Folk Metal band from Naberezhnye Chelny, Tatarstan, Russia.
Alkonost is … Read Full Bio ↴Folk Metal band from Naberezhnye Chelny, Tatarstan, Russia.
Alkonost is the goddess of the land of the dead. She is pictured as a half-woman/half-bird.
Line-up:
Andrey "Elk" Losev - Lead guitar,
Rustem Shagitov - Bass,
Ksenia Pobuzhanskaya - Vocals.
http://alkonost.ru
alkonostrussia.bandcamp.com
https://vk.com/alkonost_folk_metal_band
https://www.facebook.com/alkonostband/
Official YouTube-canal: https://www.youtube.com/user/AntAlkonost
Discography:
Shadows Of Glory - Demo, 1997
Shadows Of Timeless - Demo, 1997
Songs Of The Eternal Oak - Full-length, 2000
Spirit Tending To Revolt - Demo, 2001
Memoris - Best of/Compilation, 2001
Неведомые земли - Demo, 2001
Alkonost - Best of/Compilation, 2002
Between The Worlds - Full-length, 2004
The Path We've Never Made - Full-length, 2006
Stone Heart Blood - Full-length, 2007
Pesni Vechnogo Dreva - Full-length, 2007
On The Wings Of The Call - Full-length, 2010
Tales of wanderings - Full-length, 2013
Pesni Beloy Lilii - Full-length, 2016
The history of Alkonost dates back to the late 1995, when bassist Elk (who was a member of such metal bands such as Molestation, Canonis etc.) decided to start his own metal project. He conceived an idea of music which would be based on European medieval music and Russian folk melodies. These ideas appeared after Elk became acquainted with Belorussian musicians, the future members of metal band Gods Tower. They showed him different recordings of European folk and pagan music as well as their own demos and he found himself deeply impressed.
Within some time, Elk experimented on the original sound of the proposed band and selected the musicians for it. The young Alex Nightbird was one of his apprentices, who learned to play bass from Elk. In fact, he couldn’t but come under Elk’s influence and was inspired by the magic sounds of various folk music records he had heard from the teacher. So, a year later all these efforts resulted in formation of the band named Alkonost.
The 1996 line-up included three musicians: Elk – guitars, Alex Nightbird – bass, Kooker – guitars. This line-up lasted until the August 1997 and recorded the Shadows Of Timeless rehearsal tape as well as the Shadows Of Glory demo. Kooker (the author of one of the best songs of early period Shadows Of Dark Days) left the band. As the line-up wasn’t at full strength, the subsequent performances by the band were backed by electronic drums and a session vocalist borrowed from a local band. Elk and Nightbird were not satisfied with such situation, so they decided to give up the gigs for some time in order to concentrate upon work in studio.
In 1998–2000 Alkonost recorded the album Songs Of The Eternal Oak. The guys spent much time searching for worthy and appropriate male vocalist for the band, but failed. No one could sing and scream, as it was required. Finally, Alex Nightbird contributed the vocals himself. It was his first experience as a singer. At the same time, drummer Vladimir Lushin (VL) entered the band and Alkonost got back to live performances. In December 1998, Alkonost took part in metal fest The End Of Days-2. This gig became significant for the band and made a good start for further live acts. In February 1999 a keyboardist, in the form of the nice girl Almira, was invited to play in Alkonost. In March 1999, Alkonost won The Audience Choice Prize at the Rock Land-2 regional festival, and in September 1999, were voted the most popular group in the Naberezhnye Chelny city.
The year 2000 was no less successful for the band. The full-length album Songs Of The Eternal Oak presentation took place in January and in May. Two foreign labels released Songs Of The Eternal Oak at once – Latvian label Beverina Productions and German label Ketzer Records. Inspired by these events Alkonost went on with the live performances, although the stage technical equipment as a rule was far from ideal. In November, the video “Years Of Prophecy” was released and in December the band went to the studio for the Spirit Tending To Revolt demo recording. For this demo, Elk wanted to use the female choir. Therefore, the musicians began to look for the singers and finally discovered four girls. To the great surprise of Elk and Nightbird one of them sang with an astoundingly sweet and charming voice! The girl’s name was Alyona. Amazed by her singing Elk and Nightbird decided to invite Alyona into the band and began working with female vocals. This decidedly changed sound and style decisively altered the direction of Alkonost. Nightbird’s roaring was fusing with Alyona’s enchanting voice. The addition of English lyrics to Russian lyrics let Nightbird display the true depths of his poetic gifts.
In February 2001, VL left the band and the drummer vacancy was filled by Anton from Flaming Hate. During 2001, Alkonost were going on with live performances participating in a variety of festivals, completed the recording of Spirit Tending To Revolt and started work on the Unknown Lands demo – their first demo in Russian. Additionally, their second Alkonost video “My Last Day” was filmed.
In July 2002, the self-titled Alkonost CD was released on Beverina/Ketzer. It included the Songs Of The Eternal Oak album, Spirit Tending To Revolt demo, and 2 videos. The CD was well reviewed in the West, with the German RockHard magazine giving it 7.5 points out of 10.
Alkonost did not stop for that time and continued to combine the live performances with studio sessions. In September 2002, they began to work on the new full-length album, the album in which female vocals dominated and an quite uneasy destiny would surface. Recorded both in English and in Russian versions, Between The Worlds contributed one more new page in Alkonost history. Moreover, it played a fatal role in the future troubles of the band.
Nevertheless, at that time the musicians were full of optimism and hopes for future, they met the 2003. This year also passed in atmosphere of local gigs and festivals. The band came to decision to make their sound heavier and that is why they invited a second guitar player. In September 2003, Dmitry Sokolov (ex-member of Flaming Hate as Anton) officially entered the band. At the end of 2003, the band signed on with Soyuz label (Russia) for the re-release of the 2002 Alkonost CD.
In 2004, Alkonost continued the extensive touring, performed in Folk Metal Fest-2 (St. Petersburg) and extended the record deal with Soyuz. In December 2004 Soyuz label released the CDs Alkonost, the English version of Between The Worlds and the Russian version titles Mezhmirie (with a little changed vocals) was scheduled. The presentation of Between The Worlds successfully took place in Moscow in December 2004 and in St. Petersburg in February 2005.
During the 2005, the band went on tour, participating in a variety of gigs in numerous cities and was awarded as the best band of Naberezhnye Chelny for the second time.
However, the most expected release of Mezhmirie (which was recorded even earlier than Between The Worlds) did not take place at Soyuz. Because of this stagnation a radical changes came over the band that led to the break up between the Alkonost and their manager.
In August 2005, Alkonost went to studio for the recording of the next full-length album named The Path We’ve Never Made. The album was mastered in the famous Moscow studio CDM Records. Finally Mezhmirie and The Path We’ve Never Made were released by Metalism Records in spring 2006. In April 2006, Alkonost started a massive Russian tour in support of The Path We’ve Never Made. The album’s appeal lies in the return of active male’s screaming to the music, though Alyona’s fascinating voice still plays a significant role. The Path We’ve Never Made became kind of a turning point, in which the great success of the tour put the band up to the next level. Each performance of Alkonost is remembered by audience as an emotionally saturated live act largely due to the duet of Alyona (vocals) and Alex Nightbird (bass, vocals). The album was excellently reviewed by the Russian mass media and was warmly accepted by the fan. Alkonost received many invitations for performances from a number of cites all over the Russia. The band had revived! After the tour had finished the band returned to active rehearsals and composing new music. At the same time, Alkonost got back to studio for the re-recording of Songs Of The Eternal Oak (2000) in Russian.
Meanwhile CD The Path We’ve Never Made continued to get good reviews and finally it took the 1st place in one of the most significant Russian metal-charts – Top Metal Album-100, voting held by Dark City magazine. The Path We’ve Never Made was also noticed by western reviewers who had agreed that the release was outstanding.
In October 2006, work on the “Waiting” video, a long time in the making, was completed.
The celebration of Alkonost's 10th anniversary took place in the best concert hall of their native city. Besides the famous and beloved hits, the band played their new compositions.
Especially for this anniversary, the remastered version of Songs Of The Eternal Oak was prepared. The instrumental parts were not changed in order to keep the spirit and the unique atmosphere of early Alkonost. The vocals were completely re-recoreded by Alex and Alyona and one of the compositions, which was previously unreleased, included guest vocals by the frontmen of Svarga and Rarog. The restoration and mastering were done at CDM Records. The studio sessions were supervised by Sergei “Lazar” Atrashkevich (Rossomahaar, Arkona). In addition to the original Songs Of The Eternal Oak material, the CD contains a bonus track – the fully remastered Russian version of the famous hit “My Last Day”.
In February, Alkonost went on its second big tour, in 14 days they had 11 gigs in towns of the Ukraine, Moscow and St. Petersburg. Vacations after the tour were short, because the musicians went to studio to complete the recording of the second disk of the year Stone Heart Blood, which included re-recorded and re-arranged compositions, created in 1995–1997, when the body existed as a studio project, and also completely new compositions, which hadn’t entered the album The Path We’ve Never Made. Eight vocalists took part in recording of this album for making symphonic and epic sound. In that way all the development of Alkonost during 11 years, beginning from its first songs, was documented.
In June 2007 the band went on a small tour again, taking part in a concert in Sevastopol as a co-headliner of a concert with Master (Rus), and also played in Minsk as the headliner in folk-metal festival alongside the Byelorussian band Znich.
In the autumn 2007, the song “Darkness” (The Path We’ve Never Made) of Alkonost was inscribed in the compilation CD Metal Message Vol. IV, released by musical web portal www.metalmessage.de in Germany.
The first tour abroad happened in October 2007. Alkonost visited East Europe for the first time, appeared in five towns of Czech Republic and Slovakia. Having turned back on the native earth, Alkonost was met by the new release of CD Stone Heart Blood. In honor of this event a concert was organized in the native town with Arkona’s participation. The release of Stone Heart Blood and the headlining appearance at this 2-day rock-festival in Archangelsk (2007) ended the 11-year period of group-history.
Winter and spring 2008 are characterized for their sparse concerts, but one acoustic concert was a success. Alyona accompanied by two acoustic guitars for the first time sang Songs from the band. There were performed such hits like “Nivushka-Niva”, “Waiting”, and “Mother-Anguish” (which was the greatest success for people in the bar).
This body went on a new tour in April, had concerts in Moscow and St. Petersburg with the famous Swedish Vikings Månegarm, along with colleagues from Arkona, Nomans Land, Kalevala. There were also performances in Ufa, Kazan, Saratov, Uljanovsk. All the concerts were timed to the debut release of DVD Alkonost In Front Of The Arkona Walls. It was shot in October 2005 during the Moscow concert in the club “Relax”. But the sound was mixed in the Moscow Sound record Studio. The DVD includes the best compositions of the body from the albums Mezhmirie and The Path We’ve Never Made, and you can see the lively stage activity of the band and traditional synchronous head-banging “helicopters”, which became the visiting card of the band, alongside the antics of their frontman.
Coming back from the tours the band was asked to take part in the CD compilation of the Europe pagan folk metal groups as a Russian representative. The band provided two new compositions, which opened the “new history” of Alkonost.
In the summer 2008, the band enjoyed its first holidays after 12 years of hard work. The members devoted themselves to their private lives. During the holidays, the composers of the band have written 10 new songs. This is the time for a new album.
(c) 2009, Metalism Records
https://www.facebook.com/Metalism.Records
Alkonost is … Read Full Bio ↴Folk Metal band from Naberezhnye Chelny, Tatarstan, Russia.
Alkonost is the goddess of the land of the dead. She is pictured as a half-woman/half-bird.
Line-up:
Andrey "Elk" Losev - Lead guitar,
Rustem Shagitov - Bass,
Ksenia Pobuzhanskaya - Vocals.
http://alkonost.ru
alkonostrussia.bandcamp.com
https://vk.com/alkonost_folk_metal_band
https://www.facebook.com/alkonostband/
Official YouTube-canal: https://www.youtube.com/user/AntAlkonost
Discography:
Shadows Of Glory - Demo, 1997
Shadows Of Timeless - Demo, 1997
Songs Of The Eternal Oak - Full-length, 2000
Spirit Tending To Revolt - Demo, 2001
Memoris - Best of/Compilation, 2001
Неведомые земли - Demo, 2001
Alkonost - Best of/Compilation, 2002
Between The Worlds - Full-length, 2004
The Path We've Never Made - Full-length, 2006
Stone Heart Blood - Full-length, 2007
Pesni Vechnogo Dreva - Full-length, 2007
On The Wings Of The Call - Full-length, 2010
Tales of wanderings - Full-length, 2013
Pesni Beloy Lilii - Full-length, 2016
The history of Alkonost dates back to the late 1995, when bassist Elk (who was a member of such metal bands such as Molestation, Canonis etc.) decided to start his own metal project. He conceived an idea of music which would be based on European medieval music and Russian folk melodies. These ideas appeared after Elk became acquainted with Belorussian musicians, the future members of metal band Gods Tower. They showed him different recordings of European folk and pagan music as well as their own demos and he found himself deeply impressed.
Within some time, Elk experimented on the original sound of the proposed band and selected the musicians for it. The young Alex Nightbird was one of his apprentices, who learned to play bass from Elk. In fact, he couldn’t but come under Elk’s influence and was inspired by the magic sounds of various folk music records he had heard from the teacher. So, a year later all these efforts resulted in formation of the band named Alkonost.
The 1996 line-up included three musicians: Elk – guitars, Alex Nightbird – bass, Kooker – guitars. This line-up lasted until the August 1997 and recorded the Shadows Of Timeless rehearsal tape as well as the Shadows Of Glory demo. Kooker (the author of one of the best songs of early period Shadows Of Dark Days) left the band. As the line-up wasn’t at full strength, the subsequent performances by the band were backed by electronic drums and a session vocalist borrowed from a local band. Elk and Nightbird were not satisfied with such situation, so they decided to give up the gigs for some time in order to concentrate upon work in studio.
In 1998–2000 Alkonost recorded the album Songs Of The Eternal Oak. The guys spent much time searching for worthy and appropriate male vocalist for the band, but failed. No one could sing and scream, as it was required. Finally, Alex Nightbird contributed the vocals himself. It was his first experience as a singer. At the same time, drummer Vladimir Lushin (VL) entered the band and Alkonost got back to live performances. In December 1998, Alkonost took part in metal fest The End Of Days-2. This gig became significant for the band and made a good start for further live acts. In February 1999 a keyboardist, in the form of the nice girl Almira, was invited to play in Alkonost. In March 1999, Alkonost won The Audience Choice Prize at the Rock Land-2 regional festival, and in September 1999, were voted the most popular group in the Naberezhnye Chelny city.
The year 2000 was no less successful for the band. The full-length album Songs Of The Eternal Oak presentation took place in January and in May. Two foreign labels released Songs Of The Eternal Oak at once – Latvian label Beverina Productions and German label Ketzer Records. Inspired by these events Alkonost went on with the live performances, although the stage technical equipment as a rule was far from ideal. In November, the video “Years Of Prophecy” was released and in December the band went to the studio for the Spirit Tending To Revolt demo recording. For this demo, Elk wanted to use the female choir. Therefore, the musicians began to look for the singers and finally discovered four girls. To the great surprise of Elk and Nightbird one of them sang with an astoundingly sweet and charming voice! The girl’s name was Alyona. Amazed by her singing Elk and Nightbird decided to invite Alyona into the band and began working with female vocals. This decidedly changed sound and style decisively altered the direction of Alkonost. Nightbird’s roaring was fusing with Alyona’s enchanting voice. The addition of English lyrics to Russian lyrics let Nightbird display the true depths of his poetic gifts.
In February 2001, VL left the band and the drummer vacancy was filled by Anton from Flaming Hate. During 2001, Alkonost were going on with live performances participating in a variety of festivals, completed the recording of Spirit Tending To Revolt and started work on the Unknown Lands demo – their first demo in Russian. Additionally, their second Alkonost video “My Last Day” was filmed.
In July 2002, the self-titled Alkonost CD was released on Beverina/Ketzer. It included the Songs Of The Eternal Oak album, Spirit Tending To Revolt demo, and 2 videos. The CD was well reviewed in the West, with the German RockHard magazine giving it 7.5 points out of 10.
Alkonost did not stop for that time and continued to combine the live performances with studio sessions. In September 2002, they began to work on the new full-length album, the album in which female vocals dominated and an quite uneasy destiny would surface. Recorded both in English and in Russian versions, Between The Worlds contributed one more new page in Alkonost history. Moreover, it played a fatal role in the future troubles of the band.
Nevertheless, at that time the musicians were full of optimism and hopes for future, they met the 2003. This year also passed in atmosphere of local gigs and festivals. The band came to decision to make their sound heavier and that is why they invited a second guitar player. In September 2003, Dmitry Sokolov (ex-member of Flaming Hate as Anton) officially entered the band. At the end of 2003, the band signed on with Soyuz label (Russia) for the re-release of the 2002 Alkonost CD.
In 2004, Alkonost continued the extensive touring, performed in Folk Metal Fest-2 (St. Petersburg) and extended the record deal with Soyuz. In December 2004 Soyuz label released the CDs Alkonost, the English version of Between The Worlds and the Russian version titles Mezhmirie (with a little changed vocals) was scheduled. The presentation of Between The Worlds successfully took place in Moscow in December 2004 and in St. Petersburg in February 2005.
During the 2005, the band went on tour, participating in a variety of gigs in numerous cities and was awarded as the best band of Naberezhnye Chelny for the second time.
However, the most expected release of Mezhmirie (which was recorded even earlier than Between The Worlds) did not take place at Soyuz. Because of this stagnation a radical changes came over the band that led to the break up between the Alkonost and their manager.
In August 2005, Alkonost went to studio for the recording of the next full-length album named The Path We’ve Never Made. The album was mastered in the famous Moscow studio CDM Records. Finally Mezhmirie and The Path We’ve Never Made were released by Metalism Records in spring 2006. In April 2006, Alkonost started a massive Russian tour in support of The Path We’ve Never Made. The album’s appeal lies in the return of active male’s screaming to the music, though Alyona’s fascinating voice still plays a significant role. The Path We’ve Never Made became kind of a turning point, in which the great success of the tour put the band up to the next level. Each performance of Alkonost is remembered by audience as an emotionally saturated live act largely due to the duet of Alyona (vocals) and Alex Nightbird (bass, vocals). The album was excellently reviewed by the Russian mass media and was warmly accepted by the fan. Alkonost received many invitations for performances from a number of cites all over the Russia. The band had revived! After the tour had finished the band returned to active rehearsals and composing new music. At the same time, Alkonost got back to studio for the re-recording of Songs Of The Eternal Oak (2000) in Russian.
Meanwhile CD The Path We’ve Never Made continued to get good reviews and finally it took the 1st place in one of the most significant Russian metal-charts – Top Metal Album-100, voting held by Dark City magazine. The Path We’ve Never Made was also noticed by western reviewers who had agreed that the release was outstanding.
In October 2006, work on the “Waiting” video, a long time in the making, was completed.
The celebration of Alkonost's 10th anniversary took place in the best concert hall of their native city. Besides the famous and beloved hits, the band played their new compositions.
Especially for this anniversary, the remastered version of Songs Of The Eternal Oak was prepared. The instrumental parts were not changed in order to keep the spirit and the unique atmosphere of early Alkonost. The vocals were completely re-recoreded by Alex and Alyona and one of the compositions, which was previously unreleased, included guest vocals by the frontmen of Svarga and Rarog. The restoration and mastering were done at CDM Records. The studio sessions were supervised by Sergei “Lazar” Atrashkevich (Rossomahaar, Arkona). In addition to the original Songs Of The Eternal Oak material, the CD contains a bonus track – the fully remastered Russian version of the famous hit “My Last Day”.
In February, Alkonost went on its second big tour, in 14 days they had 11 gigs in towns of the Ukraine, Moscow and St. Petersburg. Vacations after the tour were short, because the musicians went to studio to complete the recording of the second disk of the year Stone Heart Blood, which included re-recorded and re-arranged compositions, created in 1995–1997, when the body existed as a studio project, and also completely new compositions, which hadn’t entered the album The Path We’ve Never Made. Eight vocalists took part in recording of this album for making symphonic and epic sound. In that way all the development of Alkonost during 11 years, beginning from its first songs, was documented.
In June 2007 the band went on a small tour again, taking part in a concert in Sevastopol as a co-headliner of a concert with Master (Rus), and also played in Minsk as the headliner in folk-metal festival alongside the Byelorussian band Znich.
In the autumn 2007, the song “Darkness” (The Path We’ve Never Made) of Alkonost was inscribed in the compilation CD Metal Message Vol. IV, released by musical web portal www.metalmessage.de in Germany.
The first tour abroad happened in October 2007. Alkonost visited East Europe for the first time, appeared in five towns of Czech Republic and Slovakia. Having turned back on the native earth, Alkonost was met by the new release of CD Stone Heart Blood. In honor of this event a concert was organized in the native town with Arkona’s participation. The release of Stone Heart Blood and the headlining appearance at this 2-day rock-festival in Archangelsk (2007) ended the 11-year period of group-history.
Winter and spring 2008 are characterized for their sparse concerts, but one acoustic concert was a success. Alyona accompanied by two acoustic guitars for the first time sang Songs from the band. There were performed such hits like “Nivushka-Niva”, “Waiting”, and “Mother-Anguish” (which was the greatest success for people in the bar).
This body went on a new tour in April, had concerts in Moscow and St. Petersburg with the famous Swedish Vikings Månegarm, along with colleagues from Arkona, Nomans Land, Kalevala. There were also performances in Ufa, Kazan, Saratov, Uljanovsk. All the concerts were timed to the debut release of DVD Alkonost In Front Of The Arkona Walls. It was shot in October 2005 during the Moscow concert in the club “Relax”. But the sound was mixed in the Moscow Sound record Studio. The DVD includes the best compositions of the body from the albums Mezhmirie and The Path We’ve Never Made, and you can see the lively stage activity of the band and traditional synchronous head-banging “helicopters”, which became the visiting card of the band, alongside the antics of their frontman.
Coming back from the tours the band was asked to take part in the CD compilation of the Europe pagan folk metal groups as a Russian representative. The band provided two new compositions, which opened the “new history” of Alkonost.
In the summer 2008, the band enjoyed its first holidays after 12 years of hard work. The members devoted themselves to their private lives. During the holidays, the composers of the band have written 10 new songs. This is the time for a new album.
(c) 2009, Metalism Records
https://www.facebook.com/Metalism.Records
The Abyss
Alkonost Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My sight is dimmed
Tears are still alive
No one will
Mourn my soul
Heart will rouse a song
Pain of hope will burn
Like a wounded bird
With the broken wing
Can't find me home
In my native land
Have no kin
Among live men
Brothers fall in fight,
Underground they lie
Gloomy life of mine
Leave me now with cry
Like the abyss
My life became to me
Oh, don't flow
Like scalding water
Words my into tears-
Sorrow is unspoken
Path is lying across ashes
Show me way, wind
Somewhere in legends
In the heavens leas
I will live forever
With my new hope
Like the abyss
My life became to me
Oh, don't flow
Like scalding water
Words my into tears-
Sorrow is unspoken
Oh, don't flow
Like scalding water
Words my into tears-
Sorrow is unspoken
Tears are still alive
No one will
Mourn my soul
Heart will rouse a song
Pain of hope will burn
Like a wounded bird
Can't find me home
In my native land
Have no kin
Among live men
Brothers fall in fight,
Underground they lie
Gloomy life of mine
Leave me now with cry
Like the abyss
My life became to me
Oh, don't flow
Like scalding water
Words my into tears-
Sorrow is unspoken
Path is lying across ashes
Show me way, wind
Somewhere in legends
In the heavens leas
I will live forever
With my new hope
Like the abyss
My life became to me
Oh, don't flow
Like scalding water
Words my into tears-
Sorrow is unspoken
Oh, don't flow
Like scalding water
Words my into tears-
Sorrow is unspoken
The Abyss by Alkonost is a song about loss, pain, and the search for hope. The singer's sight is dimmed, and tears are still alive, suggesting the overwhelming sorrow that they feel. They believe that no one will mourn their soul, making them feel utterly alone. Even though their heart will rouse a song, the pain of hope will burn them, like a wounded bird with a broken wing.
They cannot find a home in their native land and have no kin among live men. The brothers they had have fallen in a fight, and now they lie underground. The gloomy life of the singer leaves them crying. Their life has become like the abyss, empty and bottomless. The singer wants their sorrow to be unspoken, and the words flow into tears like scalding water. They ask the wind to show them a path lying across ashes, hoping for a new hope in some legends of the heavens.
Overall, the song feels like a lament. The singer is grieving their losses and feeling isolated from the world. The pain they feel is overwhelming, and they are searching for a way to ease it. The lyrics are powerful, emotive, and full of painful imagery.
Line by Line Meaning
My sight is dimmed
My eyesight is clouded with sadness and despair
Tears are still alive
I still have tears left to shed for my pain and suffering
No one will
No one will come to my rescue or offer comfort
Mourn my soul
No one will grieve for the loss of my soul or care for me after I'm gone
Heart will rouse a song
Despite my pain and misery, my heart will still find a way to sing a song
Pain of hope will burn
The pain of hoping for a better life will hurt me deeply
Like a wounded bird
I feel vulnerable and helpless like a bird with a broken wing
With the broken wing
I am unable to fly or soar towards my dreams and goals
Can't find me home
I feel lost and disconnected from my true home and sense of belonging
In my native land
Even in the land of my birth, I feel like a stranger and an outcast
Have no kin
I have no family or close connections with other people
Among live men
Even though I am alive, I don't feel like I belong among the living or the thriving
Brothers fall in fight,
My brothers and fellow soldiers have died in battle or conflict
Underground they lie
Their bodies are buried in the ground and they are now gone forever
Gloomy life of mine
My life is full of gloom, darkness, and pain
Leave me now with cry
I am left alone, in tears, and with a broken heart
Like the abyss
My life has turned into a dark, bottomless pit of misery and suffering
Oh, don't flow
Oh please, don't make me cry
Like scalding water
My tears are hot and painful, like boiling water
Words my into tears-
I cannot express my sorrow in words, it only comes out as tears
Sorrow is unspoken
My deep sadness and pain is so intense that it cannot be put into words
Path is lying across ashes
The path towards my future and goals is blocked by destruction and ruin
Show me way, wind
I pray to the wind to guide me towards a better future and to show me the way
Somewhere in legends
Perhaps in a mythical tale or story, I will find a glimmer of hope and a new life
In the heavens leas
In the wide, endless skies, I will find peace and a sense of home
I will live forever
I will find eternal life and peace, even if only in my dreams and fantasies
With my new hope
I will have a renewed sense of hope and purpose, even if it's just a faint glimmer on the horizon
Contributed by Miles Y. Suggest a correction in the comments below.
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666Hella999
Good song!