Although much of DiFranco's material is autobiographical, it is often also strongly political. Many of her songs are concerned with contemporary social issues such as racism, sexism, sexual abuse, homophobia, reproductive rights, poverty, and war. DiFranco's guitar playing is often characterized by a signature staccato style, rapid finger picking and many alternate tunings. She delivers many of her lines in a speaking style notable for its rhythmic variation. Her lyrics, which often include alliteration, metaphor, word play and a more-or-less gentle irony, have also received praise for their sophistication. She has released 19 solo albums (not including collaborative albums or live albums), all of which were released on her own independent record label, Righteous Babe Records (which she formed in 1989 at the age of 19).
DiFranco has been a critical success for much of her career, though not a commercial one by major label standards, with a career album average of 72 on Metacritic. Living in Clip, DiFranco's 1998 double live album, is the only one to achieve gold record status to date. DiFranco has been praised by the Buffalo News as the "Buffalo's leading lady of rock music".
In Or Out
Ani DiFranco Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Guess I don't fit in
No one wants to touch it
No one knows where to begin
I've got more than one membership
To more than one club
And I owe my life
To the people that I love
He looks me up and down
Like he knows what time it is
Like he's got my number
Like he thinks it's his
He says,
Call me, miss DiFranco,
If there's anything I can do
I say,
It's Mr. DiFranco to you
Some days the line I walk
Turns out to be straight
Other days the line tends to
Deviate
I've got no criteria for sex or race
I just want to hear your voice
I just want to see your face
She looks me up and down
Like she thinks that I'll mature
Like she's got my number
Like it belongs to her
She says,
Call me, Ms. DiFranco
If there's anything I can do
I say, I've got spots
I've got
Stripes, too
Their eyes are all asking
Are you in, or are you out
And I think, oh man,
What is this about?
Tonight you can't put me
Up on any shelf
'cause I came here alone
I'm gonna leave by myself
I just want to show you
The way that I feel
And when I get tired
You can take the wheel
To me what's more important
Is the person that I bring
Not just getting to the same restaurant
And eating the same thing
Guess there's something wrong with me
Guess I don't fit in
No one wants to touch it
No one knows where to begin
I've more than one membership
To more than one club
And I owe my life to the people that I love
The song "In Or Out" by Ani DiFranco is a commentary on her personal struggles with her identity and sexuality. The lyrics convey her desire to break free from the societal norms and labels that people try to place on her. She feels like there is something wrong with her because she doesn't fit in and people don't know where to begin with her. DiFranco is a free spirit who is comfortable with her fluidity when it comes to sexual preference and race, and she doesn't want these labels to define her.
The chorus "Their eyes are all asking, are you in, or are you out?" is a question that she is sick of answering. The verse "Some days the line I walk turns out to be straight, other days the line tends to deviate" highlights the struggle she has in conforming to societal norms. DiFranco doesn't want to be placed into a box or be told how to behave based on her gender and sexuality. She wants to be understood and accepted for who she is, not just for what she represents.
The lyrics also touch on gender power dynamics, as the male character in the song is addressed as "Mr. DiFranco" whereas the female character is addressed as "Ms. DiFranco". This could be seen as a way for the male character to assert his dominance and reinforce gender roles, whereas the female character is challenging these norms.
Overall, "In Or Out" is a song about challenging societal norms, breaking free from labels, and embracing one's true identity. It is a powerful anthem for anyone who feels like they don't fit in or are struggling to find their place in a world that tries to force them to conform.
Line by Line Meaning
Guess there's something wrong with me
An expression of feeling out of place and not fitting in with societal norms
Guess I don't fit in
A continuation of feeling like an outsider
No one wants to touch it
Others are hesitant to engage or relate because of perceived differences
No one knows where to begin
Others don't know how to approach or start a conversation because of the perceived differences
I've got more than one membership
Belonging and identifying with multiple groups or communities
To more than one club
Belonging to multiple social groups, possibly with conflicting beliefs or values
And I owe my life
Showing gratitude towards the people who have supported and helped shape one's life
To the people that I love
Furthering expression of appreciation and gratitude to loved ones
He looks me up and down
Receiving judgment or appraisal from someone based on appearance or identity
Like he knows what time it is
As if he has a solid understanding or opinion of her
Like he's got my number
Implying a sense of control or power over her
Like he thinks it's his
Believing that he has ownership or authority over her
He says,
Beginning of a dialogue or interaction with the male subject
Call me, miss DiFranco,
Suggesting an unequal or disrespectful relationship by referring to her in a formal way
If there's anything I can do
Offering help or assistance, possibly insincerely or condescendingly
I say,
Response to the male subject's statements
It's Mr. DiFranco to you
Asserting equality and self-respect by requesting to be addressed properly
Some days the line I walk
Reflecting on the fluidity of one's identity and experiences
Turns out to be straight
Occasionally, one's identity feels clear and defined
Other days the line tends to
At other times, one's identity feels more nebulous or unclear, leading to confusion or instability
Deviate
Reference to moving away from societal norms or expectations
I've got no criteria for sex or race
Stating one's lack of judgment or basis for treating individuals differently based on sex or race
I just want to hear your voice
Emphasizing that communication and understanding is important regardless of identity
I just want to see your face
Further highlighting the importance of moving beyond superficial appearances
She looks me up and down
Similar treatment to the first male subject, however, this time from a woman's perspective
Like she thinks that I'll mature
Implying that she does not currently see the singer as mature, possibly due to differences in identity
Like she's got my number
Again, referring to a sense of control or power being exerted over the singer
Like it belongs to her
Further use of ownership language to show control over the artist
She says,
Beginning of a dialogue or interaction with the female subject
Call me, Ms. DiFranco
Similar to the male subject's treatment of calling her 'miss,' showing a lack of respect or recognition towards the singer
I've got spots
Asserting differences and individuality despite attempts at labeling or categorizing the singer
I've got
Continuation of asserting differences and individuality
Stripes, too
Yet another way in which the artist resists labeling and defies categorization
Their eyes are all asking
Feeling a sense of scrutiny or judgement from others based on perceived differences
Are you in, or are you out
Querying the singer's qualifications for belonging and inclusion in social groups or communities
And I think, oh man,
Showing a sense of confusion, possibly mixed with frustration or isolation
What is this about?
Questioning why others feel the need to segregate or categorize based on identity
Tonight you can't put me
Asserting independence and self-assurance
Up on any shelf
Refusing to be controlled or categorized by others
'cause I came here alone
Showing that the artist does not need others to feel fulfilled or validated
I'm gonna leave by myself
End assertion of independence and self-reliance
I just want to show you
Expressing a desire for connection and understanding despite perceived differences
The way that I feel
Further emphasizing the importance of genuine communication and empathy regardless of identity
And when I get tired
Expressing vulnerability and the need for support and mutual understanding
You can take the wheel
Offering mutual support and an equal partnership rather than exerting dominance or control
To me what's more important
Stating the artist's priorities in a relationship or interaction
Is the person that I bring
Emphasizing that one's identity and individuality should not be ignored or diminished for the sake of social normativity
Not just getting to the same restaurant
Further illustrating that the connection and mutual respect between individuals is more important than seeking out conformity and similarity
And eating the same thing
Finalizing the importance of seeing past superficial similarities and differences to embrace genuine connection and understanding
Lyrics Ā© A SIDE MUSIC LLC D/B/A MODERN WORKS MUSIC PUBLISHING, BMG Rights Management, Universal Music Publishing Group
Written by: CANDY DULFER, GEORGE JR. PAJON, PRIESE PRINCE LAMONT BOARD, REBEKAH JOY LEBEAU
Lyrics Licensed & Provided by LyricFind
rainbowsOnmyeyeballs
Omg yes. Everything about this. Especially all those funky 90s hairstyles of hers
booberfragil
I love all of her music!
Richard H Blumberg
1997, was the fortunate year that Ani Difranco came to the Immaculately ornateĀ "State Theatre Center For The Arts" in Easton, PA. WHAT A KICK-ASS NIGHT THAT I WILL NEVER FORGET!
Ani Difranco: From the live 3CD collection "Living in Clip"; the "Little Ditty" called "In or Out"!
Fanbam
<3
Russell March
Thank You 4real!
Whew.