There are two bands called Aloha

1) American indie rock band curren… Read Full Bio ↴There are two bands called Aloha

1) American indie rock band currently signed to Polyvinyl Record Company. The four members of Aloha are scattered across the eastern half of the country, but spend most of their time making music together. Some Echoes is the second Aloha album since T.J. Lipple joined the band, and was recorded, mixed and mastered at Silver Sonya, the studio he runs with Chad Clark (Beauty Pill) in Arlington, Va.

Tony Cavallario and T.J. began playing together during a lull in Aloha's schedule in late 2002, when they both lived in Pittsburgh. T.J. joined the band in May of 2003, when Cale Parks, Tony and Matthew Gengler joined him at his grandpa's empty house in Altoona, PA. There they began writing 2004's Here Comes Everyone though at the time they didn't know it. With T.J. came a more focused approach to making music and a host of new tools including marimba, homemade mellotrons, organs and tape manipulations. T.J.'s skilled drumming also allowed Cale to move to the piano on occasion.

Aloha began with Tony and Matthew in the summer of 1997 in Bowling Green, OH, USA along with Eric Koltnow and Anthony Buehrer. Their first release, a self-titled and self-released 7" in an addition of 330 was delayed and issued sporadically when the artist hired to due the intaglio accompanying the record couldn't produce them to speed. One of the few bands to ever actually get a record deal based on a demo tape, the band spent time based out of Cleveland. In recent years, Aloha has operated from a number of bases, doing their writing, rehearsing and living in Chicago, Washington D.C., Cleveland, Cincinnati, Rochester, Pittsburgh and Altoona. Extensive touring has made Aloha renowned for their intense, non-stop live shows as well as their homemade T-shirts and self-reliant ethic. They have shared the stage the likes of Q and Not U, Ted Leo, Clinic, as well as Cex and Joan of Arc, two bands in which Cale Parks has been a member (including White Williams).

2) Female fronted heavy metal band from the 80's

Searchlight
Aloha Lyrics

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come out come on like a light
from the cover of night
come out wherever you've gone to
I won't let anyone hurt you
breaking up with angels
it's offensive, I can find you
scurry in a leaf pile
search party protocol: no fake smiles

we want what everyone wants
good days and sunshine
hey love hey love
pray for the searchlight, beg for shadows

everybody slides, it's not a crime
locked in your apartment
that's an awful place to hide
we're not beads upon a string
take one off it's still a perfect thing
this binary business, see your shadow
hopeful or harrowing?

I want want everyone wants
good days and sunshine
hey love hey love
pray for the searchlight, beg for shadows

black cloud you waiting around
too late to be found
black cloud you waited

now it's too late to be found
pray for the searchlight hope I come around

Overall Meaning

The song "Searchlight" by Aloha is a beautifully crafted piece of poetry that explores themes of loss, hope, and perseverance. The opening lines of the song, "Come out come on like a light, from the cover of night," suggest a feeling of isolation and darkness that the singer is attempting to overcome. The lyrics go on to express a deep sense of protection and security, with the singer promising to keep the subject safe despite any challenges that may arise.

The chorus of the song emphasizes the importance of hope and the power of positive thinking, with the lyrics "pray for the searchlight, beg for shadows" suggesting that both light and darkness have a role to play in our lives. The song also touches on the theme of individuality, with the lines "we're not beads upon a string, take one off it's still a perfect thing" highlighting the beauty of diversity and the unique strengths that each person can bring to the table.

Overall, "Searchlight" is a song about overcoming adversity, staying true to oneself, and finding hope in even the darkest of times. Through its powerful lyrics and introspective themes, the song offers a message of resilience and perseverance that can inspire listeners to keep moving forward in the face of any obstacles they may encounter.

Line by Line Meaning

come out come on like a light
The singer is urging someone to reveal themselves suddenly and swiftly, in the same way that a light bulb illuminates a dark room.

from the cover of night
The person the singer is addressing has been hiding in the darkness, and the singer wants them to come into the light and be transparent.

come out wherever you've gone to
The singer is expressing concern over the whereabouts of the person they are addressing, and encouraging them to show themselves no matter where they have gone.

I won't let anyone hurt you
The artist is offering protection to the person they are addressing and is reassuring them that they will not allow them to be harmed.

breaking up with angels
The artist feels offended and disconnected from the concept of angels, implying that they do not believe in their existence or that they do not believe they can help them.

it's offensive, I can find you
The singer takes offense to the idea that someone would rely on angels for help and proclaims that they are capable of finding the person on their own without divine intervention.

scurry in a leaf pile
The singer uses the metaphor of a person (the person they are addressing) scurrying around in a pile of leaves like an animal, implying that they are hiding in a manner that is juvenile or desperate.

search party protocol: no fake smiles
The artist establishes a protocol for a search party that is focused on finding the person (the person they are addressing) and insists that participants in the search party should maintain a serious demeanor rather than pretending everything is okay.

we want what everyone wants
The artist acknowledges that the desires they harbor are universal and not unique to themselves.

good days and sunshine
The artist desires happiness and positivity, represented metaphorically by the idea of pleasant weather.

hey love hey love
The singer addresses the person they are addressing, implying a romantic connection or a deep desire for their well-being.

pray for the searchlight, beg for shadows
The artist requests the illumination of the searchlight (a metaphor for truth and transparency), while also asking for shadows (a metaphor for concealment and protection). This suggests that the artist desires honesty but is reluctant to relinquish their privacy or sense of security.

everybody slides, it's not a crime
The singer asserts that everyone has moments of weakness or vulnerability, and that it is not a fault or a punishable offense.

locked in your apartment
The singer suggests that the person they are addressing is metaphorically locked in their own mind or emotions, and is struggling to cope with difficult circumstances.

that's an awful place to hide
The singer implies that the way the person they are addressing is dealing with their problems is self-destructive and should be avoided.

we're not beads upon a string
The artist rejects the idea that human beings are merely passive objects to be strung together, suggesting that each person is an individual with their own unique experiences and agency.

take one off it's still a perfect thing
The artist suggests that even if one person is removed from a group, the group as a whole is still complete and valuable.

this binary business, see your shadow
The singer critiques the notion that things are black and white or binary, and insists that there is nuance and complexity to human nature that must be recognized.

hopeful or harrowing?
The singer poses a rhetorical question, asking if their current situation is full of hope or dread.

I want want everyone wants
The artist restates their desire for happiness and positivity, acknowledging that this is a universal desire.

black cloud you waiting around
The artist describes the sense of unease or foreboding that the person they are addressing may be experiencing, represented metaphorically by a black cloud that hangs over them.

too late to be found
The artist suggests that the person they are addressing may have been lost or forgotten, and that finding them at this point may be difficult or impossible.

black cloud you waited
The singer references the ominous feeling of apprehension or anxiety that has been present for some time.

now it's too late to be found
The artist confirms their belief that finding the person they are addressing may be too late, or may require more effort than they are willing or able to exert.

pray for the searchlight hope I come around
The singer hopes that their request for truth and transparency will be granted, and expresses optimism that they will be able to find the person they are addressing.

Contributed by Jake D. Suggest a correction in the comments below.

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