Born in Trenchtown, Kingston, Jamaica, Alton Ellis was raised within a musical family and learned to play the piano at a young age. He attended Ebeneezer and Boys' Town schools, where he excelled in both music and sport. While at Boys' Town Ellis performed as a dancer (in a duo) in the first show that a school director called Mr Bailey had organized for Vere Johns who had been invited down to talent scout. He would later compete on Vere Johns' Opportunity Hour. After winning some competitions, he switched to singing, starting his career in 1959 as part of the duo Alton & Eddy with Eddy Parkins.
Ellis and Parkins recorded for Coxsone Dodd at Studio One, initially in the R&B style, having a hit in 1960 with "Muriel" (from Dodd's first commercially-oriented recording session at Federal studios), a song Ellis had written while working as a labourer on a building site. This initial success was followed by the release of "My Heaven", which like "Muriel" was a slow R&B ballad with the instrumental triplets and vocal harmonizing common to the ballads of that period. Further releases in the R&B style followed: "Lullabye Angel", "I Know It All", "I'm Never Gonna Cry" and "Yours". The duo also recorded R&B tracks for Vincent Chin's Randy's label including "Let Me Dream". The duo split after Parkins won a major talent contest and moved to the United States. Ellis remained in Kingston, working as a printer and after losing his job, he restarted his music career, initially forming a new duo with John Holt. When Holt joined The Paragons, Ellis formed a new group, The Flames. Ellis continued to work for Dodd and also recorded for his arch-rival, Duke Reid on his Treasure Isle label. At the start of his career Ellis recorded with his younger sister Hortense; early tracks with Hortense like "Don't Gamble With Love" (1965) were still in the R&B style.
By the mid-1960s, ska was moving on and the beat was slowing down to rocksteady and becoming associated with the violent rude boy subculture in Jamaican dancehalls. Many artists made records referring to the rude boys, including Ellis, although his records were consistently anti-rudie, including "Don't Trouble People", "Dance Crasher", and "Cry Tough". Releasing records under the name Alton Ellis and The Flames (the varying line-up of which included his brother Leslie Ellis, David "Baby G" Gordon and Winston Jarrett); the group had hits with "Girl I've Got a Date" and "Cry Tough". The release of "Rock Steady" (1967) backed by Tommy McCook and the Supersonics, the first song to refer to the name of the new genre, heralded the new direction Jamaican popular music was taking. Ellis continued to have hits for Treasure Isle; working with artists such as Lloyd Charmers, Phyllis Dillon and The Heptones. His Mr Soul of Jamaica album (with Tommy McCook and the Supersonics) is regarded as one of the definitive rocksteady albums.
Ellis toured the United Kingdom in the 1967 with Ken Boothe and Studio One session band the Soul Vendors and on his return to Jamaica he worked with Dodd, recording the tracks that would be released as his debut album Alton Ellis Sings Rock & Soul. During the late 1960s and early 1970s, Ellis recorded for some of Jamaica's top producers including Bunny Lee, Keith Hudson, and Herman Chin Loy. He also began to produce his own records, including "My Time Is The Right Time" (1968) and "The Message". He had two hits with Lloyd Daley in "Deliver Us" (1970) and "Back to Africa" (1971), both released in the UK on the Gas record label, a subsidiary of Pama Records.
Ellis regularly returned to England, working with several London-based producers and after spending a few years in Canada, from 1972 he based himself permanently in the UK. Ellis continued to record and perform regularly, recording in the early 1980s for emerging producers including Henry "Junjo" Lawes, Sugar Minott, and King Jammy. He also opened up the All-Tone record shop in South London, and started a record label of the same name.
Ellis continued to be active on the reggae scene until his health began to deteriorate. His latest works include performing all over Europe with a French backing-band called ASPO (About Some Precioux Oldies) at the beginning of the 21st century. Recorded in Bordeaux, France, Live with Aspo: Workin' on a Groovy Thing is the only live album Alton Ellis ever published (2001).
In 2004, Ellis was awarded the Order of Distinction by the Jamaican government in recognition of his achievements.
In December 2007, he was admitted to hospital in London for treatment of cancer of the lymph glands (Hodgkins disease), but he returned to live performance after receiving chemotherapy.
Ellis died of cancer on 10 October 2008 at Hammersmith Hospital, London. His death prompted a statement from Jamaica's Minister of Information, Culture, Youth and Sports, Olivia "Babsy" Grange, who said "even as we mourn the great Alton Ellis, we must give thanks for his monumental contribution to the development of Jamaica's popular music". A funeral service and celebration of his life was held on 3 November, attended by family, fans, music industry personnel and government ministers, with tribute performances from stars including Winston "Fix It" Francis, Tinga Stewart, George Nooks, Tony Gregory, Ken Boothe, Judy Mowatt and Carlene Davis.
In 2012 it was announced that the main hall of the new Trench Town Multi-Purpose Building would be named the Alton Ellis Auditorium in his honour.
He was the older brother of the late Hortense Ellis, and the father of more than twenty children including Noel Ellis and Christopher Ellis, who are both reggae singers. He was also the uncle of the Jamaican comedians Owen "Blakka" Ellis and Ian "Ity" Ellis.
Legacy
The "Mad Mad" riddim (the track "Mad Mad" by Alton Ellis and the Sound Dimension band was released in 1968 on the Coxsone label) has been reused or sampled by many hip-hop, dancehall and reggae producers and artists. The recognizable three-note descending horn line was reinterpreted by Henry "Junjo" Lawes, and eventually became known as the "Diseases" reggae riddim. "Diseases" is notably utilized in Yellowman's hit song "Zungguzungguguzungguzeng", which has in turn has been sampled and reinterpreted by a long list of popular hip-hop artists, including KRS-One, The Notorious B.I.G., Tupac Shakur, Sublime, and Blackstar. This constant reinterpretation and referencing has made Ellis a major but little-known influence in the trajectory of dancehall, reggae and hip hop.
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Alton Ellis (1938-2008) was a musician best known as the innovator of rocksteady music. He began recording in the late 1950s and continued until his death in 2008, but he reached his period of greatest popularity in the late 1960s.
Ellis was born in Trenchtown, a poor area of Kingston, Jamaica, and learned to play the piano at a young age. In his teens, Alton and Eddie Perkins formed Alton & Eddie, and began recording for Coxsone Dodd at Studio One, scoring a hit in 1958 with "Muriel".
Ellis launched his solo career after Perkins left for the United States around 1965. He moved to Treasure Isle and began recording with the back-up trio The Flames. His first hit for Treasure Isle was "Dance Crasher", a plea for peace, and he followed it up with "Get Ready - Rock Steady", perhaps the first rocksteady recording. The song was apparently recorded with keyboardist Jackie Mittoo playing the bass guitar part because the bassist did not show up; Mittoo could not keep up with the ska beat, and the tempo was slowed down to accommodate him. This allowed for a choppier rhythm that led Ellis to expand his vocal range.
Ellis' most well-known song is probably "Girl, I've Got A Date", or "I'm Still In Love With You", a song that has been versioned many times by artists such as Sean Paul, Althea & Donna (As 'Uptown Top Ranking').
In 2006, Ellis was inducted into the International Reggae And World Music Awards (IRAWMA), Hall Of Fame.
http://www.myspace.com/altonellisod
La La Means I Love You
Alton Ellis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Many guys have come to you
With a line that wasn't true
And you passed them by (passed them by)
Now you're in the center ring
And their lines don't mean a thing
Why don't you let me try (let me try)
Now I don't wear a diamond ring
All I know is
Chorus:
La la la la la la la la la means I love you [1: Oh, baby please now 2: Oh... baby]
La la la la la la la la la means I love you
Verse 2:
If I ever saw a girl
That I needed in this world
You are the one for me (one for me)
Let me hold me in my arms
Girl, and thrill you with my charms
I'm sure you will see (you will see)
The things I am sayin' are true
And the way I explain them to you
Listen to me
Instrumental break
Partial verse:
The things I am sayin' are true
And the way I explain them to you, yes to you
Listen to me
Coda [repeat to fade]:
La la la la la la la la la means I love you [1: Oh, you'll have to understand 2: Come on and take my hand]
In Alton Ellis's song La La Means I Love You, the lyrics tell the story of a man who has been watching a woman from afar, but who is now ready to confess his love to her. He begins by acknowledging that many other men have come to her with false lines, but now that he is in the "center ring," their attempts no longer matter. He asks for the chance to prove his love, even though he doesn't have any material possessions or a song to sing.
The second verse reveals his admiration for the woman and his desire to be with her. He wants to hold her in his arms and thrill her with his charms, knowing that she is the only one for him. He emphasizes the truth of his words and urges her to listen to him. The repetition of "la la la" throughout the song serves as a simple yet effective way to express his love without any elaborate or unnecessary language.
Overall, the lyrics of this song signify the power of honest and genuine love over superficiality, and the idea that the simplest things can convey deep emotions.
Line by Line Meaning
Many guys have come to you
You've had many men try to win you over
With a line that wasn't true
They've used dishonest tactics to try and impress you
And you passed them by (passed them by)
You didn't fall for their tricks
Now you're in the center ring
You're in the spotlight and everyone wants your attention
And their lines don't mean a thing
Their attempts to impress you are ineffective
Why don't you let me try (let me try)
Give me a chance to show you something different
Now I don't wear a diamond ring
I'm not flashy or materialistic
I don't even have a song to sing
I don't need to be a talented musician to express my feelings
All I know is
My feelings are sincere
La la la la la la la la la means I love you
This simple melody expresses my love for you
La la la la la la la la la means I love you
And I want you to know that
If I ever saw a girl
If I ever met someone
That I needed in this world
That I couldn't live without
You are the one for me (one for me)
You're that special person
Let me hold me in my arms
Let me embrace you
Girl, and thrill you with my charms
And show you how much I care
I'm sure you will see (you will see)
I believe you'll understand
The things I am sayin' are true
I'm being honest with you
And the way I explain them to you
I'm expressing my feelings clearly
Listen to me
Please hear me out
La la la la la la la la la means I love you
I can't say it enough
La la la la la la la la la means I love you
My heart is overflowing with love for you
Oh, you'll have to understand
I hope you realize how much I love you
Come on and take my hand
And let me show you that love
Contributed by Jacob I. Suggest a correction in the comments below.
Babys
on You've Made Me So Very Happy
I am glad you did come into my life!!
Babys
on What Does it Take
Dedicated J wetta
Ebellz08
on Play It Cool
Hit bomb!
Ahh ah ah (4x)
I've got love
Within my heart for you, you
I've got lips
With kisses from the start
Look 'ere now...
It really makes no difference
Without money I know
It really makes no difference
I've got love I know
Easy squeeze it makes no riot
If you know it gonna hurt to play it cool
Easy squeeze it makes no riot
If you know it gonna hurt to play it cool
(Instrumental)
Mmmmhmmm
Ow!
Rock you rock you rock
Rock on time! (3x)
(Whoa, whooah, whooah, oh yeah!)
I've got love for each and every one
Everybody know this
I love you, I love you
Easy squeeze it makes no riot if you...
Just play it cool
It really makes no difference
Without money I know
It really makes no difference
I've got love I know
I'm gon' play it cool
I've got love
Within my heart for you, and-a you, and-a you, yeeeahh! Ohh..
Rock you rock you rock
Rock on time!
(You've got to keep on rocking and rocking)
Rock you rock you rock
Rock on time!
(Remember play it cool)
Rock you rock you rock
Rock on time!
(You've got to play it cool)
Rock you rock you rock
Rock on time!