Alphaville is a German synthpop/new wave group which gained popularity in t… Read Full Bio ↴Alphaville is a German synthpop/new wave group which gained popularity in the 80s. The founding members were Marian Gold (real name Hartwig Schierbaum, born May 26, 1954 in Herford), Bernhard Lloyd (real name Bernhard Gößling, born June 6th, 1960 in Enger, Bielefeld) and Frank Mertens (real name Frank Sorgatz, born October 26, 1961 in Enger, Bielefeld). The band was at first named Forever Young. The band is best known for its two biggest hits, "Big in Japan" and "Forever Young", which was the theme for many high school proms in the 1980s.

In 1984 the re-named Alphaville released their debut single "Big in Japan", followed by "Sounds Like a Melody" and "Forever Young", quickly followed by the album Forever Young. Despite its success Frank Mertens left the band in the same year and was replaced by Ricky Echolette (born Wolfgang Neuhaus, in Cologne, August 6, 1960) in January 1985.

"Big In Japan" was their biggest U.S. success, shooting to #1 on Billboard's Dance chart. While they never again had a Top 20 U.S. Dance hit, several of their releases went Top 40 and Top 30 on the Dance charts. They were less successful at mainstream U.S. radio, reflected by their showing on the Billboard Hot 100 Singles charts, where "Big" only reached #66. The first U.S. release of "Forever Young" failed to scale the charts. In 1985, amid reports pop star Laura Branigan was featuring the song on her next album, Hold Me, Alphaville's "Forever Young" was re-released as a single in the U.S., and again floundered in the lower recesses of the chart. Branigan's version, though promoted on stickers adorning the album, subsequently remained an album cut in the U.S., though it was released to radio in South America. She would go on to perform the song as an encore at nearly every concert she performed, from her 1985 tour until her death in 2004. The Alphaville version was released a third time in the U.S. in 1988, to promote Alphaville: The Singles Collection, and peaked this time at #65. Their highest U.S. Singles chart showing, it was also their last. International re-releases of Alphaville's "Forever Young" followed in 1989, 1996, and 2001. Several covers have been recorded and remixed, featuring male or female vocalists often erroneously attributed to be Alphaville's Marian Gold, or Laura Branigan.

In 1986 the second album Afternoons In Utopia was released, followed in 1989 by The Breathtaking Blue. As an alternative to individual music videos, the band enlisted nine producers, among them Godfrey Reggio (Koyaanisqatsi), to create a film entitled Songlines based on the album's tracks.

The next album, Prostitute, was not released until 1994. In 1996 Ricky Echolette left the band. Salvation followed in 1997. Stark Naked and Absolutely Live was released in 2000, followed by the remix album Forever Pop in 2001. A DVD was released in 2001 documenting two concerts performed in Salt Lake City, Utah. Two box-sets have also been released; rather than being collections of previously released album tracks they are actually 12 unique albums, several live, several rarities and outtakes, and several newly recorded. The first box, of eight discs, was released in 1999 (called Dreamscapes) and the second in 2003 (called CrazyShow or Dreamscapes 9-12). All the material in CrazyShow is newly recorded.

Bernhard Lloyd did not contribute to the CrazyShow album, and shortly after its release, on March 18, 2003 he officially left the group. The current core members of Alphaville are Marian Gold (vocals), Martin Lister (keyboards), David Goodes (guitars) and Pierson Grange (drums).

" Just a note to say Bernhard Lloyd is/has/recently played live with Alphaville. I saw him at the Esbjerg Rock Festival in June of this year. They sounded absoutely brilliant. Check out the Alphaville website, it's worth a look. Added by Fletchie, 02.11.07"

Marian Gold has released two solo albums (So Long Celeste, 1992 and United, 1996) alongside his work in the band. Bernhard Lloyd also worked on a project named Atlantic Popes with singer Max Holler. In 1996 Frank Mertens started on a musical project called Maelstrom which was a combination of ambient-style music, impressionistic and colorful art in the form of paintings and sculptures, and etheric poetry. This project seems now to have been by far abandoned, though, as Mertens has not been visibly active with it. In 2006 and 2007, Alphaville appeared on the "ELEKTRISCH" vol.1 and 2 album compilations with "From Germany With Love" and "Guardian Angel".

There is another artist with the same name:

2) A spanish Synthpop/dark/post punk group born in 1981 in Madrid by José Luis F. Abel (guitar & vocal), Mendi (bass), José Carlos ‘Charles’ Sánchez (keyboards), Jose Luis Orfanel (guitar) and Juan Antonio ‘Rep’ Nieto (drums).
The independent label DRO released their first EP in April 1982, "Paisajes nocturnos", which included four tracks. Their first hit arrived some months later with the 4-tracks 12'' "Palacio de invierno". In 1983 they released the album Despues De La Derrota.

The Shape of Things to Come
Alphaville Lyrics

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JesusÂ´ praying for rain, lightning flashes around
The prophet is screaming, his head hits the ground
You should hear the warning if you read the signs
Play with your own life but don't play with mine
The shape of things to come
There was Moses and me when the wind took the change
He hands out the menue, he moves out of range
If you knew the action, you see us so blind

Play with your own life but donÂ´t play with mine
The shape of things to come
YouÂ´re not invited to stay, youÂ´re not intended to go
Can you tell the future, I donÂ´t think so
You should hear the warning if you read the signs
Play with your own life but don't play with mine
The shape of things to come

You're living your way, I live in mine
May be tomorrow we will collide

Overall Meaning

The lyrics to Alphaville's song "The Shape of Things to Come" are rich with religious allusions and apocalyptic imagery. The opening lines describe Jesus praying for rain while lightning flashes ominously around him. The prophet is also present, crying out with fervor before collapsing to the ground. This sets a dark and foreboding tone for the rest of the song. The lyrics warn against ignoring the signs of impending doom and playing with one's own life at the expense of others. The singer describes his own path, separate from those around him, and how collisions are inevitable.

The biblical references in the song suggest that humanity is nearing its end, with Moses and Jesus appearing together to take stock of the situation. The wind takes the change, and Moses hands out the menu before moving out of range, suggesting that there are choices to be made but that guidance may be difficult to come by. The refrain emphasizes that people should heed the signs and not play with each other's lives, as the shape of things to come is dark and uncertain. Overall, this song is a warning against hubris and complacency, urging listeners to pay attention to what is happening around them and to act with care and compassion.

The Shape of Things to ComeAlphaville Lyrics

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The Shape of Things to Come
Alphaville Lyrics