In 2001, she released her first solo album, Stag. That year, she toured solo with the Butchies as her band. Then in 2005, her second solo project, Prom was released. In December of 2006, Amy released Live From Knoxville, a live recording from a show at Blue Cats in October of 2005. In August 2008 she released her latest album Didn't It Feel Kinder, this is the first album she made with the help of a producer, Greg Griffith.
All three albums were released on Amy's independent record label, Daemon Records.
Fans of the Indigo Girls can expect a rawer, punkier, and rockier sound.
Lucystoners
Amy Ray Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We'd try to put our finger on it
Quantify the undoing of each little step
And its just a lack of press
And the refrigerator down at the boys club
With its little magnets of poetry
And they've found one hundred different ways to say blow me
Ah yeah blow me now
Janny Wenner Janny Wenner
Rolling Stone's most fearless leader
Gave the boys what they deserve
But with the girls he lost his nerve
Whoo hoo now
Hoo
In every post punk bar
There's a dressing room wall
Where the rockboy band
Will make its mark
A hundred different pictures of private parts
And some girl going down
And there's that faggot bashing poetry
But the boys are just saying love me please
With every hate filled phrase
They just give it away
Ah boys you give yourself away
You know Janny Wenner Janny Wenner
Rolling Stone's most fearless leader
Gave the boys what they deserve
But with the girls he lost his nerve
Whoo hoo now
Hoo ooh ooh ooh
Yeah whoo hoo now
Hoo ooh ooh ooh
Testing 1 2 3 in the marketplace
But its a demographic based disgrace
And a stupid secret white boy handshake
That we'll never be part of
So when its dj blow and the morning show
I give you one hundred reasons to just say no
And I said come on girls lets go right now
Oh girls lets go right now
Oh cause lucystoners don't need boners
Ain't no man could ever own her
With the boys she had the nerve to give the girls what they deserve
Lucystoners don't need boners
Ain't no man that'd ever own her
With the boys she had the nerve
Gonna give the girls what they deserve
Ah whoo hoo
Ooh ooh ooh ooh
Yeah
Whoo hoo now
Ooh
I said lucystoners don't need boners
(Lucystoners don't need boners)
Whoo ooh ooh ooh ooh
(Lucystoners don't need boners)
Lucy stoners don't need boners
(Lucystoners don't need boners)
Whoo ooh ooh ooh
(Lucystoners don't need boners)
Ah whoo
(Lucystoners don't need boners)
Yeah
(Lucystoners don't need boners)
(Lucystoners don't need boners)
(Lucystoners don't need boners)
Whoo
(Lucystoners don't need boners)
(Lucystoners don't need boners)
(Lucystoners don't need boners
The song "Lucystoners" by Amy Ray explores the concept of the male-dominated music industry and the objectification of women in rock and roll culture. The lyrics describe a conversation among musicians discussing the decline in ticket sales, and they try to figure out the reason for it. They conclude that the lack of press coverage may be the cause of the slump. The mention of the refrigerator at the boys' club with magnets of poetry is a metaphor for male artists putting up explicit and objectifying imagery of women.
The song also references Jann Wenner, the co-founder of Rolling Stone magazine, who is praised for being a fearless leader when it comes to male bands, but loses his nerve when it comes to promoting female artists. There is a stark contrast between the way male and female artists are portrayed in the industry, with male bands often using derogatory language, objectifying women, and creating a culture of toxic masculinity.
The chorus "Lucystoners don't need boners, ain't no man could ever own her" highlights the idea that women in the industry are not there to please men or fulfill their sexual desires. Women have the power to make their own choices and create their own identity in music.
Overall, the song is a call to action for women to take control of their own narrative and break free from the oppressive culture of the music industry.
Line by Line Meaning
We were talking ticket slump
We were discussing the decrease in ticket sales
We'd try to put our finger on it
We tried to identify the cause of the problem
Quantify the undoing of each little step
Evaluate the impact of every decision and action that led to the problem
And its just a lack of press
The problem is due to insufficient media coverage
And the refrigerator down at the boys club
Referring to the magnetic poetry on the fridge door of a club for men
With its little magnets of poetry
The small words and phrases arranged on magnets
And they've found one hundred different ways to say blow me
The vulgar messages on the fridge door
Ah yeah blow me now
A sarcastic response to the crude messaging
Janny Wenner Janny Wenner
Referring to Jann Wenner, founder of Rolling Stone magazine
Rolling Stone's most fearless leader
Wenner's reputation as a bold leader in the magazine industry
Gave the boys what they deserve
Wenner provided favorable coverage to male artists
But with the girls he lost his nerve
However, Wenner was hesitant to feature women in his magazine
Whoo hoo now
An exclamation of excitement
In every post punk bar
Referring to a type of venue, showcasing punk music
There's a dressing room wall
The wall inside the backstage dressing room
Where the rockboy band
The male rock artists who perform on stage
Will make its mark
They leave their mark on the wall by writing on it
A hundred different pictures of private parts
Explicit images drawn or painted by the artists
And some girl going down
A woman depicted performing oral sex on a man
And there's that faggot bashing poetry
Homophobic messages written by the artists
But the boys are just saying love me please
Despite their hateful messages, the artists are seeking acceptance and approval
With every hate filled phrase
Their hateful words reveal their own insecurities
They just give it away
Their actions expose their true character
Ah boys you give yourself away
A sarcastic remark directed at the male artists
Testing 1 2 3 in the marketplace
Referring to the process of promoting music and artists to consumers
But its a demographic based disgrace
The music industry's focus on targeting specific age, gender, and cultural groups is shameful
And a stupid secret white boy handshake
The unspoken acceptance and exclusion of certain people within the music industry
That we'll never be part of
An acknowledgment that some individuals will never fit in with the industry norms
So when its dj blow and the morning show
When radio shows promote music using demeaning tactics
I give you one hundred reasons to just say no
A challenge to resist supporting such behavior and music
And I said come on girls lets go right now
A call to women to leave such venues and settings
Oh cause lucystoners don't need boners
Lucystoners are individuals who do not rely on men for validation
Ain't no man could ever own her
Women should not feel beholden to men for their success or happiness
With the boys she had the nerve to give the girls what they deserve
Despite the industry's biases, female artists have the courage to create their own success and support other women
Lucystoners don't need boners
A woman's worth is not measured by a man's sexual interest
Ain't no man that'd ever own her
Women should not feel like they belong to men or need their approval
Gonna give the girls what they deserve
Female artists will create music that empowers and inspires other women
Lyrics © Universal Music Publishing Group
Written by: AMY ELIZABETH RAY
Lyrics Licensed & Provided by LyricFind
steepravines
Amy - hats off to you for singing the truth about Jann Wenner for more than two decades. I've always loved this song and it's getting repeat listens today in the wake of Wenner's incredible NYT interview and the resulting fall-out. a crime it took this long for his true colors to make headlines and it's hardly justice but the sense of schadenfreude is real. louder for the people in the back! ps. hope you'll play it at the SF Fillmore in January
sanneg
I can never get tired of this song, it's got so much energy, I love it!
netgrlrush
I really enjoy Amy's solo work, wish I could see her in concert but as far as I know she hasn't played my area of CO. Someday...someday...
RainbowGoodfellow
When Amy jumps and dances, it's the cutest thing ever!!
L C
Saw this band open for Brandi Carlisle and felt that I was where I belonged.
laurenribbons
so good! and has the hottest backing band.....
solwolfpunk
This song is so true.
Taii Raaven
I love when Amy does the hand gestures....... And I think that Kaia is definately super hot.