Sacar la Voz
Ana Tijoux Lyrics
Respirar para sacar la voz
Despegar tan lejos como un águila veloz
Respirar un futuro esplendor cobra
Más sentido si lo creamos los dos
Liberarse de todo el pudor tomar de las
Riendas no rendirse al opresor
Caminar erguido sin temor respirar y sacar la voz
Tengo los bolsillos vacios, los labios partidos,
La piel con escama, cada vez que miro hacia el vació
La puerta de entrada siempre tuvo el cartel
Que dijo que estaba cerrada
Una espina clavada una herida infectada entre
Amada una rabia colmada en el todo y en la nada
El paso torpe al borde sin acorde cada vez
Que pierdo el norte tengo la pérdida del soporte
El tiempo que clava me traba la daga me mata
Filuda la flama sin calma que de las manos se me escapa
Pero tengo mi rincón florido
Sacar la voz no estoy sola estoy conmigo
Liberarse de todo el pudor
Tomar de las riendas no rendirse al opresor
Caminar erguido sin temor respirar y sacar la voz
Tengo el amor olvidado cansado agotado,
Agotado al piso cayeron
Todos los fragmentos que estaban quebrados
El mirar encorvado el puño cerrado
No tengo nada pero nada suma en este charco
Mandíbula marcada palabra preparada
Cada letra filada está en la cresta de la oleada
Sin pena ni gloria escribir esta historia
El tema no es caer levantarse es la victoria
Venir de vuelta abrir la puerta está resuelta estar alerta
Sacar la voz que estaba muerta y hacerla orquesta
Caminar seguro libre sin temor respirar y sacar la voz
Liberarse de todo el pudor tomar de las riendas no rendirse al opresor
Caminar erguido sin temor respirar y sacar la voz
En un cordel a colgar la copla que el viento mese
Que pocas veces merece cada pena suelta voz, cada tos
Pensando en sacar la voz
Lyrics © BMG Rights Management, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: JORGE ABNER DREXLER PRADA, ANA MARIA MERINO TIJOUX, ANDRES MUJICA CELIS
Lyrics Licensed & Provided by LyricFind
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Ana Tijoux (also known as Anita Tijoux, born Anamaría Merino Tijoux on June 12, 1977 in Lille, France) is a Chilean rapper and singer, who became famous in the late 90's as a female MC of hip-hop band Makiza and later as a solo artist. She moved to Santiago, Chile in 1993, where she's stayed. In the 1990's Anita formed a hip-hop band Los Gemelos (The Twins) with a fellow rapper Zaturno (later became famous as a member of Tiro de Gracia). In 1997 she gained first major attention after singing in a Los Tetas' hit single "La Medicina". Later Read Full BioAna Tijoux (also known as Anita Tijoux, born Anamaría Merino Tijoux on June 12, 1977 in Lille, France) is a Chilean rapper and singer, who became famous in the late 90's as a female MC of hip-hop band Makiza and later as a solo artist. She moved to Santiago, Chile in 1993, where she's stayed.
In the 1990's Anita formed a hip-hop band Los Gemelos (The Twins) with a fellow rapper Zaturno (later became famous as a member of Tiro de Gracia). In 1997 she gained first major attention after singing in a Los Tetas' hit single "La Medicina". Later she joined DJ Squat, Cenzi and Seo2, and Makiza was formed.
After Makiza went on hiatus in 2001, Anita returned to France and took a break from music until 2004. After coming back to Chile in 2004 she became singing with the funk/acid jazz band Aluzinati, and later in 2005 she reformed Makiza with Seo2 and two new members and released the band's final album to date, Casino Royale.
In 2007 Anita appeared on Julieta Venegas' hit single, "Eres Para Mí" and finally released her solo debut, Kaos. Thanks to the first single, "Despabílate", Anita was nominated for the Latin version of the MTV Video Music Awards 2007 under the categories Best New Artist and Best Urban Artist.
In October 2009, Tijoux released her second solo album, titled 1977 after the year she was born. The album was a return to her rap roots, an homage to the "golden age of hip-hop"; it was largely auto-biographical, exploring mature themes from her own life, from the death of a close friend to having a creative crises, from friendship to bad luck, amongst others. It was simple and straight to the point, as emphasized by her leaving behind a lot of the singing she had been doing of late in other more pop collaborations, and concentrating on rap, both in Spanish and French. After years of sharing the spotlight with her group, collaborating with other artists, and trying to find her way as a solo artist, she has finally arrived in her own right—a raw, direct, and mature MC.
Recorded between May and September 2009, the new album was produced by Hordatoj, Foex and Tee, of the label Potoco Discos, together with Habitación del Pánico. Guests on the record include the saxophonist Agustín Moya with whom she worked with in Aluzinati, Andrés Celis, Solo Di Medina, Bubaseta, Stailok from the group Movimiento Original, DJ Dacel, Quique Neira (formerly from Gondwana), Cómo Asesinar A Felipes, and the Detroit-based MC Invincible, whom she met over MySpace and did a virtual collaboration for the song "Sube".
The album and its first single 1977 were an immediate hit in the underground rap circles of Chile, where she was welcomed back after a bit of a stray. The record was amongst the top 10 of 2009 for the blog , and it was soon picked up by the U.S.-based Latin Alternative label Nacional Records, who released it in April 2010. She was invited to attend the prestigious South By South West Music Festival in Austin, Texas, in March 2010, and from there went on to her first ever North American tour. The song 1977 is featured in FIFA 11 soundtrack, and it also appears in episode five of the fourth season of Breaking Bad.
In 2011 Ana released her new solo album, La Bala. The album deals with many political and social issues in Chile, and the lead single, "Shock", was inspired by the strikes of the Chilean students which took part in 2011.
In the 1990's Anita formed a hip-hop band Los Gemelos (The Twins) with a fellow rapper Zaturno (later became famous as a member of Tiro de Gracia). In 1997 she gained first major attention after singing in a Los Tetas' hit single "La Medicina". Later she joined DJ Squat, Cenzi and Seo2, and Makiza was formed.
After Makiza went on hiatus in 2001, Anita returned to France and took a break from music until 2004. After coming back to Chile in 2004 she became singing with the funk/acid jazz band Aluzinati, and later in 2005 she reformed Makiza with Seo2 and two new members and released the band's final album to date, Casino Royale.
In 2007 Anita appeared on Julieta Venegas' hit single, "Eres Para Mí" and finally released her solo debut, Kaos. Thanks to the first single, "Despabílate", Anita was nominated for the Latin version of the MTV Video Music Awards 2007 under the categories Best New Artist and Best Urban Artist.
In October 2009, Tijoux released her second solo album, titled 1977 after the year she was born. The album was a return to her rap roots, an homage to the "golden age of hip-hop"; it was largely auto-biographical, exploring mature themes from her own life, from the death of a close friend to having a creative crises, from friendship to bad luck, amongst others. It was simple and straight to the point, as emphasized by her leaving behind a lot of the singing she had been doing of late in other more pop collaborations, and concentrating on rap, both in Spanish and French. After years of sharing the spotlight with her group, collaborating with other artists, and trying to find her way as a solo artist, she has finally arrived in her own right—a raw, direct, and mature MC.
Recorded between May and September 2009, the new album was produced by Hordatoj, Foex and Tee, of the label Potoco Discos, together with Habitación del Pánico. Guests on the record include the saxophonist Agustín Moya with whom she worked with in Aluzinati, Andrés Celis, Solo Di Medina, Bubaseta, Stailok from the group Movimiento Original, DJ Dacel, Quique Neira (formerly from Gondwana), Cómo Asesinar A Felipes, and the Detroit-based MC Invincible, whom she met over MySpace and did a virtual collaboration for the song "Sube".
The album and its first single 1977 were an immediate hit in the underground rap circles of Chile, where she was welcomed back after a bit of a stray. The record was amongst the top 10 of 2009 for the blog , and it was soon picked up by the U.S.-based Latin Alternative label Nacional Records, who released it in April 2010. She was invited to attend the prestigious South By South West Music Festival in Austin, Texas, in March 2010, and from there went on to her first ever North American tour. The song 1977 is featured in FIFA 11 soundtrack, and it also appears in episode five of the fourth season of Breaking Bad.
In 2011 Ana released her new solo album, La Bala. The album deals with many political and social issues in Chile, and the lead single, "Shock", was inspired by the strikes of the Chilean students which took part in 2011.
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Raquel Martínez
Respirar para sacar la voz
Despegar tan lejos como un águila veloz
Respirar un futuro esplendor cobra más sentido si lo creamos los dos
Liberarse de todo el pudor tomar de las riendas no rendirse al opresor
Caminar erguido sin temor respirar y sacar la voz
Uuuuuuuuhhh….. (2x)
Tengo los bolsillos vacios, los labios partidos, la piel con escama, cada vez que miro hacia el vacio
Las suelas gastadas las manos atadas la puerta de entrada siempre tuvo el cartel que dijo que estaba cerrada
Una espina clavada una herida infectada entre amada una rabia colmada en el todo y en la nada
El paso torpe al borde sin acorde cada vez que pierdo el norte tengo la pérdida del soporte
El tiempo que clava me traba la daga me mata filuda la flama sin calma que de las manos se me escapa
pero tengo mi rincón florido sacar la voz no estoy sola estoy conmigo
Coro..
Liberarse de todo el pudor tomar de las riendas no rendirse al opresor
Caminar erguido sin temor respirar y sacar la voz
Uuuuuuuuhhh….. (4x)
Tengo el amor olvidado cansado agotado, agotado al piso cayeron todos los fragmentos que estaban quebrados
el mirar encorvado el puño cerrado no tengo nada pero nada suma en este charco
Mandíbula marcada palabra preparada cada letra filada está en la cresta de la oleada
sin pena ni gloria escribir esta historia el tema no es caer levantarse es la victoria
Venir de vuelta abrir la puerta está resuelta estar alerta
sacar la voz que estaba muerta y hacerla orquesta
caminar seguro libre sin temor respirar y sacar la voz
Coro…
Liberarse de todo el pudor tomar de las riendas no rendirse al opresor
Caminar erguido sin temor respirar y sacar la voz
Uuuuuuuuhhh….. (4x)
En un cordel a colgar la copla que el viento mese
Que pocas veces merece cada pena suelta voz, cada toz
Pensando en sacar la voz
Uuuuuuuuhhh…..
IÑAKI MODREGO LOPEZ
Parte de Jorge Drexler:
Clava la daga haga lo que haga uno
Tu no cobras lo que el tiempo paga,
Se traga saga tras saga raspa con su amarga espátula
Huerfa nos hace de brújula su lúcida lente en celo
Blanca el arma blanco el pelo su blanca cara de crápula.
Esta décima espinela,
La que violeta cantaba
La de la sílaba octava
Del payador vieja escuela
Y lo que duela que duela si es que tiene que doler
La flama sin calma que arder tenga, que así siga, ardiendo
Que siga fosforeciendo si tiene que florecer.
Sabrina Dettori
Raise Your VoiceBreathe in, raise your voice
Soar away like an eagle liberated and rejoice
Breathe in a future splendor
It makes more sense if we build it together.
Free yourself of all the shame,
Take hold of the reins
Don’t give in to your oppressor
Walk tall and without fear.
Breathe, and raise your voiceOh…Empty are my pockets
chapped and rough my lips
My skin has scales
each time I look into the abyss.
Shoe soles are worn out,
and my hands are bound,
the entrance always with a sign
says the place is closed down.
A thorn embedded
the wound is infected, it’s all connected
an overflowing rage,
in the whole and the void.
stumbling step, on the edge, no accord
every time I lose the north
There’s a loss of support
Time that’ll pierce
the dagger is fierce
it kills me, the flame is keen, no relief
but I have my sanctuary
I raise my voice
I’m not alone
I have meFree yourself of all the shame,
Take hold of the reins
Don’t give in to your oppressor
Walk tall and without fear.
Breathe, and raise your voiceLove is forgotten, in tatters, gone rotten and scattered
on the floor all the fragments
of the pieces that shattered
The crooked glance
the clenched fist
I have nothing, but nothing
adds up to this abyss
my jaw is set
the word is ready
every letter pointed
it’s at the crest of the wave
no pain and no glory
I’ll write this story
It’s not about falling
getting up is the victory
To come back
open the door
be resolved
be alert
Raise up the voice that was dead
and make an orchestra
Walk upright and without fear.
Breathe, and raise your voiceFree yourself of all the shame,
Take hold of the reins
Don’t give in to your oppressor
Walk tall and without fear.
Breathe, and raise your voiceHang the rhyme
from a rope
it swings in the breeze
though it doesn’t deserve it
every heartache
unleash the voice, every cough
think of raising your voice
Alex Dumitru
Raise Your VoiceBreathe in, raise your voice
Soar away like an eagle liberated and rejoice
Breathe in a future splendor
It makes more sense if we build it together.
Free yourself of all the shame,
Take hold of the reins
Don’t give in to your oppressor
Walk tall and without fear.
Breathe, and raise your voiceOh…Empty are my pockets
chapped and rough my lips
My skin has scales
each time I look into the abyss.
Shoe soles are worn out,
and my hands are bound,
the entrance always with a sign
says the place is closed down.
A thorn embedded
the wound is infected, it’s all connected
an overflowing rage,
in the whole and the void.
stumbling step, on the edge, no accord
every time I lose the north
There’s a loss of support
Time that’ll pierce
the dagger is fierce
it kills me, the flame is keen, no relief
but I have my sanctuary
I raise my voice
I’m not alone
I have meFree yourself of all the shame,
Take hold of the reins
Don’t give in to your oppressor
Walk tall and without fear.
Breathe, and raise your voiceLove is forgotten, in tatters, gone rotten and scattered
on the floor all the fragments
of the pieces that shattered
The crooked glance
the clenched fist
I have nothing, but nothing
adds up to this abyss
my jaw is set
the word is ready
every letter pointed
it’s at the crest of the wave
no pain and no glory
I’ll write this story
It’s not about falling
getting up is the victory
To come back
open the door
be resolved
be alert
Raise up the voice that was dead
and make an orchestra
Walk upright and without fear.
Breathe, and raise your voiceFree yourself of all the shame,
Take hold of the reins
Don’t give in to your oppressor
Walk tall and without fear.
Breathe, and raise your voiceHang the rhyme
from a rope
it swings in the breeze
though it doesn’t deserve it
every heartache
unleash the voice, every cough
think of raising your voice
Jenny Hernandez
Aquí está Colombia sacando la voz después de tantos años de silencio, hay miedo, incertidumbre pero hay muchos luchando. Muchos haciendo la parte que nos corresponde desde donde podemos... Hoy admiro mi país más que nunca aún con el dolor de por medio tengo fe que algo bueno va a traer todo esto. Ánimo pueblo mío!!! 🙌
Franco.M
@Manuel Ignacio ah
Manuel Ignacio
Por favor no detengan la acción combativa! Lleguen hasta el final. Que los asesinados por el Estado Capital no queden en el olvido y que su lucha detenida en el tiempo por la desesperada violencia del Estado, encarne en todos ustedes, para continuar la subversión callejera.
Como un poblador que vive en el territorio dominado por el Estado de Chile y habiendo vivido el Estallido Social, te puedo decir que esa acción combativa callejera le tiene que igualar una discusión e intercambio de ideas enriquecedora y ojalá lo más compleja posible.
Si sólo actúan, cometerán la equivocación de caer y cometer los mismos errores del pasado. Si sólo se dedican a leer y debatir, no habrán cambios. Sólo la combinación de filosofía política con acciones insurrectas, los podrá llevar a un mejor camino.
Hoy internet permite aprovisionarnos de muchos PDFs con textos geniales. Hay que leer, pensar, debatir, no quedarse con los superficial que nos entrega el día a día. Hay que desenterrar la estructura del poder, del monopolio de la violencia, la crítica al Estado, etc. Nuestra amiga la filosofía nos puede abrir los ojos.
Si te puedo recomendar un texto bastante bueno sería "El placer de la revolución" de Ken Knabb (busca el PDF en español). Busca, incentiva a otros a pensar y repensar la realidad.
Un abrazo!
Jenny Hernandez
@Natasha la eriza gracias bella. Espero que podamos tener la valentía que uds tuvieron. Hay mucho miedo pero la gente sigue fuerte.
Natasha la eriza
Aqui, creo que hablo por muchos chilenos los cuales empatizamos con ustedes los Colombianos por la situacion complicada por la que estan pasando.
Les deseo mucha fuerza desde Chile ♡
Maximiliano Casanova
Por si alguno no lo sabe:
El pañuelo rojo simboliza a que no pueden dar su libre opinión, osea no pueden reclamar sus derechos y se sacan el pañuelo por que dejan de temer a su opresor que seria un gobierno corrupto o los derechos de la población que se pasan a llevar
Martin DiseñoDigital
hoy deberia de ser un tapaboca...
castmanu
yo lo veo tomate
Mauricio Vargas
@rapsi1978 toco las cosas que no son mias .
Mauricio Vargas
@miguelito relajada siempre quiero las cosas que no son mias