In 2002, she released The Song They Sang... When Rome Fell. In 2003, she was a winner of the New Folk Competition, at the Kerrville Folk Festival. In 2004, her second album, Hymns for the Exiled, was released (Waterbug Records).
On 8 Dec 2006, Anaïs' 'folk opera' "Hadestown" débuted (written / produced in collaboration with composer Michael Chorney & director Ben T. Matchstick). On 13 Feb 2007, her third album, The Brightness was released (Righteous Babe).
Hadestown, a concept album based on the ancient Greek myth of Orpheus and Eurydice, was released on March 9, 2010. It features contributions from Justin Vernon as Orpheus, Ani DiFranco as Persephone, Greg Brown as Hades, and Ben Knox Miller as Hermes; Anais herself sings the part of Eurydice.
Her album, 'Young Man in America' was released on Wilderland Records in the UK on February 13, 2012 and in the US on February 28, 2012.
Of A Friday Night
Anaïs Mitchell Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
still in sight of the red lights
s couple blocks from the orthodox church
that's where the old poet lived
in his eyeglasses and his necktie
at the windows looking down
on the young man passing by
on the fullness of the town
full of them good time gamblers
full of their restless wives
full of them midnight writers
out in the quarter on a Friday night
out in the brightness of a Friday night
and the big horns blowed and the pianos played
and the music rose to the old man's ears
I guess those were the olden days
I guess those were the golden years
and now the town is empty
empty as a mirror
empty as the harbor and the barber's chair
where did the old poet go?
I asked around
nobody knows
maybe I came too early
maybe I came too late
I'm waiting in the shadows of the scaffolds
of the old cafés where you told me to wait
and I've got this lingering feeling
it's like I've slipped between
finger of the century
I know you know what I mean
I'll be a good time gambler
I'll be a restless wife
I'll be a midnight writer
out in the quarter on a Friday night
call me good time gambler
call me a restless wife
call me a midnight writer
out in the quarter on a Friday night
out in the brightness of a Friday night
call me the brightness of a Friday night
The lyrics to Anaïs Mitchell's "Of A Friday Night" describe the nostalgia and longing for the past that is felt when walking through an old town. The first stanza describes the location where the old poet used to live, and how he spent his days looking down on the younger generations passing by on the streets. In the following stanza, the lyrics delve further into the atmosphere of the town, filled with gamblers, wives, and writers out in the quarter on a Friday night. The music rose to the old man's ears, taking him back to a time long gone, the "golden years" that are now just a memory of the past.
The following stanza begins to describe the emptiness of the town that is felt in the present. The poet has disappeared, and despite asking around, no one knows where he has gone. The singer then wonders if they have come too early or too late, feeling as though they have slipped between the fingers of time. The final stanza brings the lyrics full circle, as the singer declares their intention to be a "good time gambler," "restless wife," and "midnight writer" out in the quarter on a Friday night, calling themselves the brightness of a Friday night. This echoes the nostalgia felt in the beginning of the song, as the singer attempts to embody the energy and spirit of the past.
Line by Line Meaning
just across from the hospital
The old poet lived near the hospital
still in sight of the red lights
His place was in visible distance to the red lights
s couple blocks from the orthodox church
The poet's house was a few blocks away from the orthodox church
that's where the old poet lived
This stanza repeats that the old poet lived in that particular house
in his eyeglasses and his necktie
The poet described the old man's appearance at his window
at the windows looking down
The old man watched the young man passing by from his window
on the fullness of the town
The poet focused on the vividness of the city life through the old poet's point of view
full of them good time gamblers
The city was full of lively people, including good time gamblers
full of their restless wives
There were many unrestful women in the town
full of them midnight writers
Many writers would work late nights in this town
out in the quarter on a Friday night
On Friday nights, the lively quarters were full of people spending their time outside
out in the brightness of a Friday night
The poet emphasized the liveliness and brightness of Friday nights in the town
and the big horns blowed and the pianos played
The pianos and horns were being played, creating loud music
and the music rose to the old man's ears
The old man, still at his window, listened to the music rise from the town
I guess those were the olden days
The poet reminisced about the bygone era of the town's liveliness
I guess those were the golden years
The poet used hyperbole, comparing the olden days as the town's golden years
and now the town is empty
The poet indicates that the town is quiet now
empty as a mirror
The poet compared the continued lack of activity in the town to a mirror
empty as the harbor and the barber's chair
The harbor and the barber's chair are now both empty, just like the town
where did the old poet go?
The old poet is no longer around, and people don't know where he went
I asked around
The poet asked people if they knew where the old poet went
nobody knows
No one knew what happened to the old poet
maybe I came too early
The poet questions the timing of their arrival in the town
maybe I came too late
The poet further questions the timing of their arrival in the town
I'm waiting in the shadows of the scaffolds
The poet waits in the dark corners of the buildings
of the old cafés where you told me to wait
The poet reminisces about the times someone instructed them to wait in an old café
and I've got this lingering feeling
The poet speculates about an intuitive feeling they have about their situation
it's like I've slipped between
The poet compares their situation to something intangible and is using simile to do it
finger of the century
The poet uses a metaphor regarding the passing of time
I know you know what I mean
The poet is directly addressing someone, telling them they understand the feeling
I'll be a good time gambler
The poet decides they will be a lively, energetic person like others in the town
I'll be a restless wife
The poet will have restless energy like other women in town
I'll be a midnight writer
The poet will work on Friday nights like others in the town
call me good time gambler
The poet repeats that they want to be known as an active person like others in the town
call me a restless wife
The poet repeats that they will be known for their unrestful spirit
call me a midnight writer
The poet repeats that they will work late on Friday nights
out in the quarter on a Friday night
The poet repeats that they will work in the lively quarters on Friday nights
out in the brightness of a Friday night
The poet repeats that Friday nights are lively and energetic in their town
call me the brightness of a Friday night
The poet wants to be known as a symbol of a lively Friday night in town
Contributed by Caleb T. Suggest a correction in the comments below.