J'en ai marre de ceux qui râlent
Des extrémistes à deux balles
Qui voient la vie tout en noir
Qui m'expédient dans le cafard
J'en ai marre de la grande sœur
Qui gémit tout et qui pleure
Marre de la pluie, des courgettes
Qui me font vomir sous la couette
J'en ai marre de ces cyniques
Et dans les prés, les colchiques
J'en ai marre d'en avoir marre, aussi
J'ai la peau douce
Dans mon bain de mousse
Pas de secousses
Sismiques
Je me prélasse
Et me délasse
C'est mon état aquatique
Y a comme un hic
J'en ai marre de ceux qui pleurent
Qui ne roulent qu'à deux à l'heure
Qui se lamentent et qui se fixent
Sur l'idée d'une idée fixe
J'en ai marre de ceux qui râlent
Des extrémistes à deux balles
Qui voient la vie tout en noir
Qui m'expédient dans le cafard
J'en ai marre de la grande sœur
Qui gémit tout et qui pleure
Marre de la pluie, des courgettes
Qui me font vomir sous la couette
J'en ai marre de ces cyniques
Et dans les prés, les colchiques
J'en ai marre d'en avoir marre, aussi
J'en ai marre de ceux qui pleurent
Qui ne roulent qu'à deux à l'heure
Qui se lamentent et qui se fixent
Sur l'idée d'une idée fixe
J'en ai marre de ceux qui râlent
Des extrémistes à deux balles
Qui voient la vie tout en noir
Qui m'expédient dans le cafard
J'en ai marre de la grande sœur
Qui gémit tout et qui pleure
Marre de la pluie, des courgettes
Qui me font vomir sous la couette
J'en ai marre de ces cyniques
Et dans les prés, les colchiques
J'en ai marre d'en avoir marre
J'en ai marre
J'en ai marre
J'en ai marre
Dans mon bain de mousse
Je m'éclabousse
J'en ris
Mon poisson rouge
Dans mon bain de mousse
Je l'emmitoufle
Je lui dis
J'ai pas de problèmes, je fainéante
Pas de malaises, je fainéante
Dans l'eau je baigne, c'est l'important
Bien à mon aise, dans l'air du temps
J'ai la peau douce
Dans mon bain de mousse
Je brûle à l'ombre
Des bombes
Tout est délice
Délit docile
Je fais la liste
Des choses, qui
M'indisposent
J'en ai marre de ceux qui pleurent
Qui ne roulent qu'à deux à l'heure
Qui se lamentent et qui se fixent
Sur l'idée d'une idée fixe
J'en ai marre de ceux qui râlent
Des extrémistes à deux balles
Qui voient la vie tout en noir
Qui m'expédient dans le cafard
J'en ai marre de la grande sœur
Qui gémit tout et qui pleure
Marre de la pluie, des courgettes
Qui me font vomir sous la couette
J'en ai marre de ces cyniques
Et dans les prés, les colchiques
J'en ai marre d'en avoir marre, aussi
J'ai la peau douce
Dans mon bain de mousse
Pas de secousses
Sismiques
Je me prélasse
Et me délasse
C'est mon état aquatique
Y a comme un hic
J'en ai marre de ceux qui pleurent
Qui ne roulent qu'à deux à l'heure
Qui se lamentent et qui se fixent
Sur l'idée d'une idée fixe
J'en ai marre de ceux qui râlent
Des extrémistes à deux balles
Qui voient la vie tout en noir
Qui m'expédient dans le cafard
J'en ai marre de la grande sœur
Qui gémit tout et qui pleure
Marre de la pluie, des courgettes
Qui me font vomir sous la couette
J'en ai marre de ces cyniques
Et dans les prés, les colchiques
J'en ai marre d'en avoir marre, aussi
J'en ai marre de ceux qui pleurent
Qui ne roulent qu'à deux à l'heure
Qui se lamentent et qui se fixent
Sur l'idée d'une idée fixe
J'en ai marre de ceux qui râlent
Des extrémistes à deux balles
Qui voient la vie tout en noir
Qui m'expédient dans le cafard
J'en ai marre de la grande sœur
Qui gémit tout et qui pleure
Marre de la pluie, des courgettes
Qui me font vomir sous la couette
J'en ai marre de ces cyniques
Et dans les prés, les colchiques
J'en ai marre d'en avoir marre
J'en ai marre
J'en ai marre
J'en ai marre
The lyrics of Alizée's song "J'En Ai Marre" express the feeling of being tired of negative energy and attitudes, while enjoying moments of relaxation and pleasure. The first stanza describes the joy of taking a bath and playing with bubbles, as well as the tenderness towards a pet fish. The second stanza emphasizes the laziness and carefreeness that come with being in water, as contrasted with the bothersome things in life. The chorus repeats the singer's impatience with whiners, complainers, extremists, and pessimists, and her desire to leave negativity behind.
The lyrics convey a mixed message of rejecting negativity while indulging in hedonistic pleasures, reflecting the youthfulness and rebellion of the French pop scene in the early 2000s. The fast-paced beat and catchy melody add to the upbeat tone of the song, while the playful lyrics make it easy to sing along and embrace the message of rejecting negativity.
Overall, "J'En Ai Marre" can be interpreted as a call to enjoy life and turn a blind eye to the negative energies surrounding us, while standing up against those who constantly complain and drag us down.
Line by Line Meaning
J'ai la peau douce
My skin is soft
Dans mon bain de mousse
In my bubble bath
Je m'éclabousse
I splash around
J'en ris
I laugh
Mon poisson rouge
My goldfish
Je l'emmitoufle
I wrap it up
Je lui dis
I talk to it
J'ai pas de problèmes, je fainéante
I have no problems, I'm lazy
Pas de malaises, je fainéante
No discomfort, I'm lazy
Dans l'eau je baigne, c'est l'important
Being in water is important to me
Bien à mon aise, dans l'air du temps
I'm comfortable, in tune with the times
Je brûle à l'ombre
I'm burning in the shade
Des bombes
From bombs (metaphorical)
Tout est délice
Everything is delightful
Délit docile
Docile offense
Je fais la liste
I make a list
Des choses, qui
Of things that
M'indisposent
Displease me
J'en ai marre de ceux qui pleurent
I'm fed up with those who cry
Qui ne roulent qu'à deux à l'heure
Who only move slowly
Qui se lamentent et qui se fixent
Who lament and get stuck
Sur l'idée d'une idée fixe
On the idea of a fixation
J'en ai marre des extrémistes à deux balles
I'm fed up with extremists
Qui voient la vie tout en noir
Who see life as all black
Qui m'expédient dans le cafard
Who send me into depression
J'en ai marre de la grande sœur
I'm tired of the big sister
Qui gémit tout et qui pleure
Who moans and cries all the time
Marre de la pluie, des courgettes
Tired of the rain, zucchini
Qui me font vomir sous la couette
That make me throw up under the covers
J'en ai marre de ces cyniques
I'm fed up with these cynics
Et dans les prés, les colchiques
And in the meadows, colchicums
J'en ai marre d'en avoir marre, aussi
I'm also tired of being fed up
Pas de secousses
No shocks
Sismiques
Seismic (metaphorical)
Je me prélasse
I lounge
Et me délasse
And relax
C'est mon état aquatique
It's my aquatic state
Y a comme un hic
There's a catch
J'en ai marre
I'm fed up
J'en ai marre
I'm fed up
J'en ai marre
I'm fed up
Lyrics © O/B/O APRA AMCOS
Written by: Mylene Farmer, Laurent Boutonnat
Lyrics Licensed & Provided by LyricFind
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@ludo7149
@@IluvatarEru I have soft skin
In my bubble bath
I bedabble myself
I'm cracking up about it
My goldfish fish
In my bubble bath
I'm wrapping him up
I tell him:
I don't have a problem
I'm just being lazy
have soft skin
In my bubble bath
I bedabble myself
I'm cracking up about it
My goldfish fish
In my bubble bath
I'm wrapping him up
I tell him:
I don't have a problem
I'm just being lazy
https://lyricstranslate.com/fr/j039en-ai-marre-im-fed.html
https://lyricstranslate.com/fr/j039en-ai-marre-im-fed.html
@eperdu6480
Moi aussi, j'en ai marre
de tous ces " j'en ai marre ! " !
De toutes ces myriades de mares
de " j'en ai marre ! ",
véritables cauchemars
sans amarres !
Alors, perdu pour perdu
je me marre
le petit coeur perdu,
éperdu d'un nénuphar
ou d'un têtard
en retard !..
💔
@MoiAlizeeOfficiel
(Re)découvrez la version live juste ici: http://bit.ly/2E7q74q
(Re)discover the live version right here: http://bit.ly/2E7q74q
@user-bu5gk8cm5r
mayonez
@oscarmendez8465
Belleza!!
@user-bu5gk8cm5r
navodel
@Momo1992ification
How in the world can you be that beautiful 😍
@user-bu5gk8cm5r
Aukcion ?
@aquapr901
This is good, but the live version where she wears thigh black dress will always be the main clip for me
@mopillo88
Spoken like a true men of culture
@aquapr901
@@mopillo88 I'm a girl but thank you lol
@alennsaad
lol same