Prism
Andrea Gibson Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

My friend Derrick says, "Love is the only war worth dying for."
But every time I say, "Please come back," I feel like I'm trying to find a dirty needle in a haystack.
And God knows--I can't go out like that.

I suppose we wear our traumas the way the guillotine wears gravity;
our lovers' necks are so soft.

I lost my head so many times,
I got sober just hoping my eyes would dry;

still I drink so much in my sleep,
I can't sleepwalk a straight line
to the guest room where collapse hangs so heavy inside her lungs;
she speaks and her voice trips across her heartbeat.
Each word limps into the air:

"We are gone," she says.

And I am no mortician.
I have no idea how to put makeup on the dead.
I have no idea how to un-erase,

so I just puddle at the door,
my face looking like a deck of falling cards,
like eventhing's been playing me.

We tried so hard.

But when I said, "Give me a ring,"
she thought I meant a call.

Now I haven't had her number
for 3 years.
We've been saying, "How many times are we gonna
keep cutting these red flags
into Valentines?"

All the wars we've fought
have turned our shine into rust;
now we can't touch each other's trust
without a tetanus shot.

We can't begin to remember
how we forgot

there is no shelter in the womb;
the heart forms long before the ribcage.
My mother swore she could feel me kicking
weeks before my feel formed.

That's how hard my heart beat.
And it still does.

But they say the womb is where we learn love
is knowing the chord that feeds you
could at any moment wrap around your neck.

I hold my breath for the entire 56 seconds it takes her to walk to the window,
to stare at the road,
to tell me she has nothing left,
to tell me we are done

carrying our level head
in our torn-up chests.

And for the first time,
I know she is right

as the dawn after our first date.
We were so young

I hadn't written an honest love poem yet.
I hadn't met anyone I could fall so hard for
'till the night we kissed on our skateboards.
She teased me for going so slow.

I said, "I never want to catch up
to the letting go."
I want to plead in my throat to forever anchor my spine
in the seams of your warm slippers, love.

Even when the dove crashed through my window.
Even when our friends said, "You can call it love
but remember Einstein first called himself a pacifist
when he built the bomb."

When they ask me why we stayed together for so long,
I say, "I don't know."

I just know we cried at the exact same time in every movie.
I know we blushed everyday for the first two years. I know
I always stole the covers
and she never woke me up.

I know the exact look on her face
the first time she used my toothbrush.

The next day I brushed my teeth 40-some times because
I didn't want to let her go.

You have to understand
when it hurt to love her,
it hurt in the way the light hurts your eyes in the middle of the night.
But I had to see,
even through the ruin,
if what we were burying were seeds.

There were so many plants in our house
you could rake the leaves.
Even through that winter
when I was trying to make angels
in the snow of her cold shoulder,
she was still leaving

love notes in my suitcase. I'd always find them
the day before I left.
I remembered a story her mother told me.
She said,

"Andrea, when Heather was a little girl,
she couldn't fall asleep without tying a string around her finger
that she stretched to mine in the other room.
All night long she'd give that string the tiniest tug
to make sure I was still there.
And when I tugged back,
that was love.
That was love.
Easy as that.
Sometimes."





Sometimes.

Overall Meaning

In "Prism," Andrea Gibson opens up about the painful ending of a relationship, struggling with loss and heartbreak. The lyrics explore the complexities of love and the aftermath of a breakup. She mentions her friend Derrick's quote, "Love is the only war worth dying for," which suggests that love is worth the risk of getting hurt. However, she also acknowledges that the pain caused by a breakup, as compared to finding a needle in a haystack, is excruciatingly difficult to bear.


Gibson compares the weight of trauma to the force of gravity on a guillotine, and likens the soft necks of lovers to those about to be beheaded. She regrets past mistakes and acknowledges the difficulties in moving on, reflecting on how the memories of the lost love still linger. She wishes she knew how to un-erase the past and salvage what was lost between them. Despite holding out hope for reconciliation, the truth that the relationship is permanently over dawns upon her, and she realizes it is time to let go.


Line by Line Meaning

My friend Derrick says, "Love is the only war worth dying for."
Derrick values love above all else, to the extent that dying for love is an honorable sacrifice.


But every time I say, "Please come back," I feel like I'm trying to find a dirty needle in a haystack.
Trying to reconcile with someone who has left you can feel like an impossible and fruitless task.


And God knows--I can't go out like that.
The singer cannot continue to live in a state of hopelessness and heartbreak.


I suppose we wear our traumas the way the guillotine wears gravity;
Our past traumas weigh heavily on us, much like the force of gravity on the guillotine.


our lovers' necks are so soft.
Our vulnerability and emotional connection with our partners makes them easy targets for causing pain.


I lost my head so many times,
The singer has allowed her emotions to cloud her judgement on numerous occasions in her past.


I got sober just hoping my eyes would dry;
The singer tried to sober up and clear her head in hopes that it would help her cope with her emotions.


still I drink so much in my sleep,
The artist's subconscious is still consumed by her emotional wounds, leading to excessive alcohol usage in her dreams.


I can't sleepwalk a straight line to the guest room where collapse hangs so heavy inside her lungs;
The artist can't even navigate her dreams without being reminded of the pain she's experienced in past relationships.


she speaks and her voice trips across her heartbeat.
Her words are seemingly intertwined with the intense feelings of emotion she is experiencing.


Each word limps into the air:
Her words are a struggle to vocalize, emphasized by the use of the word "limps".


"We are gone," she says.
The artist's partner has officially ended things, stating that their relationship is over.


And I am no mortician.
The singer does not have the ability to bring things back to life, nor can she make sense of her partner's emotional death.


I have no idea how to put makeup on the dead.
The singer is not skilled in the art of covering up emotional wounds or bringing things back to life.


I have no idea how to un-erase,
The singer can't undo things that have already been done or take back what has been said.


so I just puddle at the door,
The artist is stuck in their emotions, unsure what to do or how to move forward.


my face looking like a deck of falling cards,
The artist's emotions are in a state of chaos and vulnerability, much like a house of cards falling apart.


like eventhing's been playing me.
The singer's emotions are controlling her, rather than the other way around.


We tried so hard.
The singer and her partner put great effort into trying to make their relationship work.


But when I said, "Give me a ring,"
The artist asked her partner for a commitment or sign of their love.


she thought I meant a call.
Her partner misunderstood the artist's request and failed to see the depth of her emotions.


Now I haven't had her number for 3 years.
The artist has not been in contact with her partner for an extended period of time.


We've been saying, "How many times are we gonna keep cutting these red flags into Valentines?"
The mixed signals and warning signs in their relationship are being ignored or even romanticized.


All the wars we've fought have turned our shine into rust;
Their past conflicts and struggles have caused them to lose their spark or energy for each other.


now we can't touch each other's trust without a tetanus shot.
The singer and her partner's past pain has left them incapable of trusting each other, equating it to the need for protective vaccination measures.


We can't begin to remember how we forgot
The singer and her partner are struggling to understand how they got to this point in their relationship.


there is no shelter in the womb;
The safe feelings of love and protection found in the womb don't exist in adult relationships.


the heart forms long before the ribcage.
Emotions and love are felt before the physical body has even fully developed.


My mother swore she could feel me kicking weeks before my feel formed.
The artist's mother felt a sense of connection with her child and his/her emotions even before she could physically feel him/her.


That's how hard my heart beat.
The singer's emotions and heart were strong and alive, even in the womb.


But they say the womb is where we learn love is knowing the chord that feeds you could at any moment wrap around your neck.
Even before birth, the notion that love can be both nourishing and potentially harmful is instilled in us.


I hold my breath for the entire 56 seconds it takes her to walk to the window,
The artist is anxiously waiting for her partner to speak or make a movement, despite the emotional turmoil it may cause.


to stare at the road, to tell me she has nothing left, to tell me we are done carrying our level head in our torn-up chests.
The artist's partner is communicating her final decision to end their relationship due to the emotional trauma they have both been carrying.


And for the first time, I know she is right
The artist is coming to terms with the fact that the relationship cannot be saved and that her partner's decision is the best course of action.


as the dawn after our first date.
This decision feels jarring and new, like a morning after a stark realization.


We were so young
The artist and her partner's youthfulness and inexperience played a significant role in their inability to maintain a lasting relationship.


I hadn't written an honest love poem yet.
The singer had not yet been able to express her emotions in a genuine and pure way.


I hadn't met anyone I could fall so hard for 'till the night we kissed on our skateboards.
The singer had not found someone she had connected so deeply with until her current partner.


She teased me for going so slow.
The singer's partner found humor in the singer's cautious nature and approach to the relationship.


I said, "I never want to catch up to the letting go."
The artist expressed her deep desire to hold onto the relationship, and to never be caught in the act of letting it go.


I want to plead in my throat to forever anchor my spine in the seams of your warm slippers, love.
The artist desires a deep sense of love and connection with her partner, illustrated through a metaphor of warmth and comfort.


Even when the dove crashed through my window.
Even during difficult and unexpected moments in life, the singer wants to hold onto her relationship and maintain her connection with her partner.


Even when our friends said, "You can call it love but remember Einstein first called himself a pacifist when he built the bomb."
The singer's friends are skeptical of her relationship, likening the potential hurt is to Einstein's creation of the destructive atomic bomb.


When they ask me why we stayed together for so long, I say, "I don't know."
Despite the struggles and eventual end to the relationship, the artist can't help but feel a sense of confusion as to why she stayed with her partner for as long as she did.


I just know we cried at the exact same time in every movie.
The artist and her partner shared an intense emotional connection, even expressed through the small act of crying at the same time during films.


I know we blushed everyday for the first two years.
Their love and attraction to each other was still strong and present in the beginning of their relationship.


I know I always stole the covers and she never woke me up.
Despite small flaws and imperfections in their relationship, there was still a deep sense of care and consideration for each other.


I know the exact look on her face the first time she used my toothbrush.
Small moments like sharing a toothbrush cemented the artist's relationship and firm loyalty to her partner.


The next day I brushed my teeth 40-some times because I didn't want to let her go.
The singer resisted letting go of the relationship by clinging to physical reminders of her partner.


You have to understand when it hurt to love her, it hurt in the way the light hurts your eyes in the middle of the night.
The singer's emotions for her partner were intense and blinding, causing an equal amount of pain and discomfort.


But I had to see, even through the ruin, if what we were burying were seeds.
Despite the pain and hardships they faced, the singer held onto the hope that their struggles were sowing the seeds for a stronger relationship in the future.


There were so many plants in our house you could rake the leaves.
The artist and her partner's relationship had grown to be prosperous, with many areas of growth and opportunity.


Even through that winter when I was trying to make angels in the snow of her cold shoulder, she was still leaving love notes in my suitcase.
Despite moments of emotional distance and tension, the artist's partner still left gestures of love and affection, providing a tether of hope for the relationship.


I'd always find them the day before I left.
The timing of these love notes offered a sense of comfort and longing for the singer, as they readied themselves to leave her partner once again.


I remembered a story her mother told me.
The singer recalls a point in her relationship where she heard stories from her partner's family members, further cementing their connection to each other's lives.


"Andrea, when Heather was a little girl, she couldn't fall asleep without tying a string around her finger that she stretched to mine in the other room. All night long she'd give that string the tiniest tug to make sure I was still there. And when I tugged back, that was love. That was love. Easy as that. Sometimes."
The artist's partner carries a childhood memory and romanticized notion of love, where the presence of another person can provide feelings of warmth and support despite the distance between them.


Sometimes.
Love, and relationships, can be mysterious, unpredictable, and tumultuous, but are a worthwhile pursuit nonetheless.




Contributed by Hannah T. Suggest a correction in the comments below.
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Comments from YouTube:

@arianac5974

when you can't relate to a poem yet you can still feel your heart thumping from how powerful this poem is

@resilientwriter8518

Andrea has one of the easiest voices to listen to and such a remarkable stage presence. I've never seen them perform before but this was absolutely beautiful, almost effortless.

@beautybabyxo1841

"Knowing the cord that feeds you could at any moment wrap around your neck" 👐

@joans6047

BeautyBabyxo Yes!!! Best line of the poem.... struck a chord with me as well. No pun intended!

@tabbilea5929

Chills over my entire body every single time I hear one of Andrea's poems, always been my favorite poet.

@Hollyslilkiss1

I'm so glad she's back. one of my favorite poets since day one 💜

@Chrispbacon94

Hailey Moseley WHEN the BOUGH BREAKS is one of my favorite spoken word albums period.

@sierrahealey4500

Hailey Moseley just a heads up, they use they/them pronouns 🙂

@heyitssjace

I've never seen Andrea on Button Poetry, but I've watched countless of their spoken word videos floating about on YouTube. They're one of my favorite spoken word artists, but they were my first favorite spoken word artist as well.

@inkedimagination

heyitssjace they use they/them pronouns

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