He first performed in a children's choir at his local Presbyterian church. Williams and his three older brothers Bob, Dick, and Don, formed a quartet, the Williams Brothers, in the late 1930s. The brothers performed on radio in the Midwest, first at WHO in Des Moines, Iowa, and later at WLS in Chicago and WLW in Cincinnati. Williams graduated from Western Hills High School in Cincinnati. They appeared with Bing Crosby on the hit record "Swinging on a Star" (1944). This led to a nightclub act with entertainer Kay Thompson from 1947 to 1951.
Williams's solo career began in 1952 after his brothers left the act. He recorded six sides for RCA's label "X," but none of them were popular hits. After landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song," "Are You Sincere," "The Village of St. Bernadette," and "Lonely Street," before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles. In terms of chart popularity, the Cadence era was Williams's peak although songs he introduced on Columbia became much bigger standards. Two top ten hits from the Cadence era, "Butterfly" and "I Like Your Kind of Love" were apparently believed to not suit Williams's later style; they were not included on a Columbia reissue of his Cadence greatest hits in the 1960s.
During the 1960s, Williams became one of the most popular vocalists in the country and signed what was to that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra and Elvis Presley. By 1973 he had earned as many as 17 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. In these recordings Williams displays an incredible vocal technique along with an uncanny ability to make each song his very own, often rivaling or surpassing the version by the original artist. These attributes, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era.
Williams forged an indirect collaborative relationship with Henry Mancini, although they never recorded together. Williams was asked to sing Mancini and Johnny Mercer's song "Moon River" at the 1962 Oscar Awards (where it won), and it quickly became Williams's theme song. This was repeated the next year with the pair's "Days of Wine and Roses" (which also won), Mancini's "Dear Heart" at the 1965 awards and "The Sweetheart Tree" (also written with Mercer) at the 1966 awards.
Williams also competed in the teenage-oriented singles market as well and had several charting hits including "Can't Get Used to Losing You," "Happy Heart," and "Where Do I Begin", the theme song from the 1970 blockbuster film, Love Story. Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years. He hosted the Grammy Awards for three consecutive years in the 1970s. He returned to television to do a syndicated half-hour series in 1976-77.
In the early 1990s, Williams gave up most of his touring schedule in order to open his own theatre in Branson, Missouri, the Andy Williams Moon River Theater. He continues to do 8 to 12 shows a week from September to December and occasionally makes tours of Europe earlier in the year.
His 1967 recording of "Music to Watch Girls By" was a surprise UK hit in 1999, when it reached number 9 after featuring in an advert (beating the original peak of number 33 in 1967). In 2002 he took part in a new duet of "Can't Take My Eyes Off You" with British actress and singer Denise van Outen. Nearly everything Williams ever recorded has now been made available on CD through a series of compilations from 1997 to 2004.
Williams met Claudine Longet when he pulled over to aid her on a Las Vegas road. She was a dancer at the time at the Folies Bergere. They married on Christmas Day, 1961, and had three children, Noelle, Christian, and Robert. They separated in 1969 and finally divorced 6 years later. In 1976 Longet was charged with fatally shooting her boyfriend, skier Vladimir "Spider" Sabich and Williams supported her. He married a second time in May 1991 to the former Debbie Haas. They make their homes at Branson, Missouri and La Quinta, California. Williams' homes have been featured in Architectural Digest, and he is a noted collector of modern art. Williams is an avid golfer. He hosted a major golf tournament in San Diego for many years, which was known as the Andy Williams San Diego Open during that time.
Williams' birthplace is a tourist attraction open most of the year.
Angels We Have Heard On High
Andy Williams Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah
Ooh, oh, ooh oh, yeah
Angels
We have heard on high
Sweetly singing
O'er the plain
In reply
Echoing
Their joyous strains
Glo-glo-glo-glo-ria
In excelsis Deo
Ooh, no, yeah, yeah
Shepards
Why this jubilee
Why your
Joyous song prolong
What the
Gladsome tidings be
Ohh
That inspire
Your heavenly
Heavenly song, oh
Glo-glo-glo-glo-ria
In excelsis Deo
Oh, oh, oh
Oh, yeah
Oh
Come to Bethlehem
And see
Him whose birth
The angels sing
Oh
Come on adore
On bended knee
Christ, the Lord
Our newborn King
Glo-glo-glo-glo-ria
In excelsis Deo
Oh yeah
On the day
That Christ was born
The angels sang
Such a heavenly song
In excelsis Deo, ohh
Angels
We have heard on high
Angels
We have heard on high
Angels
We have heard on high
Angels
We have heard on high
In excelsis Deo
In excelsis Deo
In excelsis Deo
The Andy Williams version of "Angels We Have Heard on High" is a joyful and festive rendition of the classic Christmas carol. The song celebrates the miraculous birth of Jesus Christ and the joyful reaction of the angels who proclaimed his arrival. The first verse describes how the angels were heard on high, singing sweetly over the plains and echoing across the mountains. The chorus exclaims "Gloria in excelsis Deo," which means "Glory to God in the highest," emphasizing that this birth is a at the heart of a spiritual and religious event.
The second verse speaks directly to the shepherds who witnessed this momentous occasion, asking why they are singing so joyously and what news has inspired their song. The second chorus repeats the "Gloria in excelsis Deo" line twice, emphasizing the divine nature of the event. The final verse invites listeners to come adore the newborn Christ, and the song ends with one more chorus proclaiming the glory of God.
Line by Line Meaning
Angels we have heard on high
We heard angels singing loudly in the sky
Sweetly singing o'er the plain
The angels were singing beautiful melodies across the fields
And the mountains in reply
The echoes of the angels' songs were heard across the mountains
Echoing their joyous strains
The mountains were sending back the joyful sounds of the angels
Shepherds why this jubilee
Why are you celebrating so splendidly, shepherds?
Why your joyous songs prolong
Why are you singing your joyful songs so long?
What the gladsome tidings be
What brings such delightful news that inspires your songs?
That inspire your heavenly song, oh
What is the inspiration behind your beautiful, heavenly melody?
Come to Bethlehem and see
Come to Bethlehem and witness for yourself
Him whose birth the angels sing
The angels are singing in celebration of the newborn king
Come on adore on bended knee
Please come and kneel in admiration
Christ the Lord our newborn King
Christ, our newborn king, is also our savior and Lord
On the day that Christ was born
When Christ was born
The angels sang such a heavenly song
The angels sang a beautiful, magnificent song
Angels we have heard on high
We have heard angels singing loudly in the sky
In excelsis Deo
In the highest, God
Lyrics © MUSIC SERVICES, INC., Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Traditional, Douglas Gamley
Lyrics Licensed & Provided by LyricFind
Anthony Gambitta
RIP andy, Mr. Christmas for me. Always and forever the golden voice from heaven.
Alpha collector
Andy's voice is like a lullaby. Merry Christmas.
Morningstar
If you like Andy, Chance are you like Nat King Cole too.
Claudia Ortiz
Magnífica canción me emociona ...
Silvia D.
The voice of Christmas for me!
navycottoncandi
Lovely voice he had! Thanks
Meirita Nasution
When I listen to your voice. ..I always remember my beloved father....~Petrus Nasution.
Cindy Ruiz
To All thee Angels in Heaven we Love you more than life 💞 Revelation 19 / 7 let us be glad and rejoice give Honor to him ❄️
BarbieMak225
miss you andy but we have your recordings and thank to u-tube some of your shows
Inter Vest Com
Love to all around the world from Yahweh God the Father through His Son Jesus Christ!