Andres Calamaro is one of the most popular Argentinian pop-rock songwriters… Read Full Bio ↴Andres Calamaro is one of the most popular Argentinian pop-rock songwriters. A songs craftsman, as he likes to consider himself.

Born Aug 22, 1961 in Buenos Aires, Argentina, he began his professional musical career at the age of 17 playing keyboards in Raíces.
In 1981 he incorporated to one of the main bands of the Argentinean '80s rock scene: Los Abuelos de la Nada. Although the band was led by the brilliant Miguel Abuelo, Calamaro composed most of the band's hits, like "Mil Horas," "Así es el calor," "Sin gamulán" and "Costumbres Argentinas."

In 1984 he made his solo debut with Hotel Calamaro. The album was a bizarre mix of styles and musicians, and didn't gain public or press support.

In 1985 he left Los Abuelos de la Nada and registered his second album Vida Cruel. Inspite of the important musicians and guests, such as Luis Alberto Spinetta and Charly García, the album was a disappointment: both commercially and artistically. But if as a songwriter the luck was out of reach, he had an intense and successful work as a producer of bands like Los Enanitos Verdes, Los Fabulosos Cadillacs and Don Cornelio y la zona. He also worked and collaborated with many artists of different styles and genres, a constant attitude through his whole career. The third album Por Mirarte showed Calamaro in a better shape with an established band. Released in 1988 it contains some outstanding songs such as "Con los dientes apretados" and "Me olvidé de los demás," while others like "Cartas sin Marcar" and "Loco por tí" helped the album to get popular.

When Calamaro released in 1989 Nadie Sale Vivo de Aquí, Argentina was living it's worst economical crisis: few albums were released. The album title suggest it all: Nobody comes out alive from here. The LP production was paralyzed, and the few that could make it were almost ignored. That was Calamaro's case. This situation lead the singer to settle in Spain, following a road taken by many Argentinean rockers. Out there in Spain he met Ariel Rot y Javier Infante, former members of Tequila. They formed Los Rodríguez in 1991, a pop-rock band that was very popular in Spain and Latin America: Calamaro's songs began to be popular like in the early '80s: the hit maker was on the road again. Curiously, from Spain, he was conquering Argentina. While being part of the band he didn't release any new solo material, just Grabaciones Encontradas 1 y 2, a couple of CDs that contained unreleased and rare material from the '80s.

After the split of Los Rodríguez, Calamaro returned to his solo career recording Alta Suciedad in 1997, an album produced by Joe Blaney. This album brought him the commercial success that seemed to fail in his previous solo efforts, and sold 300.000 copies just in Argentina. That is certainly a huge amount for the country's small market. No doubts, that album helped him to be placed between the star legends of the national rock scene. Before that album Calamaro was considered an important character, appreciated by other musicians, but not a main one. After he broke up with his spanish girlfriend he released in 1999 the double CD Honestidad Brutal. Recorded when he was 37, it contained 37 songs of despair, love loss, drugs and regret. It was not as successful at the previous album, but showed a new Calamaro: desperate, decadent and often elegant at the same time, with a new and raw lyrical approach. El Salmon followed in spring 2001.
Calamaro's next proyect, El Cantante, was released in 2005. A delicious mixture of tango, rock n'roll and flamenco guitars (mostly played by spanish prodigy El Niño Josele).
After a break, he returned to the stages with a tour full of classics that gave birth to a live album called El Regreso on 2005, recorded with members of Bersuit Vergarabat as a backing band. This album was very well received for the charts as well as for the critics, wich lead him to different awards. One year later, on 2006, Andres published a new album from the roots of tango with the collaboration of guitarrists Niño Josele and Juanjo Dominguez. On 2007 El palacio de las flores was published, although it was recorded on 2006. The album had the collaboration and musical influence of argentine composer Lito Nebbia and was also recorded on his studio. This was the return to a classic Calamaro album with new songs and hits.

Golden Slumbers
Andrés Calamaro Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Once there was a way,
To get back homeward.

Once there was a way
To get back home.

Sleep, pretty darling,
Dot not cry

And I will sing a lullaby.

Golden slumbers,
Fill your eyes
Smiles await you when you rise
Sleep pretty darling
Do not cry
And I will sing a lullaby.

Once there was a way
To get back homeward

Once there was a way
To get back home

Sleep, pretty darling

Do not cry
And I will sing a lullaby.

Overall Meaning

Andrés Calamaro's interpretation of the classic Beatles track "Golden Slumbers" is a lullaby that reassures someone who is likely going through a tough time that everything will be okay. The song's first two lines suggest that there was previously a path, now lost or forgotten, that would lead back to the soothing comfort of home. However, because it's a lullaby, the lyrics shift towards the present to encourage sleep and assure the listener that a new day awaits them where they will wake up to smiles. The repetition of "Sleep, pretty darling, do not cry, and I will sing a lullaby" serves as a soothing mantra throughout the song, emphasizing the lyrics' message of hope.

The title of the song, "Golden Slumbers," was inspired by the lullaby "Golden Slumbers Kiss Your Eyes," which was published in 1603. Paul McCartney composed the song as part of a medley with other tracks like "Carry That Weight" and "The End" for The Beatles' album "Abbey Road" in 1969. The medley is considered a masterpiece and a fitting ending to the group's discography, as it was recorded just before they disbanded. Andrés Calamaro's cover of "Golden Slumbers" was released in 2007 on his "La Lengua Popular" album, which became one of his most successful records.

Line by Line Meaning

Once there was a way,
In the past, there existed a method or path

To get back homeward.
To return to one's home or place of origin.

Once there was a way
In the past, there existed a method or path

To get back home.
To return to one's home.

Sleep, pretty darling,
Rest now, lovely one,

Do not cry
Do not shed tears or be sorrowful

And I will sing a lullaby.
I will comfort with a soothing song.

Golden slumbers,
Peaceful and joyful sleep,

Fill your eyes
Surround you and make you feel content

Smiles await you when you rise
Happiness and joy will greet you in the morning.

Sleep pretty darling
Sleep soundly and peacefully, lovely one.