Aphazel moved to USA and recruited Lord Kaiaphas as the new vocalist. Impressed by his performance in the bands Grand Belial‘s Key and Thokk, he was sure of his talent and value for the band. An extensive contract with Metal Blade Records was signed and in 1996, together with Kimberly Goss and Kjetil, they released the "The Cainian Chronicle" filled with big guitars and great atmospheres, followed by a European tour and the video, "Lilith‘s Embrace". This album also went on to become a classic in the genre.
1997, a few line- up changes took place and the album "Mad Grandiose Bloodfiends" was released, introducing guitarist/ keyboardist Jesus Christ ! A huge world tour followed, and afterwards, tired of life in the USA , Aphazel decided to move back to Europe, this time Italy , after having met female vocalist Deadly Kristin.
1999 brought "The Halls Of Eternity", a return to a heavier sound with Aphazel as the band’s new vocalist, and Dhilorz was recruited on bass. Some touring followed including the band’s first tour through Scandinavia . In 2000 Ancient did an impressive performance at the Wacken festival with new respected drummer Grom, receiving an excellent feedback by press, record company and fans. The mini album "God Loves The Dead" was released in January 2001, including special material like re-mixes, a cover, videos and other special material along with the title track, a release mainly for the die hard fans, waiting for the release of “Proxima Centauri”.
Recorded at the studio of Andy La Rocque, Los Angered Recording, and mastered at Sterling Sound, the band had created not just a masterpiece, but also an album with a production far better than the previous releases. "Proxima Centauri", an album showing a great leap forward for the band, in all ways possible, showed a style more aggressive, heavier, more technical and complete than the Ancient from the past. A long tour followed and Ancient visited new places this time - like Mexico, East Europe, and was proud to be the first black metal band to ever visit countries like Israel, Bulgaria and Romania ( by the famous Transilvania region). After this, another line- up change took place and Deadly Kristin left the band due to practical reasons.
Their last output is called "Night Visit".
lack Metal outfit ANCIENT was initially formed in Eidsvaagneset / Bergen as a solo project by Aphazel (a.k.a. Magnus Garset), an erstwhile member of Death Metal act PUTREFACTION, in late 1992. The group’s prominence rose steadily due to their inclusion of two significant female contributors, Kimberley Goss and Deadly Kristin successively, and their relocation to the USA, but was elevated still further in 1999 when the band’s album 'The Cainian Chronicles' was directly linked to one of Finland’s most notorious murders.
Aphazel’s solo undertakings expanded into the beginnings of a band unit in 1993 when drummer / vocalist Thorg (Henrik) was motivated to join the endeavour. They then performed a handful of Norwegian gigs, conducted with MOLESTED's bass player Kenneth Lian on loan. ANCIENT's first official, three track demo that September, recorded at Verftet Lydstudio, featured 'Eerily Howling Winds', 'The Call of the Absu Deep' and Det Glemte Riket'. The latter song was also featured on the Metal Blade Records compilation album 'Metal Massacre XII'. The tape sold over 700 copies and gained the band a deal with Listenable Records in France. At this juncture Thorg changed his stage name to Grimm. An EP, 'Det Glemte Riket', was laid down at Hindu Lydstudio in February 1994. 2000 copies were pressed in 7” format, of which a collectable 500 were manufactured in blue vinyl. Meantime, the album 'Svartalvheim', cut during the same extended sessions, emerged in December.
Further gigs followed, this time utilizing the services of ASMODEUS's bassist Qyasyar Archant. In August 1995 Devilish Entertainment issued a limited edition, 1000 piece run of 'Svartalvheim' on vinyl with different sleeve art. ANCIENT’s next offering, the EP 'Trolltar', was constructed at Warlust Studios with producer Michael Omlid in April 1995. Studio session players included female singer Lise-Kari Haavardstun Stalheim and, somewhat experimentally, euphonium player Knut Arne Kringstad. With the release of 'Trolltar' in November, Damnation Records only producing 1000 copies, Grimm left the band.
Aphazel would relocate the band from Bergen to the USA and into the ANCIENT ranks came Lord Kaiaphas, previously known as Lord Vlad Luciferion whilst a member of the bands THOKK and GRAND BELIAL'S KEY. The band, signing to Metal Blade Records, also added drummer Kjetil. ANCIENT's second album, 'The Cainian Chronicle', recorded at Unisound Studios by Dan Swanö in January 1996, emerged in June, notably featuring guest female vocals from the then seventeen year old Kimberley Goss of Chicago's AVERNUS as the band now became almost entirely American. ANCIENT's evolution was borne out by the semi-conceptual nature of 'The Cainian Chronicle', much of its content drawn from the Biblical saga of Cain’s temptation by Lilith with the remaining passages now pursuing mythological, Pagan themes. An unintentionally mirthful promotional video for the song ‘Lilith's Embrace’ depicted the band obliviously headbanging whilst Lord Kiaphas drew blood from Kimberley Goss.
European touring, backed by Metal Blade's budget, elevated the band's status. However, Goss was unceremoniously fired and duly joined Norwegians DIMMU BORGIR on loan for their European tour but cemented this into a permanent relationship later that same year. Goss would also put in onstage showings with THERION and subsequently found Power Metal band SINERGY.
October 1997's 'Mad Grandiose Bloodfiends', recorded Cue Recording Studios, Falls Church in Virginia, includes a cover of MERCYFUL FATE's 'Black Funeral', Japanese versions also hosting extra track ‘Morte el Potere’. Also evident on the record would be an eerie whistling sound that band members believed was not of their making. By now, ANCIENT were effectively a duo of Aphazel and Kaiaphas, but recorded together with New Orleans native Erichte (a.k.a. Saelok) of SPIRITUAL DARKNESS (later SPIRITUS TENEBRAE) on female vocals, AKRABU and CRIMSON MOON bass player Vampir Scorpios and the blasphemously named Jesus Christ (!) on guitar and other stringed instruments. For touring purposes ANCIENT pulled in BLOODSTAIN DUSK drummer Profana.
Confusion followed the band into 1998 as ANCIENT imploded yet again. Out went Kaiaphas and Erichte and in came bassist Tony and Jesus Christ on moved over to keyboards. Erichte soon came back onto the scene with her SPIRITUS TENEBRAE project whilst Kaiaphas poured his energies into OROBOROS. Aphazel uprooted the band once more, this time for its second trans-global shift to Italy.
By 1999 ANCIENT's line-up for the album 'The Halls Of Eternity', executed at Flying Studios in Gravellona Toce, comprised Aphazel on lead vocals and guitar, vocalist Deadly Kristin, keyboard player Jesus Christ and drummer Krigse. Dhilorz was recruited on bass to finalize the membership shortly after the recordings and IBLIS guitarist Thidra was recruited for live work. World touring then ensued including the band's inaugural tour through Scandinavia.
ANCIENT’s album 'The Cainian Chronicles' was pushed back to the forefront of media attention in August 1999 when Finnish black metal devotees Jarno Sebastian Elg, Terhi Johanna Tervashonka and Mika Kristian Riska were sentenced by a court in Hyvinkää for what was described by the media as a Satanic, ritualistic murder. The grisly crime had first come to light in October 1998 when a severed leg had been found on a rubbish tip.
Although the details of the case were deemed so horrific as to be held under Finnish secrecy laws for a 40 year period, newspapers claimed the unnamed victim “suffered prolonged torture and eventually was strangled to death”, after which the murderers partook in “ingesting some of the body parts”. Unfortunately for ANCIENT, this unsavoury episode took place whilst the three were listening to their 1996 album.
The group put in what was to be widely acknowledged to be a landmark performance at the 2000 'Wacken Open Air' festival in Germany. Upon completion of these dates Aphazel and Deadly Kristen busied themselves with the extra curricular Gothic ambient project DREAMLIKE HORROR.
In 2000 ANCIENT welcomed Italian ex-BEDEVILED and BLOODSTORM drummer Grom onboard for the EP release 'God Loves The Dead'. Not to be outdone with other members side ventures Diego 'Grom' Meraviglia would involve himself with Italian Doom mongers DOOMSWORD appearing on the 'Resound The Horn' album, Dhilorz cited membership of Death Metal band INFLICTION and Jesus Christ put his energies outside the band into FULLMOON SIDESHOW.
In February 2001 ANCIENT’s profile was maintained with the issue of the mini-album ‘God Loves The Dead’. Featured was a cover version of IRON MAIDEN’s ‘Powerslave’, remixes and two promotional videos. The full blown ‘Proxima Centauri’, arguably the band’s most accomplished work to date, arrived in October that same year. ANCIENT’s line-up for this effort comprised Aphazel on "burning guitars, lead vocals & bestial rage", Deadly Kristin on "female vocals & seductive black arts", Grom on "drums of destruction", Jesus Christ on "infernal keyboards & blasphemy", Dhilorz on ‘apocalyptic bass guitar" and session guitarist Thidra. For live work ANCIENT employed the services of another Italian, Aleister Demon of FAUST repute.
In mid 2002 Hammerheart Records announced a re-release the 'Det Glemte Riket' adding the 'Troltaar' release plus the 'Det Glemte Riket' 7" and unreleased material. August had Deadly Kristin announcing a new side formation billed as FROZEN SOUL, working in league with Tom Sibrån Van Iersel as main composer on guitars and "growl" vocals and Björn Jonsson on bass guitar.
Drummer Grom made headway with his 'Prog-Black' project band HORTUS ANIMAE, signing to the Black Lotus label for a debut album 'Waltzing Mephisto'. Deadly Kristin, converting to Islam, joined up with the technical Seattle based Progressive Death Metal band BYAXIS. Meantime, ANCIENT got to work on a new album in late 2003, recording 'Night Visit' at the Mirage and Alpha-Omega studios with producer Fredrik Nordström. Former ANCIENT singer Kaiaphas made a guest appearance on one track on the album.
Germany's Supreme Chaos Records announced a CD containing ANCIENT's original 'Eerily Howling Winds' demo tapes from 1993 along with other unreleased demo tapes from the beginning of the band's career. Set for March 2005 issue the set would be entitled 'Eerily Howling Winds - The Antediluvian Tapes'. Aphazel and Deadly Kristen's DREAMLIKE HORROR project signed to the Greek Sleaszy Rider label for their March 2005 debut 'Delightful Suicides'. The same label would re-release 'Det Glemte Riket', 'Trolltaar' and the 'Eerily Howling Winds-The Antediluvian Tapes' sessions all including extra bonus tracks.
The band forged a touring alliance with Denmark's ILLDISPOSED and German act FINAL BREATH for European dates throughout March of 2005. April found Grom rehearsing with FIRE TRAILS, the new act assembled by VANADIUM leader Pino Scotto and in early September the drummer announced he was to close his five year tenure with ANCIENT. Deadly Kristin partnered with DJ Celt Islam and sitar player and imam Dawoud Kringle in England to collaborate on the Sufi-Electro project ANALOGUE FAKIR. During late 2005 Grom also enrolled into the ranks of ANDARK as session live drummer.
(Rek nyieun buku kumaha? Panjang kieu)
Former ANCIENT vocalist Lord Kaiaphas launched a new Black Metal solo project called THOKKIAN VORTEX in January 2007.
2) Ancient also is the old name of band Ancient Wisdom (Swe).
3) four-piece black/thrash metal from Bandung, Indonesia.
Envision The Beast
Ancient Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
for pain is far too near
Exempt yourself, from its vicious wrath.
A beauty cast in fear
A lucious form, that drags you in,
blind of its own thirst
Of human hearts, a bloody feast,
the spawn of all men's curse.
No warning, no sign,
of what will thrust you way deep down
To the dark cold place, the fathomed deeps,
where in your flood you'll drown
Pity please, have mercy now
Spare my ease, don't break the vow.
I'm guilty of sincerity,
my doom is named, calamity
Avoid the fight, the stormblast clash,
for your soul will die,
there's no way back, from the blood red night
a destiny to cry,
the only hope, is to prevent
to fail where all men do
to break the spell, the trance we're in
envision what is true!
my fate seems sealed by life's own choice
I'm swirling forth with nature's voice
Destroying souls and reaping hearts
I may refrain, but it's my lust
My poor dear thing, my lustful child
You ravish joy, with your denial
Why can't you see my mind is king
I need a soul to re-awaken my heart
Your heart is numbed it needs to find,
a road to light through that black hole.
Like this your quest will never end,
For you seek home in no man's land!
No reason comes, to show its face
as emptiness sets in
A useless waste, now how you feel,
as tolerance wears thin
Your patience slowly turns to dust,
and you begin to smile
For you're that so much stronger to,
face the beast's denial
Another warning brings to you
The visions of a time
When man will learn with open eyes
The beast, the beast... the vicious crime!
Pity please, have mercy now
Spare my ease don't break the vow.
I'm guilty of not seeing you
A filthy, evil bowel!
My patience, it wears thin...
My swirling wrath begins...
To banish down within...
What's been under my skin.
The song "Envision The Beast" by Ancient warns against the dangers of succumbing to one's inner desires, symbolized here by the green-eyed beast. The lyrics suggest that giving in to one's lust and thirst for power can be a bloody and destructive path, leading to the destruction of one's own soul and the hearts of others. The beauty that the beast possesses is deceptive, as it is ultimately driven by a curse that feeds on the pain and suffering of others. The singer implores the listener to avoid this fate by envisioning what is true and breaking the spell of the beast's enchantment, which is to lure us into a mesmerizing trance of self-deception.
Throughout the song, there is a sense of urgency and desperation in the singer's voice, as if he is pleading with the listener to take heed of his warning. The lyrics alternate between cautionary tales of those who have fallen prey to the beast's charm and the singer's own struggle to resist its pull. The song suggests that succumbing to our inner demons and desires can ultimately lead to our destruction, but there is still hope if we can recognize the truth and resist the temptation of the beast.
Line by Line Meaning
Beware the beast, the green-eyed beast,
for pain is far too near
Be cautious of the envy within, for it brings agony too close for comfort
Exempt yourself, from its vicious wrath.
A beauty cast in fear
Protect yourself from its harmful anger; its outer appearance is deceiving
A lucious form, that drags you in,
blind of its own thirst
Its attractive appearance captivates you, but it doesn't realize its own insatiable desires
Of human hearts, a bloody feast,
the spawn of all men's curse.
It thrives on destroying human hearts, a curse to all humanity
No warning, no sign,
of what will thrust you way deep down
To the dark cold place, the fathomed deeps,
where in your flood you'll drown
You won't see it coming, but it will take you to a place of darkness and despair where you'll be consumed by emotions
Pity please, have mercy now
Spare my ease, don't break the vow.
I'm guilty of sincerity,
my doom is named, calamity
Please have sympathy, don't hurt me. I'm guilty of being honest, and it will lead to my downfall
Avoid the fight, the stormblast clash,
for your soul will die,
there's no way back, from the blood red night
a destiny to cry,
the only hope, is to prevent
to fail where all men do
to break the spell, the trance we're in
envision what is true!
Don't engage in conflict, for it will destroy your soul. You can't return from the night of destruction, it's a destiny to mourn. The only way to save yourself is to avoid failure by recognizing the truth and breaking free from illusions
my fate seems sealed by life's own choice
I'm swirling forth with nature's voice
Destroying souls and reaping hearts
I may refrain, but it's my lust
My destiny is determined by life's decisions. I'm falling deeper into my primal instincts, harming others and taking what I want, even though I could stop myself
My poor dear thing, my lustful child
You ravish joy, with your denial
Why can't you see my mind is king
I need a soul to re-awaken my heart
Your heart is numbed it needs to find,
a road to light through that black hole.
Like this your quest will never end,
For you seek home in no man's land!
You, my lustful child, hurt yourself and others by rejecting happiness. You don't understand that my desires control me. I need someone else to feel alive again, but you're closed off to me. You need to find a way out of your darkness or you'll never find happiness
No reason comes, to show its face
as emptiness sets in
A useless waste, now how you feel,
as tolerance wears thin
Your patience slowly turns to dust,
and you begin to smile
For you're that so much stronger to,
face the beast's denial
You feel empty and lost as you grow tired of the situation. Your patience wears thin and you start to feel a sense of relief. You're strong enough to confront the beast and its lies
Another warning brings to you
The visions of a time
When man will learn with open eyes
The beast, the beast... the vicious crime!
Another cautionary message reveals a time when humans will recognize the criminal nature of the beast and learn from it
Pity please, have mercy now
Spare my ease don't break the vow.
I'm guilty of not seeing you
A filthy, evil bowel!
Please have pity on me, don't make life harder than it already is. I didn't realize the consequences of hurting you, and I regret it deeply
My patience, it wears thin...
My swirling wrath begins...
To banish down within...
What's been under my skin.
I'm growing impatient and angry... My emotions are spiraling out of control... I'm trying to suppress my inner demons, but it's getting harder.
Contributed by Kaelyn R. Suggest a correction in the comments below.
ogrebattle22763
This is an excellent album definitely one of their best without a doubt! Great song! Great post!
Median Alcoa
This Song stays a very good song of Ancient.. i like it alot ^^ thank you for uploading =O
frank tyler
@ammoape75 Good question.. this is the first time I've ever heard of them and I'm wondering the same thing.
Anton B.
Rock!
Almond Cosas
not underrated, but i think the correct term is ignored. overshadowed by their colleagues.... nevertheless, a great band indeed.