2) Female fronted 80s heavy metal band from Japan. Alkaloid was formed in July 1984 in Tokyo and features female vocalist "Angel".
3) Alkaloid is the producer name of Rob Kanters. He started producing under this name since 2005 and hooked up with Unfinished Monkey Records in 2006. Blending dubstep, jungle, breakcore with ska, gypsy and many different other styles, he guarantees to set the dancefloor on fire.
4) ALKALOID CREW are DJ O-MAN(also konwn as BeYonD), JIN, and ALKALOID dancers. ALKALOID is the PSY-TRANCE project, and the concept of the project is providing dramatic and enjoyable stages for everyone. By its unique style, ALKALOID had a big influence on the clubs in Japan, and the members perform in various parts of Japan. And they also have performed at reception parties and fashion shows of top international brands like 'JET SET' to which Kate Bosworth belongs. In the beginning of 2007, they had performed at the new year party in Beijing, China, and last December, they performed as ALKALOID CREW in a 12th anniversary party of velfarre. In recent years, they had performed with various artists in Japan and international artists. and moreover ALKALOID DANCER performed with Infectedmushroom and YOJI BIOMEHANIKA. So, ALKALOID DANCERs must be the originators of trance dancers in Japan!! In 2006, O-MAN was chosen as the 16th place of the best DJ rank in the music magazine "LOUD", and last year, he got 12th place!!! O-MAN's play style is crossover of PSY-TRANCE and various genres like TECHNO and HARD HOUSE, etc, and he also took Electro Sound to his play because he thought it has a large influence on club music. As DJ BeYonD, he also plays various genres like TECHNO and HOUSE. Those tracks and dance make "ALKALOID LIVE STYLE" wonderful and those would be the new PSY-TRANCE style!! http://alkaloid.syncl.jp/
The Fungi From Yuggoth
Alkaloid Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On the outer rim of the sphere of Sol
With but dust and the odd asteroid for company
We alighted eons ago
The Old Ones were
The Old Ones are
Not in the spaces we know, but between them
They walk serene and primal
Undimensional and to us unseen
When on Earth single cells but bungled
Our spores escaped on a young star's scattering clouds
Consigned to mere remote fungal puppetry
From our frigid refuge, in perpetuity endowed
The Old Ones were
The Old Ones are
And the Old Ones shall be
Not in the spaces we know, but between them
They walk serene and primal
Undimensional and to us unseen
Nodes of fungous entanglement
Traversing the chasm
That bodes mortality among us
And our life-giving plasm
We, the agents of permanence
We, the guardians of sentience
The Old Ones were
The Old Ones are
And the Old Ones shall be
Not in the spaces we know, but between them
They walk serene and primal
Undimensional and to us unseen
But what is this now?
Flung
Like spidery crumbs
Machines have come
From the Oort Cloud
We watched the monkeys come and go
Saw the Star Spawn passing
But these these will change everything
"The Fungi From Yuggoth" explores themes of ancient beings, cosmic insignificance, and a transcendent form of existence through a surreal lens that reflects the existential musings characteristic of H.P. Lovecraft’s mythos. The song opens with a haunting depiction of a “vast sunless void,” setting the tone for a narrative that traverses time and space far beyond human comprehension. The imagery of the "outer rim of the sphere of Sol," evokes an eerie feeling of isolation within the cosmos, where "dust and the odd asteroid" reveal the insignificance of human concerns against the backdrop of eternity. The use of the term “eons” suggests a lineage of existence that is ancient and uncharted, creating a contrast between the mundane reality of life on Earth and the vast, timeless expanse of the universe.
The refrain, "The Old Ones were / The Old Ones are / And the Old Ones shall be," emphasizes a cyclical understanding of existence, where these ancient beings transcend the confines of time and perception. The phrase encapsulates an eternal nature, suggesting these entities exist beyond human understanding in ways that are “undimensional and to us unseen.” This duality between the seen and unseen plays a crucial role throughout the lyrics, elucidating how the Old Ones exist not in the familiar dimensions we occupy, but rather between them—a realm that is serene yet primal. The notion of walking in “spaces we know” as well as “between them” suggests a cosmic depth, delving into a reality that remains hidden to humanity, enhancing the mystique surrounding these Old Ones.
In the next stanza, the focus shifts to a reminder of humanity's origin, noting how the "single cells" on Earth "bungled" while spores from these ancient beings escaped on the "young star's scattering clouds." This imagery highlights the inseparable connection between life on Earth and these primordial forces, weaving a complex narrative of life’s impermanence. The phrase “mere remote fungal puppetry” might imply that the human experience is orchestrated by these enduring entities. The idea of being consigned to a “frigid refuge” denotes a sense of confinement, suggesting that while there is a link to the cosmos, humanity remains anchored in a limited existence. This philosophical contemplation positions the Old Ones as drivers of a vast, interconnected ecosystem that shapes life itself, casting a shadow of existential reflection over the human journey.
The latter part of the song introduces a sudden shift from the contemplative reverence of cosmic order to an unexpected intrusion: the arrival of "machines" from the “Oort Cloud.” This arrival serves as a metaphor for technological and human progress, which is depicted paradoxically—will it elevate understanding or disrupt the archaic order of existence? The mention of “flung like spidery crumbs” carries an unsettling image, suggesting that these machines, possibly advanced alien technology or human creations, may have profound implications for the universe and humanity's place in it. With a historical perspective that has witnessed the rise and fall of civilizations ("the monkeys come and go"), the singer acknowledges an awareness of change and evolution, underscoring a sense of foreboding as these machines threaten to alter the cosmic balance established by the Old Ones. The concluding musings evoke a tension between the ephemeral nature of sentient existence and the inexorable march of cosmic and technological advancement, questioning what it truly means to exist in such a dynamic and vast universe.
Line by Line Meaning
Here in the vast sunless void
In this immense and lightless expanse
On the outer rim of the sphere of Sol
At the farthest edge of our solar system
With but dust and the odd asteroid for company
Surrounded only by particles of matter and the occasional rocky body
We alighted eons ago
We arrived in this place millions of years in the past
The Old Ones were
The ancient beings existed long before us
The Old Ones are
These primordial entities continue to exist in the present
And the Old Ones shall be
They will endure into the future, timeless and eternal
Not in the spaces we know, but between them
They do not inhabit the physical realms we understand, but exist in the dimensional gaps
They walk serene and primal
They move with an ancient, tranquil presence
Undimensional and to us unseen
They exist beyond our three-dimensional perception and remain hidden from our view
When on Earth single cells but bungled
At a time when primitive life forms struggled for existence on Earth
Our spores escaped on a young star's scattering clouds
Our spores were propelled away into space by the debris of a developing star
Consigned to mere remote fungal puppetry
Fated to exist as distant fungal entities with limited influence
From our frigid refuge, in perpetuity endowed
From our cold sanctuary, we were granted an eternal, unchanging existence
The Old Ones were
The ancient beings existed long before us
The Old Ones are
These primordial entities continue to exist in the present
And the Old Ones shall be
They will endure into the future, timeless and eternal
Not in the spaces we know, but between them
They do not inhabit the physical realms we understand, but exist in the dimensional gaps
They walk serene and primal
They move with an ancient, tranquil presence
Undimensional and to us unseen
They exist beyond our three-dimensional perception and remain hidden from our view
Nodes of fungous entanglement
Interconnected networks of fungal life
Traversing the chasm
Crossing the vast voids of existence
That bodes mortality among us
Which signifies the fragility of our lives
And our life-giving plasm
And the essential biological essence that sustains us
We, the agents of permanence
We are the embodiments of stability in the universe
We, the guardians of sentience
We protect and uphold the consciousness and awareness of existence
The Old Ones were
The ancient beings existed long before us
The Old Ones are
These primordial entities continue to exist in the present
And the Old Ones shall be
They will endure into the future, timeless and eternal
Not in the spaces we know, but between them
They do not inhabit the physical realms we understand, but exist in the dimensional gaps
They walk serene and primal
They move with an ancient, tranquil presence
Undimensional and to us unseen
They exist beyond our three-dimensional perception and remain hidden from our view
But what is this now?
But what phenomenon presents itself at this moment?
Flung
Cast or thrown with force
Like spidery crumbs
Resembling tiny, scattered fragments like delicate spider webs
Machines have come
Artificial constructs have arrived
From the Oort Cloud
Originating from the distant region of icy bodies beyond our solar system
We watched the monkeys come and go
We observed the rise and fall of primitive human-like creatures
Saw the Star Spawn passing
Witnessed the cosmic entities emerging and disappearing
But these these will change everything
However, this new arrival will transform the entirety of existence
Lyrics © O/B/O APRA AMCOS
Written by: Christian Muenzner, Florian Magnus Maier, Hannes Grossmann
Lyrics Licensed & Provided by LyricFind
@Metalton95
(0:00) MAIN RIFF (Cthulhu hehe)
(0:22) Verse 1
(0:48) "thrash ride"
(0:54) Verse 1 continued
(1:15) Melodic interlude (gloomy)
(1:37) Verse 2
(1:58) "thrash ride" section
(2:08) Verse 2 continued
(2:30) Prog clean break
(2:46) Bridge
(3:04) Heavy Bridge
(3:26) GUITAR SOLO OF THE ALBUM (harmonies, sick shred, cool prog breaks, "a little something for everyone")
(4:33) Hannes Grossmann goes wild on the drums
(5:04) Verse 3
(5:26) Heavy Outro (tremolo chaos)
@azathoth9206
Lyrics:
Here in the vast sunless void
On the outer rim of the sphere of Sol
With but dust and the odd asteroid for company
We alighted eons ago
“The Old Ones were
The Old Ones are
And the Old Ones shall be
Not in the spaces we know, but between them
They walk serene and primal
Undimensional and to us unseen”
(- HPL)
When on Earth single cells but bungled
Our spores escaped on a young star’s scattering clouds
Consigned to mere remote fungal puppetry
From our frigid refuge, in perpetuity endowed
Nodes of fungous entanglement
Traversing the chasm
That bodes mortality among us
And our life-giving plasm
We, the agents of permanence
We, the guardians of sentience
Solo - Christian
Solo - Hannes
But what is this now…?
Flung
Like spidery crumbs
Machines have come
From the Oort Cloud
We watched the monkeys come and go
Saw the Star Spawn passing
But these… these will change everything
@PenguinDT
When this album dropped, earlier in the year, this song threw a spanner into my brain and made me restructure how I see all of Alkaloid. And it is thanks to the closing words:
"Like spidery crumbs, machines have come from the Oort Cloud. We watched the monkeys come and go. Saw the Star Spawn passing. But these… these will change everything."
Takeaways that dropped my jaw to the floor when I first listened to the album.
1. I always thought Dyson saga and the Cthulhu Mythos songs were separate stories. Nope, it is all one connected Alkaloid universe. In case you haven't had the chance to listen to the whole Dyson saga, it starts by the building robots swarming the Oort Cloud.
2. I had assumed that the machines (and the First Sphere) were of humanity. They apparently are not, because by the time the Star Spawn reach Pluto, humanity has been extinct for aeons - and here it says the robots come after *. So the timeline I had envisioned was off by (likely) tens of millions of years. Whoops.
(* I guess they technically could be of humanity still, some autonomous self-replicating robots set loose before humanity croaked half-way through Rise of the Cephalopods, only now reaching / coming up with their goal).
In other words, this band is a rabbit hole that just got deeper and I love it!
@-Ruben
Letra 😁:
Here in the vast sunless void
On the outer rim of the sphere of Sol
With but dust and the odd asteroid for company
We alighted eons ago
“The Old Ones were
The Old Ones are
And the Old Ones shall be
Not in the spaces we know, but between them
They walk serene and primal
Undimensional and to us unseen”
(- HPL)
When on Earth single cells but bungled
Our spores escaped on a young star’s scattering clouds
Consigned to mere remote fungal puppetry
From our frigid refuge, in perpetuity endowed
Nodes of fungous entanglement
Traversing the chasm
That bodes mortality among us
And our life-giving plasm
We, the agents of permanence
We, the guardians of sentience
Solo - Christian
Solo - Hannes
But what is this now…?
Flung
Like spidery crumbs
Machines have come
From the Oort Cloud
We watched the monkeys come and go
Saw the Star Spawn passing
But these… these will change everything
@Metalton95
(0:00) MAIN RIFF (Cthulhu hehe)
(0:22) Verse 1
(0:48) "thrash ride"
(0:54) Verse 1 continued
(1:15) Melodic interlude (gloomy)
(1:37) Verse 2
(1:58) "thrash ride" section
(2:08) Verse 2 continued
(2:30) Prog clean break
(2:46) Bridge
(3:04) Heavy Bridge
(3:26) GUITAR SOLO OF THE ALBUM (harmonies, sick shred, cool prog breaks, "a little something for everyone")
(4:33) Hannes Grossmann goes wild on the drums
(5:04) Verse 3
(5:26) Heavy Outro (tremolo chaos)
@azathoth9206
Lyrics:
Here in the vast sunless void
On the outer rim of the sphere of Sol
With but dust and the odd asteroid for company
We alighted eons ago
“The Old Ones were
The Old Ones are
And the Old Ones shall be
Not in the spaces we know, but between them
They walk serene and primal
Undimensional and to us unseen”
(- HPL)
When on Earth single cells but bungled
Our spores escaped on a young star’s scattering clouds
Consigned to mere remote fungal puppetry
From our frigid refuge, in perpetuity endowed
Nodes of fungous entanglement
Traversing the chasm
That bodes mortality among us
And our life-giving plasm
We, the agents of permanence
We, the guardians of sentience
Solo - Christian
Solo - Hannes
But what is this now…?
Flung
Like spidery crumbs
Machines have come
From the Oort Cloud
We watched the monkeys come and go
Saw the Star Spawn passing
But these… these will change everything
@PenguinDT
When this album dropped, earlier in the year, this song threw a spanner into my brain and made me restructure how I see all of Alkaloid. And it is thanks to the closing words:
"Like spidery crumbs, machines have come from the Oort Cloud. We watched the monkeys come and go. Saw the Star Spawn passing. But these… these will change everything."
Takeaways that dropped my jaw to the floor when I first listened to the album.
1. I always thought Dyson saga and the Cthulhu Mythos songs were separate stories. Nope, it is all one connected Alkaloid universe. In case you haven't had the chance to listen to the whole Dyson saga, it starts by the building robots swarming the Oort Cloud.
2. I had assumed that the machines (and the First Sphere) were of humanity. They apparently are not, because by the time the Star Spawn reach Pluto, humanity has been extinct for aeons - and here it says the robots come after *. So the timeline I had envisioned was off by (likely) tens of millions of years. Whoops.
(* I guess they technically could be of humanity still, some autonomous self-replicating robots set loose before humanity croaked half-way through Rise of the Cephalopods, only now reaching / coming up with their goal).
In other words, this band is a rabbit hole that just got deeper and I love it!
@sushio4247
I had the same feeling. Now I think Liquid Anatomy is really a metaphor about how Dyson Sphere can modify itself just like Shoggoths can
@javiereduardomosca5954
3:25 it reminds me summoning redemption so much
@jamespeterson1630
I can't even lie I like this song more than Summoning Redemption tbh haha
@alexandervonprellwitz1735
God I love how there's bits and themes from either their previous albums or references to other bands thrown in the cauldron and how everything is still a coherent Alkaloid song. I simply love their music.
@chrisgsauce
That intro riff crushes so hard!
@azathoth9206
Sick solo!
@cancan460
That arpeggio at 3:39 onward vaguely reminds me of the pre-solo from Hannes Grossmann's Hail Satan. Similar structure to that song's solo section in general