existential crisis
Anacondas Lyrics
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I've been through this
Twice before
Wake up
Wake up memory
Yeah we've got so much to say
So don't leave your seat
I don't want you like before
You don't need me and you Never did
Wake up wake up memory
Yeah I had so much to say
Till you interrupted me
Go
We never sold our souls
For nothing
They were given away for free
Taken back by critical numbers
No response hand that feeds
To give two shits
Is this fault or intention?
Wrapped in shrouds of misery
We're all put on
Pathetic portions
Well leave some for me
The opening lines of the song "Existential Crisis" by Anacondas suggest a sense of resignation and familiarity with emotional turmoil. The singer has faced challenges before, indicating a pattern in their experiences. The phrase "I don't worry anymore" reflects a certain detachment or acceptance of their situation, perhaps signifying a protective mechanism against the anxieties that plagued them previously. This repetition of going through similar crises implies a cycle of existential reflection, underscoring the idea that this is a common human experience rather than a unique one. The acknowledgment that they have "been through this twice before" may hint at growth or a hardened perspective, suggesting that while the singer may have learned from past crises, they still feel the weight of what it means to confront their own existence repeatedly.
The chorus interjects with an urgent request to "wake up" — a plea both to themselves and to their memories. This moment emphasizes the significance of memory in shaping one's identity and ongoing struggles. The phrase "we've got so much to say" indicates a backlog of thoughts and emotions that the singer feels compelled to express yet is unable to do so fully. The instruction to "not leave your seat" could symbolize the importance of remaining engaged in this internal conversation, reflecting the idea that one can often shy away from confronting uncomfortable truths. The challenge presented here is to face the disquieting realizations rather than retreating into complacency. It hints at the intricate relationship between memory and self-awareness, suggesting that grappling with the past is a crucial step in moving forward.
The lines "I don't want you like before" reveal a shift in the singer's perspective towards someone significant in their life. It implies a transformation in their feelings, suggesting that previous attachments may have been driven by dependency or need rather than genuine desire. The admission that “you don’t need me and you never did” presents a poignant realization of independence and self-sufficiency; it's liberating yet tinged with melancholy. This could indicate a profound recognition of the differences between necessity and affection, and how the web of interpersonal relationships impacts one’s sense of self. The singer seems to be breaking free from the illusion of their past connections, hinting at the painful yet necessary process of redefining their boundaries and understanding their own needs in relationships moving forward.
In the concluding verses, the themes of value, purpose, and existential questioning crystallize. The sentiment of "we never sold our souls for nothing" speaks to an intrinsic belief in the worth of one’s essence; however, the notion that it was "given away for free" suggests that societal expectations or other external pressures may lead individuals to compromise their true selves without any real benefit. The mention of "critical numbers" and "the hand that feeds" suggests a critique of societal systems that seem to dictate the worth of an individual based on external validation. The phrase "is this fault or intention?" further encapsulates the struggle between accepting one's fate and taking accountability for one’s choices. Wrapped in "shrouds of misery," the final lines portray a sense of shared suffering among individuals, evoking the callousness of societal structures that render them as mere participants in a fragmented existence. The plea to "leave some for me" encapsulates an underlying yearning for compassion in a world that often feels harsh and unsustaining, underscoring the song's exploration of loneliness, search for connection, and the quest for authenticity amidst societal demands.
Line by Line Meaning
I don't worry anymore
I've reached a place of calm, letting go of previous anxieties.
I've been through this
This experience is familiar; I've encountered similar challenges before.
Twice before
This isn't the first time I've faced such dilemmas; it's a repeated pattern in my life.
Wake up
It's time to awaken from complacency or denial.
Wake up memory
Rekindle the important lessons and experiences from my past.
Yeah we've got so much to say
There's a wealth of unexpressed thoughts and emotions that need to be communicated.
So don't leave your seat
Stay present and engaged; the conversation is vital.
I don't want you like before
My feelings for you have changed; I no longer desire the same connection.
You don't need me and you Never did
I've come to realize that my presence was never essential to your happiness.
Wake up wake up memory
Once again, I urge myself to recall the past and its significance.
Yeah I had so much to say
I was once filled with thoughts and opinions waiting to be shared.
Till you interrupted me
My voice was stifled by your actions or words, preventing my expression.
Go
A command for liberation, suggesting it's time to move forward without hindrance.
We never sold our souls
We maintained our integrity and authenticity despite external pressures.
For nothing
Our values were not exchanged for empty promises or superficial gains.
They were given away for free
Our principles were surrendered without compensation, highlighting a lack of appreciation for them.
Taken back by critical numbers
Society's harsh standards and metrics have reclaimed those values from us.
No response hand that feeds
The forces that sustain us offer no acknowledgment or gratitude in return.
To give two shits
Feeling indifferent or apathetic towards these unfair dynamics.
Is this fault or intention?
Questioning whether these circumstances arise from negligence or a deliberate agenda.
Wrapped in shrouds of misery
We exist enveloped in sadness and despair, unable to break free.
We're all put on
Each of us plays a role in this constructed narrative, often reluctantly.
Pathetic portions
The meager offerings we receive seem inadequate and disappointing.
Well leave some for me
In the struggle for survival, I request to be considered and not forgotten.
Lyrics © TUNECORE INC, O/B/O DistroKid
Written by: Tim Newman, James Hunter, Stuart Hunter
Lyrics Licensed & Provided by LyricFind
@Ytkidscat372
This movie scared the living hell out of me as a kid! Now my 5yo says it’s unbelievable because the “CGI” is so bad. It’s hard to explain life before pocket computers and several decades of tech advancements. When he found out I’m older than the internet you’d think I told him I was around when Prometheus stole fire!!
@LAPISTime25
I remember watching this as a kid. Still not that scared... totally....
@Howesenberg
I had the same experience! Now I'm just impressed by the snake because it's all robotics... Overlaced with cgi in parts but still a good amount you see is real which I always have respect for.
@devinwatkins2758
Your outro music makes a awesome finish to the video.😆😆🤣🤣
@psd5655
I thought this was an analysis of the music video 💀💀
@Howesenberg
That's a good point, I should probably change the thumbnail lol
@THEPRIMALREX
Damn, what a short vid! Wished there was more character moments to spicen content up with... hem hem.. some cholula, perhaps :P
@Howesenberg
Yeahh this is one of those movies where the plot is kinda thin. I have a bigger project lined up which should make for a longer video, but if that one doesn't get hot trending, I'll add a whole bottle of cholula 😁
@fitmcdeezy8778
He’s Angelina Jolies dad
@Choking_on_love
Snakes on a plane, snakes on a boat,... Snakes on a train??